Wonderland Interior design di un centro espositivo di Chengzhe Zhang

Il progetto Wonderland Interior design di un centro espositivo di Chengzhe Zhang è un vincitore molto stimato del prestigioso 2020 A' Design Award d'Argento nella categoria Design di Spazi Interni ed Esposizioni.

ArgentoInterni· 2020

Wonderland Interior design di un centro espositivo

di Chengzhe Zhang

Cliente: Shanghai Hongshida Real Estate Development Co., LTD

Vincitore del premio A' Design Award d'Argento nella categoria Interni

25,685

Vincitore del Premio Verificato

Verifica lo Stato del Premio per #92667

Vedi su A' Design Award Comunicato stampa Badge del premio

Colori

Il Design

Informazioni su Wonderland Interior design di un centro espositivo

Wonderland è l'interior design di un centro espositivo a Shanghai, in Cina. Il progetto si ispira a "Il paradiso di Taoyuan", un dipinto paesaggistico del pittore Qiu Ying della dinastia Ming, e applica tonalità verdi, rosa e bianche a uno spazio raccolto e silenzioso. Una parete in ardesia grigia cela inizialmente la vista, mentre lungo il percorso si rivela la sala principale alta dieci metri. Il passaggio centrale conduce all'area conferenze, all'area espositiva e alla sala da tè. Librerie a pavimento e schermi traforati dalle geometrie definite suddividono gli ambienti. Un'installazione sospesa in vetro composta da oltre 5.000 petali di pesco è stata montata interamente a mano.

Il Riconoscimento

Informazioni sul A' Design Award d'Argento

Wonderland Interior design di un centro espositivo ha vinto l'A' Design Award d'Argento, un riconoscimento enormemente prestigioso conferito a design di fascia alta, splendidi e impressionanti. I vincitori d'Argento sono opere tremendamente brillanti ed estremamente creative che illustrano l'eccezionale competenza, il talento e l'acume dei loro designer. Ci si aspetta che Wonderland Interior design di un centro espositivo sia un'opera meravigliosa, una vetrina di eccellenza, notevolmente professionale e profondamente innovativa. Questo design vincitore dell'A' Design Award d'Argento è un'invenzione molto notevole e ammirata che giova ai confini dell'arte, della scienza, del design e della tecnologia e li fa avanzare. Wonderland Interior design di un centro espositivo è una creazione molto invidiata che evoca desideri, porta sentimenti positivi e accende meraviglia e stupore.

Dietro il Design

Press Kit

Crediti, membri del team e dettagli tecnici forniti dal designer.

Proprietà Uniche: Since the year 907 AD, the Chinese people's ambiguity
about the Taoyuan space has gone through a series of
evolutions from earthly legends to images of physical
space, finally being transformed from the abstract into
something which can be incorporated into everyday
life, where the Tao Yuanming space was replaced by the
living room. The narrative of Wonderland is the most profound.
In the modern urban environment, the industrialized
environment has been separated from the natural
environment.
Dimensioni e Confezionamento: Time in the usual sense can be roughly divided into two types. One is the time in nature when flowers are blooming and the seasons are changing, the other is the time in space, which is caused by the rotation of the earth. How people view the space and what they get out of it will depend on their different experiences.
Tag: Exhibition Center, Oriental aesthetics, Localization, Taoyuan Wonderland, Natural
Tecnologia di Produzione: From the open landscape to the inside, the designer Mr. Alessio Chengzhe Zhang first considers the space experience of the visitors, the gray slate wall obscures the line of sight and as they pass along the path, the main 10 meter high space is revealed, filling the visitors with awe. As they continue along the central passage, the layout of the functional areas such as the conference area, the exhibition area and the tea room unfold before their eyes.
Sfida Progettuale: The large glass art installation suspended in the air is a response to these two concepts of time. It consists of pink-white peach petals each of different size, brightness and width, simulating the temporal dynamics of natural movement. More than 5,000 glass petals were all manually installed on site to achieve the final result, which also serves as a visual guide in the actual use of space.
From the opening and closing of the space, the abstraction of color to the artistic interpretation of time, the classic literary image has completed a series of retellings at the hands of the designers.
Ricerca: In traditional Chinese painting, landscapes usually incorporated the triple concept of far, with the painter mainly trying to emphasize the subtle characteristics in the space. In order to avoid the panoramic effect in the large space, the canvas mainly focuses on the near and far, which becomes the boundary between the different functional areas. Here the surrounding floor-standing bookshelves and geometric hollow screens can create subtle light and shadow changes in space, while changing both inside and outside. These ideas all stem from the interpretation of landscape painting, representing the height of artificial nature.
Ispirazione: The Ming dynasty painter Qiu Ying has a painting called Taoyuan
Wonderland. The painter meticulously depicts the life hidden in the mountains: green mountains and clear water. Several white people who are detached from the world are sitting down by the creek and enjoying nature.
IADC chief designer Mr. Alessio Chengzhe Zhang was inspired by the masterpieces of Chinese landscape painters, applying the green, pink and white symbols of the pastoral forests to this quaint space.
Durata del Progetto: The Project started in January 2018 in Shanghai China
Flusso Operativo: From the opening and closing of the space, the abstraction of color to the artistic interpretation of time, the classic literary image has completed a series of retellings at the hands of the designers. It signals both inheritance of tradition and the beginning of a new life in the future.
Membri del Team: Mingxin Lu
Yunhui Tang
Crediti Immagini: Main Image: Photographer Hai Zhu, 2018