Aaron Leppanen and Gabriela AnkerによるMareNostrum 集合住宅

Aaron Leppanen and Gabriela AnkerによるMareNostrum 集合住宅は、建築・建物・構造物デザインコンペティションカテゴリーにおける非常に権威ある2020 A' Design Award 銀賞の優れた受賞作品です。

銀建築· 2020

MareNostrum 集合住宅

デザイナー： Aaron Leppanen and Gabriela Anker

クライアント: Romero & Pazmiño Ingeniería Inmobilaria

建築カテゴリーのA' Design Award 銀賞受賞者

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デザイン

MareNostrum 集合住宅について

MareNostrum（マーレ・ノストゥルム）は、エクアドルのキトに建つ8階建ての集合住宅である。その名はラテン語で「我らの海」を意味し、ファサードはローマ艦隊の櫂（オール）の動きを再解釈したものである。曲線を描くファサードは大きなバルコニーを形成し、内部空間を外部へと延長する。2層分にわたって切り取られたコーナーは日射を遮る日陰を生み出すとともに、住民同士が出会う場となる。建物にはスイート、2ベッドルームおよび3ベッドルームの住戸、ロフトが備わり、屋上テラスにはラウンジと緑地が設けられている。パッシブ手法により、自然光と自然換気を確保している。

受賞

A' Design Award 銀賞について

MareNostrum 集合住宅は、見事で印象的なハイエンドのデザインに授与される、非常に権威ある評価である A' Design Award 銀賞の受賞作品です。銀賞の受賞作品は、きわめて輝かしく創造性に富んだ作品であり、デザイナーの傑出した専門知識、才能、洞察力を示しています。MareNostrum 集合住宅は、素晴らしい代表作であり、驚くほどプロフェッショナルで、深く革新的であることが期待されます。この A' Design Award 銀賞を受賞したデザインは、非常に注目すべき称賛される発明であり、芸術・科学・デザイン・技術の境界に寄与し、それを前進させます。MareNostrum 集合住宅は、多くの人に羨まれる創造物であり、欲求を呼び覚まし、前向きな感情をもたらし、驚きと感嘆を灯します。

デザインの裏側

プレスキット

デザイナーが提供するクレジット、チームメンバー、技術的な詳細。

独自の特性: Throughout the 8 story residential building, the movement of the facade generates large balconies, which extends the interior space to the exterior. The form has passive sustainability strategies, such as ventilation and natural light. The volume of the building allows different types of apartments, suites, 2 bedrooms, 3 bedrooms and lofts. In addition, social spaces are created inside the building, such as a lounge and green areas on the terrace, to take advantage of the urban context.
寸法とパッケージ: The building has 8 stories and 3 underground levels in a 1250 square meters lot. The total construction area is 8,800 square meters. The building has a reinforced concrete structure with steel deck floor plates.
タグ: Sea , Waves , Urban , Facade , Residential
製造技術: The facade and the lobby have the same language in their design. However the facade was constructed with conventional masonry blocks and mortar. The lobby in contrast was built with a combination of digital fabrication and artisan work. The unique lobby forms were made with a cnc cut mdf structure and colorado wood panels cut by hand. The use of complementary digital and artisan construction techniques was key to attain such unconventional forms in a setting like Ecuador.
デザインの課題: The historical connection that the site of the project had with the sea inspired the form. The local construction technology however gave limitations on how this form would be attained. After evaluating different materials , the conventional masonry blocks and cement materials were used in a sculpted work with the local artisans to build the wave inspired facade. The combination of these curved walls and wooden accents below the cantilevered floor plate extensions created the desired volume.
リサーチ: Our office research primarily focuses on form finding through organic efficiencies. Specifically varied repetition is of interest, looking for models of difference through a similar design process. The objective behind this research is to identify potential insights and techniques that can be implemented in our iterative design process. Methods include digital sketching in rhino and grasshopper and physical printed models. In the iterative process, experimentation is the most important aspect in the search for potential architectural solutions. These experiments are tested against the various project parameters, which could include; zoning, context, client preferences, marketing strategies, constructability and other conceptual criteria. The result of this process is constructible yet experimental design that has movement, emotion, repetition and a physical presence in our community.
インスピレーション: The site of the project was named Mare Nostrum after an existing restaurant, whose latin meaning is our sea. The ancient Romans baptized what is now the Mediterranean Sea with this name. Inspired in this context, the movement that the oars of the fleets of the Roman Empire used centuries ago to protect their territories is reinterpreted on its facade. Reinforcing this concept an experience of movement is created for the users inside and outside the spaces.
プロジェクト期間: The project started in 2016 and was completed in 2019 in Quito, Ecuador.
オペレーションフロー: The characteristic cutout corners, spanning over two levels, give the building a softer attitude. They also create spaces and opportunities for neighbors to interact with each other, between the balconies of differing depth.
The cutout corners also provide shade protecting from the hot Andean sun.
チームメンバー: Aaron Leppanen
Gabriela Anker
Sofía Chávez
Caroline Dieden
José Silva
Gabriela Valdéz Mena
画像クレジット: BICUBIK