Coming of Age Ljósmyndun eftir Ismail Niyaz Mohamed

Hönnunarverkið Coming of Age Ljósmyndun eftir Ismail Niyaz Mohamed er hávirt verðlaunaverk sem hlaut hin virtu 2020 A' Design Award í járni verðlaun í keppnisflokknum Ljósmyndun og ljósmyndavinnsla.

JárnLjósmyndun· 2020

Coming of Age Ljósmyndun

eftir Ismail Niyaz Mohamed

Viðskiptavinur: Ismail Niyaz Mohamed

Handhafi A' Design Award í járni í flokknum Ljósmyndun

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Uppgötvaðu núna Heimsækja vefsíðu Skoða hjá A' Design Award Fréttatilkynning Verðlaunamerki

Litir

Hönnunin

Um Coming of Age Ljósmyndun

Í Japan er Coming of Age fagnað þegar stelpur og strákar verða tvítugir. Þetta er mikilvægt tilefni þegar þeir yfirgefa unglingana og verða fullorðnir með réttindi, skyldur og frelsi. Það er formlegur atburður á lífsleiðinni. Stelpurnar klæðast venjulega kímónó og strákarnir kímónó eða vestfirskt föt. Árlega er tilefnið merkt á öðrum mánudegi janúar.

Viðurkenningin

Um A' Design Award í járni

Coming of Age Ljósmyndun vann A' Design Award í járni, virta viðurkenningu sem veitt er góðum hönnunarverkum sem uppfylla þær faglegu og iðnaðarlegu kröfur sem gerðar eru til vel hannaðra sköpunarverka. Sigurvegarar í járni sýna mikla færni, mikla sérhæfingu, sérfræðiskilning og skapandi getu höfunda sinna. Þess er vænst að Coming of Age Ljósmyndun sé mjög metið, dáð og elskað sköpunarverk sem er hagnýtt og nýstárlegt. Þetta hönnunarverk sem vann A' Design Award í járni sameinar bestu starfsvenjur greinarinnar og hefur hæfa tæknilega eiginleika tengda þekkingu og hæfileikum. Coming of Age Ljósmyndun er virt fyrir nákvæmni sína og er hannað til að veita lífsgæðabætur sem hjálpa til við að gera heiminn að betri stað.

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Fjölmiðlapakki

Heimildir, hópmeðlimir og tæknilegar upplýsingar frá hönnuðinum.

Einstakar eiginleikar: Coming of age day is a ceremony celebrated in Japan when they turn 20 years old, they are officially considered adults in the society and have more rights, responsibilities and liberties. It is a formal event held once in a lifetime which is held on every second Monday of January each year where girls wear Kimono's and boys wear suit and tie or a traditional men's kimono. It is also a spiritual event where many go to a Shrine to pray for health and prosperity.
Stærðir og umbúðir: Nikon D4
1/100 sec f2.8
14mm
ISO 160
Merki: japan, culture, traditional, kimono, bamboo
Framleiðslutækni: Nikon D4 DSLR
AF-S NIKKOR 14-24mm F2.8G ED
Hönnunaráskorun: The most difficult part of this project was the crowd of tourists visiting the Bamboo garden. I had to make sure that no one was on the frame. Even then the background had people which had to be removed in the post production stage.
Rannsóknir: Bamboo has a lot of significance in the Japanese culture relating to human character. Bamboo is hollow inside how a young adult should ideally be when they leave their teens: leaving behind all the negativity of the teen years behind and receive knowledge and wisdom for the growth, and find wisdom in emptiness. The hard body of the bamboo firmly sways with the wind with harmony which is a symbol of humility. It is also a very strong tree which survives in in the harshest climates from extreme winters to hot summers. These characteristics are important in human life.
Innblástur: The photo shoot was taken in a Temple called Hokokuji in Kamakura. I chose this location because of the Bamboo Garden inside the temple.
Bamboo is a very strong plant and it is a symbol of prosperity and it is also a symbol of purity and innocence and good luck in Japanese culture. Bamboo trees are the fastest growing plants in the world and it is important to the culture and tradition of Japan.
Lengd verkefnis: It was a day project starting and ending on 22 November 2015. The location was Hokokuji Temple, Kamakura, Japan
Verkflæði: I took a full day to do this shoot as there were many factors involved in this project like Hair and makeup, kimono fitting, traveling etc. One of the biggest challenge was the crowd. I spent a lot of time waiting for the people to pass and to clear the area and had to do post processing to remove unwanted objects from the frame later.
Liðsmenn: Ismail Niyaz Mohamed (Photographer)
Ismail Niyaz Mohamed (Art Direction)
Nagisa Sakurai (Hair & Makeup Artist)
Misaki Kawaguchi (Model)
Myndheimildir: Ismail Niyaz Mohamed (Photographer)