Hönnunarverkið Medieval Rethink Miðalda Endurhugsa Menningarmiðstöð eftir QUAD studio er hávirt verðlaunaverk sem hlaut hin virtu 2020 A' Design Award í silfri verðlaun í keppnisflokknum Arkitektúr, bygginga- og mannvirkjahönnun.
SilfurArkitektúr· 2020
Medieval Rethink Miðalda Endurhugsa Menningarmiðstöð
eftir QUAD studio
Viðskiptavinur: QUAD studio
Handhafi A' Design Award í silfri í flokknum Arkitektúr
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Staðfesta verðlaunastöðu fyrir #98029Hönnunin
Um Medieval Rethink Miðalda Endurhugsa Menningarmiðstöð
Rethink frá miðöldum var svar við einkanefnd um að reisa menningarmiðstöð fyrir lítið óupplýst þorp í Guangdong héraði sem er frá 900 árum til Song Dynasty. Fjögurra hæða, 7000 fm uppbygging er miðju við forna bergmyndun þekkt sem Ding Qi steinninn, tákn um uppruna þorpsins. Hönnunarhugmynd verkefnisins er byggð á því að sýna sögu og menningu forna þorpsins og tengja hið gamla og það nýja. Menningarmiðstöðin stendur sem endurskýring á fornu þorpi og umbreytingu í nútíma arkitektúr.
Viðurkenningin
Um A' Design Award í silfri
Medieval Rethink Miðalda Endurhugsa Menningarmiðstöð vann A' Design Award í silfri, gífurlega virta viðurkenningu sem veitt er hönnunarverkum í fremstu röð, stórfallegum og áhrifamiklum. Sigurvegarar í silfri eru ákaflega snjöll og afar skapandi verk sem sýna framúrskarandi sérfræðiþekkingu, hæfileika og skarpskyggni hönnuða sinna. Þess er vænst að Medieval Rethink Miðalda Endurhugsa Menningarmiðstöð sé dásamlegt sýningarverk sem er einstaklega fagmannlegt og djúpt nýstárlegt. Þetta hönnunarverk sem vann A' Design Award í silfri er mjög athyglisverð, dáð uppfinning sem gagnast og færir mörk listar, vísinda, hönnunar og tækni fram á við. Medieval Rethink Miðalda Endurhugsa Menningarmiðstöð er mjög öfunduð sköpun sem vekur langanir, færir jákvæðar tilfinningar og kveikir undrun og aðdáun.
Á bak við hönnunina
Fjölmiðlapakki
Heimildir, hópmeðlimir og tæknilegar upplýsingar frá hönnuðinum.
- Einstakar eiginleikar
- The cultural centre becomes the new destination for villagers to congregate and to socially interact. Here, opportunities arise to great a truly cultural contemporary icon inspired by a historical monument that links old and new.
We make a focus in the cultural centre. An object that is the primary function, a multipurpose hall that most villagers will congregate in large social events. Other functions are clustered around the object that naturally creates internal streets and courtyards that are filled with an abundance of natural landscape. - Stærðir og umbúðir
- Approx. 7000 square metre GFA
- Merki
- cultural centre, abstraction, guangdong, songdynasty, dingqistone
- Framleiðslutækni
- Firstly, designers break down the village into components of Positive and Negative space. Defining functions as objects and stitching these objects together to natural courtyards of green space.
They make a focus in the cultural centre. An object that is the primary function, a multipurpose hall that most villagers will congregate in large social events. Other functions are clustered around the object that naturally creates internal streets and courtyards that are filled with an abundance of natural landscape. - Hönnunaráskorun
- Cultural Differences - The cultural centre was designed for the villagers as their space for social interaction. To design the centre, designers had to meet with the villagers and discuss their personal needs for this project. Apart from understanding their culture, the main difficulties come in syphering all their needs and wants information into a design. Only when one to understand their culture can then try to rethink the whole idea of what a cultural centre means to the villager.
The Abstraction – Abstracting the village into the design took a lot of patience and work so that the final design truly depicts the chosen narrative. By stripping off the facade, a picture like frame is left behind. What it does is it focuses audience's eye towards the objects within the frame. If one to superimpose an image of the medieval village in the frame, a framed skyline of the medieval village appears. Abstraction occurs when the skyline is then pixelated. Using dark and light shades of pixels, designers generate an abstraction with a notion of depth. Abstraction creates a shading device and multi layering of the facade together with the objects inside the cultural centre creates a rich composition depicting a visual depth beyond the facade.
Recreating the village – Ultimately, to create a place that will enhance the lives of the villagers. Creating a narrative for the cultural centre not only help the design collective to create a very special place, it is also an attempt to capture an emotional response for any individual visiting the place. The medieval village has already manifested itself in the planning of the functional objects, the facade and also in the internal public realm. - Rannsóknir
- The design team has gone through a thorough research on the context and the history of the Zhu Pu Village, the study has become a very influential part on building a narrative on the project and later being represented through the design of the spaces.
Exploration of the existing village - Walking around the village, inspired by the scale and how man and nature exist in harmony. Beautifully preserved, the village of Zhu Pu dates to the Song dynasty. With its organic concentric planning, it relates itself to many medieval Chinese urban planning principles. - Innblástur
- Medieval Rethink was an opportunity to recreate a medieval environment in a contemporary cultural setting. The narrative and design approach of the cultural centre has been extensively explored previously. Located in the norther province of Guangdong, this Contemporary Cultural Centre will not only showcase the history culture of the 900-year-old village, it will also function as a cultural exhibition centre and will attract thousands of visitors from all over the region.
- Lengd verkefnis
- The project started in August 2017 in an undisclosed Village in Fujian, China.
- Verkflæði
- As the ground floor is an active floor with many active functions and visitor, the cultural centre is designed to free up the ground plane as much as possible to allow for pedestrian traffic.
- Liðsmenn
- Wai Tang
Kelvin Chu
Landy Liu
Wesley Fung
Samuel Tam - Myndheimildir
- Image #1, Pictury
Image #2, Submarina
Image #3, SAN CG
Image #4, SAN CG
Image #5 SAN CG
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