Daxi Daxi Menningarhátíð Á Staðnum eftir BIAS Architects and Associates

Hönnunarverkið Daxi Daxi Menningarhátíð Á Staðnum eftir BIAS Architects and Associates er hávirt verðlaunaverk sem hlaut hin virtu 2021 A' Design Award í silfri verðlaun í keppnisflokknum Viðburða- og atburðahönnun.

SilfurViðburður· 2021

Daxi Daxi Menningarhátíð Á Staðnum

eftir BIAS Architects and Associates

Viðskiptavinur: Taoyuan City Government, Department of Cultural Affairs, & Daxi Ecomuseum

Handhafi A' Design Award í silfri í flokknum Viðburður

46,694

Staðfestur verðlaunahafi

Staðfesta verðlaunastöðu fyrir #123023

Heimsækja vefsíðu Skoða hjá A' Design Award Fréttatilkynning Verðlaunamerki

Litir

Hönnunin

Um Daxi Daxi Menningarhátíð Á Staðnum

Síðan 2018 hefur BIAS þróað og innleitt borgarhátíð til að hjálpa Daxi Township við að undirbúa helstu trúarathöfn staðarins. Venjulega eru tívanskar athafnir íhaldssamar og byggðar á sveitahefðum sem segja til um strangar reglur. Til að deila sjarma þjóðtrúar með borgarbúum miðlaði BIAS hefðirnar með stefnumótandi setti hönnunarinngripa og athafna sem veita viðburðinum poppmenningarstemningu. BIAS starfaði einkum sem sýningarstjóri og bauð ýmsum ungum listamönnum og hönnuðum til samstarfs við þá sem varðveita gamlar hefðir.

Viðurkenningin

Um A' Design Award í silfri

Daxi Daxi Menningarhátíð Á Staðnum vann A' Design Award í silfri, gífurlega virta viðurkenningu sem veitt er hönnunarverkum í fremstu röð, stórfallegum og áhrifamiklum. Sigurvegarar í silfri eru ákaflega snjöll og afar skapandi verk sem sýna framúrskarandi sérfræðiþekkingu, hæfileika og skarpskyggni hönnuða sinna. Þess er vænst að Daxi Daxi Menningarhátíð Á Staðnum sé dásamlegt sýningarverk sem er einstaklega fagmannlegt og djúpt nýstárlegt. Þetta hönnunarverk sem vann A' Design Award í silfri er mjög athyglisverð, dáð uppfinning sem gagnast og færir mörk listar, vísinda, hönnunar og tækni fram á við. Daxi Daxi Menningarhátíð Á Staðnum er mjög öfunduð sköpun sem vekur langanir, færir jákvæðar tilfinningar og kveikir undrun og aðdáun.

Á bak við hönnunina

Fjölmiðlapakki

Heimildir, hópmeðlimir og tæknilegar upplýsingar frá hönnuðinum.

Einstakar eiginleikar: Lord Guan's birthday celebration is an important traditional event held in the rural outskirts of Taipei. The local people call it "the second Chinese New Year for Daxi," and everyone in the township of Daxi uses to put significant effort into the preparations. Tasked to preserve and promote the event, since 2018, BIAS has developed and implemented an urban festival to help the township preparing for the celebration. The festival has been named "Daxi Daxi," i.e., a play of words that means "Good Luck Daxi." In particular, in 2020, the third installment of "Daxi Daxi," the "Lord Guan Online" concept was implemented, i.e., a creative offline and online approach that 'allows the god's blessings to spread far away' through the new media. This festival strengthened the local community's identity, but the last installment attracted more than 100,000 people to the township. Besides this, an exhibition focused on the "backstage" of the religious event and a show mixing modern and traditional arts were implemented. By this, BIAS hopes that the traditional culture can intertwine with the urban one and, thanks to this, get enough momentum to be preserved for the future.
Stærðir og umbúðir: Total event area: 121,000 sqm
Merki: festival, traditional rural culture, urban pop culture, religion, parade, design as mediation, curating
Framleiðslutækni: The main concept of Daxi Daxi is to combine traditions and pop culture so as to both rejuvenate the audience of Taiwanese religious festivals and deepen the understanding of these by the young generations. In order to achieve this, a curatorial approach was adopted, focused on selecting a series of young artists and designers that could cooperate with those holding the traditions. Most importantly, the artists, designers, and the holders of traditions were supported by BIAS that mediated their cooperation so as to ease their efforts and bring it to a good end. That is to say, BIAS initiated their encounter and acted as a facilitator and translator of their different point of view.
Hönnunaráskorun: The key challenge of the project was at the curatorial level. In particular, it was the selection of third-party artists and designers that could dialogue with those today bringing forward the ancient traditions. Not only but also, it was to create proper occasions for the encounter of these seemingly opposite actors.
Rannsóknir: The research was developed on various aspects, including the following. First of all, it was developed a deep understanding of ancient rituals and those people that carry on the traditions today. Then, it was developed curatorial research on a set of artists and designers that could develop a dialogue and thus intervene in the strategic renewal of traditions. Finally, mediatory research was implemented in order to help the community and the designers collaborate for the good end.
Innblástur: Usually, Taiwanese religious ceremonies are conservative and based on rural traditions that strictly dictate parade rules. To share the charm of the folk beliefs with the urban public, BIAS tried to mediate the ancient traditions by a strategic set of design interventions and educational activities that could provide a contemporary pop culture vibe to the festival.
Lengd verkefnis: The event starts in mid-July and finishes in mid-August each year since 2018 in Daxi, Taiwan. The last installment was held in 2020.
Verkflæði: The key aspects of the festival are to be found in the mixing of various aspects of the traditional parade rules and preparations with popo-culture and aesthetics. In particular, while the traditional aspects were not obliterated or negated in their functionality, touches of a new aesthetics were added and communicated to the large public as the product of a new pride of the local community.
Liðsmenn: Main Curator: BIAS Architects & Associates
Myndheimildir: Image #1: Photographer Yu Dong, 2019
Image #2: Photographer Yu Dong, 2020
Image #3: Photographer Jia-Ying Yang, 2019
Image #4: Photographer Yu Dong, 2018
Image #5: Photographer Jia-Ying Yang, 2018