Three Worlds Handtöskur eftir Gaja Hanzel

Hönnunarverkið Three Worlds Handtöskur eftir Gaja Hanzel er hávirt verðlaunaverk sem hlaut hin virtu 2026 A' Design Award í járni verðlaun í keppnisflokknum Hönnun tísku- og ferðaaukahluta.

JárnFylgihlutir· 2026

Three Worlds Handtöskur

eftir Gaja Hanzel

Handhafi A' Design Award í járni í flokknum Fylgihlutir

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Staðfestur verðlaunahafi

Staðfesta verðlaunastöðu fyrir #178374

Heimsækja vefsíðu Skoða hjá A' Design Award Fréttatilkynning Verðlaunamerki

Litir

Hönnunin

Um Three Worlds Handtöskur

Handtöskusafnið Þrír heimar eitt hjarta kannar mót arfleifðar frásagnar og nútímahönnunar. Handtöskurnar eru þróaðar sem frásagnarhlutir sem umbreyta menningarlegum áhrifum frá þremur svæðum í mynstur, form og litaspjöld. Handunnar úr plöntumiðuðum leðurvalkostum og prentuðum náttúrulegum textíl, jafnar hver handtaska notagildi og tilfinningalega dýpt. Safnið leggur áherslu á tímalausa hönnun, staðbundna framleiðslu og hlutverk handtöskunnar sem persónulegs bera minninga og hreyfingar.

Viðurkenningin

Um A' Design Award í járni

Three Worlds Handtöskur vann A' Design Award í járni, virta viðurkenningu sem veitt er góðum hönnunarverkum sem uppfylla þær faglegu og iðnaðarlegu kröfur sem gerðar eru til vel hannaðra sköpunarverka. Sigurvegarar í járni sýna mikla færni, mikla sérhæfingu, sérfræðiskilning og skapandi getu höfunda sinna. Þess er vænst að Three Worlds Handtöskur sé mjög metið, dáð og elskað sköpunarverk sem er hagnýtt og nýstárlegt. Þetta hönnunarverk sem vann A' Design Award í járni sameinar bestu starfsvenjur greinarinnar og hefur hæfa tæknilega eiginleika tengda þekkingu og hæfileikum. Three Worlds Handtöskur er virt fyrir nákvæmni sína og er hannað til að veita lífsgæðabætur sem hjálpa til við að gera heiminn að betri stað.

Á bak við hönnunina

Fjölmiðlapakki

Heimildir, hópmeðlimir og tæknilegar upplýsingar frá hönnuðinum.

Einstakar eiginleikar: The Three Worlds One Heart handbag collection is based on a biographical design concept translating personal histories from three countries into functional objects. Each model reflects the distinct lifestyles of three sisters: a travel companion, a compact everyday bag, a market drawstring tote, and a vintage inspired silhouette for day and evening use. Three original prints, rooted in memory and cultural heritage, appear on exterior or lining. The series comprises four handbags in three color variations, combining narrative depth, functionality, and lasting emotional value.
Stærðir og umbúðir: There are 4 tipes of bags in the collection. The bag sizes are: 41 x 20 x 16 cm, 26 x 20 x 5 cm, 24 x 26 x 15 cm, 35 x 17 x 12 cm.
Merki: bag design, pattern design, cultural heritage, women's handbag, timeless design, original prints
Framleiðslutækni: The project applies a narrative driven design methodology, transforming biographical research into functional products. Textile patterns were developed combining hand-drawn motifs and digital refinement, forming a cohesive visual system inspired by cultural heritage, landscapes, and personal memories. Bags are crafted from cotton and apple waste leather alternative featuring original digital prints. Each form was refined through prototyping and structural testing, resulting in balanced proportions and functional clarity, with shapes inspired by each bag’s intended use and the region where the sisters lived.
Hönnunaráskorun: The main challenge was translating intimate family narratives and diverse cultural contexts into a cohesive and contemporary handbag designs while maintaining functional clarity. Developing original prints that respectfully reflect three cultural environments required extensive research into heritage, symbols and color language. Additional challenges included technical limitations of materials, local production, and pattern scalability, which demanded iterative experimentation to ensure functional, durable, and ethically produced designs.
Rannsóknir: This project is based on qualitative, practice led design research. The objective was to explore how family history, regional cultural heritage, and everyday lifestyles can inform contemporary handbag forms and textile patterns. The research translated personal and regional narratives using visual research, cultural analysis, original print development, material testing and prototyping. Data came from archives, family narratives, field visits, and photography. Results produced cohesive patterns and functional forms, translating memory, culture, and daily life into versatile handbags.
Innblástur: The handbags originate from an intimate family narrative, inspired by the life stories of three sisters, including my grandmother, whose lives unfolded across three countries: Slovenia, Croatia and North Macedonia. Their stories initiated an indepth research process into personal memories, cultural heritage and architectural forms, which shaped the overall designs and original prints, translating memories and cultural identity into a cohesive visual language.
Lengd verkefnis: The project began in June 2025 in Gorizia, Italy and ended in November 2025 in Sezana, Slovenia. It was exhibited at the local cultural center in Slovenia.
Verkflæði: The collection offers versatile carrying options for everyday use. Two models feature adjustable and removable straps, allowing shoulder, crossbody, or hand carry. The two larger bags provide ample space for personal items. Textile patterns appear on the exterior for some bags and as lining for others, creating a visual surprise. Each design balances functionality, comfort, and aesthetic appeal, adapting effortlessly to different occasions and styling needs.
Myndheimildir: Image #No 1, 4, 5 : Photographer Dominique Pozzo, Three Worlds, 2025
Image #No 2, 3 : Photographer Gaja Hanzel, Three Worlds, 2025