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TMD Journal Rivista by Tomohiro Kaji
TMD Journal Rivista by Tomohiro Kaji
TMD Journal Rivista by Tomohiro Kaji
TMD Journal Rivista by Tomohiro Kaji
TMD Journal Rivista by Tomohiro Kaji

Argento Stampa · 2026

TMD Journal Rivista

by Tomohiro Kaji

  • A' Design Award d'Argento 2026 in Stampa
  • CLIENT: Tomodachi Ltd.
  • Estimated Number of Design Views: 21,105
  • Verification code F259D6E39F · Verify this award
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About TMD Journal Rivista

TMD Journal analizza il type design non come stile visivo, ma come un sistema strutturato che organizza il significato. In risposta all'uso diffuso dei font digitali come elementi puramente superficiali, la pubblicazione riposiziona la tipografia come mezzo per costruire pensiero e comunicazione. Ogni capitolo presenta un sistema tipografico originale attraverso la sua premessa concettuale, la logica strutturale e il contesto applicativo, mostrando come le scelte tipografiche si traducano in forma e utilizzo. La rivista offre un quadro di riferimento per comprendere il type come componente attivo nel branding e nella comunicazione.

About the A' Design Award d'Argento

TMD Journal Rivista ha vinto l'A' Design Award d'Argento, un riconoscimento enormemente prestigioso conferito a design di fascia alta, splendidi e impressionanti. I vincitori d'Argento sono opere tremendamente brillanti ed estremamente creative che illustrano l'eccezionale competenza, il talento e l'acume dei loro designer. Ci si aspetta che TMD Journal Rivista sia un'opera meravigliosa, una vetrina di eccellenza, notevolmente professionale e profondamente innovativa. Questo design vincitore dell'A' Design Award d'Argento è un'invenzione molto notevole e ammirata che giova ai confini dell'arte, della scienza, del design e della tecnologia e li fa avanzare. TMD Journal Rivista è una creazione molto invidiata che evoca desideri, porta sentimenti positivi e accende meraviglia e stupore.

Press Kit

Unique Properties
TMD Journal positions typefaces as systems that organise meaning rather than visual styles. Each typeface is examined through its conceptual premise, structural logic and applied context within a unified publication.

By combining original type development with editorial analysis, the journal establishes a framework where typography is not presented as form, but understood as a system that shapes communication, identity and interpretation.
Dimensions & Packaging
210 × 297 mm (A4)
52 pages
Tags
Typography, Editorial Design, Type Design, Print Publication, Typographic Research, Visual Communication, Branding System, Independent Publishing, Communication Design, Design Systems
Production Technology
The publication is constructed as a sequence of chapters, each dedicated to a distinct type system. The editorial structure follows a consistent progression from concept to structure to application.

This method translates abstract typographic ideas into a readable system, allowing relationships between design decisions and communication outcomes to become visible through use rather than explanation.
Design Challenge
The primary challenge was translating conceptual typographic research into a coherent editorial system. Typefaces informed by historical structures needed to function within a contemporary format while maintaining clarity and usability.

Balancing conceptual depth with readability required continuous iteration. Maintaining consistency across multiple type systems while preserving their individual logic was critical to achieving both coherence and distinction.
Research
Type of Research
Practice based research in typographic systems and communication design

Objective
To examine how typefaces construct meaning and function within branding and editorial contexts

Methodology
Comparative analysis of historical typography and experimental type development

Process and Tools
Archival references, typographic specimens and digital type design software

Outcome
A publication demonstrating how typographic structure influences communication

Impact
Provides a framework for integrating typography into branding systems
Inspiration
In the digital era, typefaces are increasingly consumed as visual surfaces detached from the ideas they were originally designed to express. Historically, typography functioned as a medium for structuring thought and communication.

This project begins with a question: can type operate again as a system that carries meaning rather than appearance. Drawing from typographic history and calligraphic traditions, TMD Journal reconsiders the role of type as an active structure within communication.
Project Duration
The typefaces were developed between March 2023 and September 2025. Editorial research and design were conducted in parallel.

The journal was completed and published in November 2025 in Kamakura, Japan.
Operation Flow
The journal is read sequentially through chapters, each focusing on a typeface. Readers move from conceptual explanation to structural breakdown and then to application examples.

This structure allows readers to actively understand how typographic decisions influence meaning, shifting the experience from passive viewing to analytical reading.
Image Credits
Images: Tomodachi Ltd

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