Hönnunarverkið Enno Cheng Daughters Hönnun tónleikasviðs eftir B'in Live er hávirt verðlaunaverk sem hlaut hin virtu 2025 A' Design Award í silfri verðlaun í keppnisflokknum Sviðslistir, sviðs-, stíl- og leikmyndahönnun.
SilfurSviðslistir· 2025
Enno Cheng Daughters Hönnun tónleikasviðs
eftir B'in Live
Viðskiptavinur: B'in Live
Handhafi A' Design Award í silfri í flokknum Sviðslistir
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Staðfesta verðlaunastöðu fyrir #163893Hönnunin
Um Enno Cheng Daughters Hönnun tónleikasviðs
Daughters er hönnun tónleikasviðs sem byggist á þema samskipta. Aðalsviðið ber fjögur lög af ferningslaga LED-skjám, hver um sig 6 sinnum 6 metrar og skipt í átta einingar sem eru 3 sinnum 6 metrar. Skjáirnir opnast, lokast, teygjast og skarast, og þeir hreyfast lóðrétt og lárétt til að henta hverjum hluta sýningarinnar. Hefðbundnar LED-einingar voru valdar í stað gegnsærra til að ná skýrari ljós- og skuggaáhrifum. Texti, líkamstjáning, hljóð og tákn eru sameinuð á sviðinu til að sýna hvernig skilaboð geta borist yfir tungumálahindranir. Tónleikarnir voru haldnir í Taipei í ágúst 2022.
Viðurkenningin
Um A' Design Award í silfri
Enno Cheng Daughters Hönnun tónleikasviðs vann A' Design Award í silfri, gífurlega virta viðurkenningu sem veitt er hönnunarverkum í fremstu röð, stórfallegum og áhrifamiklum. Sigurvegarar í silfri eru ákaflega snjöll og afar skapandi verk sem sýna framúrskarandi sérfræðiþekkingu, hæfileika og skarpskyggni hönnuða sinna. Þess er vænst að Enno Cheng Daughters Hönnun tónleikasviðs sé dásamlegt sýningarverk sem er einstaklega fagmannlegt og djúpt nýstárlegt. Þetta hönnunarverk sem vann A' Design Award í silfri er mjög athyglisverð, dáð uppfinning sem gagnast og færir mörk listar, vísinda, hönnunar og tækni fram á við. Enno Cheng Daughters Hönnun tónleikasviðs er mjög öfunduð sköpun sem vekur langanir, færir jákvæðar tilfinningar og kveikir undrun og aðdáun.
Á bak við hönnunina
Fjölmiðlapakki
Heimildir, hópmeðlimir og tæknilegar upplýsingar frá hönnuðinum.
- Einstakar eiginleikar
- Communication evolves through various methods and media, making it increasingly diverse. The program showcases different communication modes via music and stage design, ensuring messages are conveyed effectively.
By blending music, visuals, body language, and text, the concert captures each song's essence and instills deeper meanings like human compassion, encouraging reflection and letting profound messages resonate long after. - Stærðir og umbúðir
- To enhance stage dynamics, the screens open, close, stretch, and overlap based on the segment, sometimes forming a complete square for added visual depth. Traditional LED screens are used instead of transparent ones to achieve clearer light and shadow effects through better lighting integration.
The main stage features four 6m x 6m screens divided into eight 3m x 6m rectangles. These screens can move vertically to adapt to different segments and music styles, maximizing their visual impact. - Merki
- Concert, Daughters, Enno, Communication, Language, Music, Message
- Framleiðslutækni
- Effective communication occurs when the sender can express and the receiver can understand. The music arrangement encourages audience interaction, including clapping and movement. Additionally, dancers use sign language and Taiwanese Hokkien to highlight diverse forms of self-expression and understanding. This approach enriches the concert by showcasing how various mediums enhance experiences and convey messages uniquely.
- Hönnunaráskorun
- One major technical challenge is the ceiling load issue. The four layers of LED screens, consisting of eight rectangular panels, need to open horizontally and move vertically.
Balancing screen movement and ceiling load becomes a key concern, making pre-show inspections crucial. Additionally, discussions with the lighting designer lead to choosing Fine Art 156 lights. This choice, due to its unlimited rotation capability, maximizes LED screen configuration while meeting safety load limits. - Rannsóknir
- The concert features four main elements: body language, text, sound, and symbols. Rather than following a traditional sequence, these elements are combined in various ways to create new possibilities. Using four layers of square LED screens that move individually, both horizontally and vertically, creating diverse visual forms. This symbolizes neutral communication elements, where different combinations turn simple messages into unexpected reactions, highlighting endless interaction potential.
- Innblástur
- The Daughters concert, inspired by Wu Ming-Yi's chapter "How the Brain Got Language" from "The Land of Little Rain", complements Enno Cheng's album on communication.
The stage features four square LED screens that move independently, symbolizing communication beyond language barriers. Combining words, gestures, and sounds, it creates dynamic visuals and a chemistry of shared messages, offering a profound and thought-provoking experience focused on human compassion. - Lengd verkefnis
- The concert was held in August 2022 in Taipei.
- Verkflæði
- Communication evolves with technology and time, from an infant's cry and facial expressions to sign language, Morse code, and more.
The "Daughters" concert's stage design and program aim to not only soothe with music but also prompt a re-evaluation of communication's significance. Beyond conveying messages, diverse forms of communication can transcend borders and language barriers, fostering unexpected love and strength for individuals and society. - Liðsmenn
- Creative Director：Crystal Chuang
Show Director：Wenyu Shih
Show Crew：Genie Hsiao / Genie Hsiao / Kelly Wang / Doris Li / Ruby Lin
Technical Coordination：B’in Live
Stage Manager：Shiuan Min Pam
Stage & Set Design：Roni Wu / Nia Chen
Lighting Design：(ANH Design) Hwua Hwua Shen / Ashton Wu / Suschi Chen
Video Content Director：Bonnie Kuo
Video Content Design：Bonnie Kuo / Jessic Chen / Ruby Chi / Nas Weng / Minting Lin / (Phototaxi) Nelson Wu, Mo Lee, Caca Ma
Camera Director：Phoebe Lu
Assistant Camera Director：Sing-ru Lin
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