Hönnunarverkið The Armor Leikbúningur eftir Samantha Chijona Garcia and Vladimir Cuenca er hávirt verðlaunaverk sem hlaut hin virtu 2020 A' Design Award í silfri verðlaun í keppnisflokknum Sviðslistir, sviðs-, stíl- og leikmyndahönnun.
SilfurSviðslistir· 2020
The Armor Leikbúningur
eftir Samantha Chijona Garcia and Vladimir Cuenca
Viðskiptavinur: Jazz Martinez Gamboa
Handhafi A' Design Award í silfri í flokknum Sviðslistir
Staðfestur verðlaunahafi
Staðfesta verðlaunastöðu fyrir #102743Hönnunin
Um The Armor Leikbúningur
Herklæðin eru leikbúningur sem skapaður var fyrir persónuna Ríkharð III í sviðsetningu á leikriti eftir Shakespeare. Búningurinn er gerður úr endurunnu og aflögðu efni. Málmlínur eru saumaðar á tvinnaða jakka, á meðan skarast leðurleggbúnaður myndar sjálfstæða byggingu sem tengd er saman með leðurólum og sylgjum. Hringabrynjuhanski lokar erminni og flauelshattur fóðraður með málmrenningum þjónar sem hjálmur. Hlutina sex má bæta við eða fjarlægja eftir því sem persónan breytist í leikritinu. Hönnunin endurspeglar bæði konunginn og hinn viðkvæma mann innra með honum.
Viðurkenningin
Um A' Design Award í silfri
The Armor Leikbúningur vann A' Design Award í silfri, gífurlega virta viðurkenningu sem veitt er hönnunarverkum í fremstu röð, stórfallegum og áhrifamiklum. Sigurvegarar í silfri eru ákaflega snjöll og afar skapandi verk sem sýna framúrskarandi sérfræðiþekkingu, hæfileika og skarpskyggni hönnuða sinna. Þess er vænst að The Armor Leikbúningur sé dásamlegt sýningarverk sem er einstaklega fagmannlegt og djúpt nýstárlegt. Þetta hönnunarverk sem vann A' Design Award í silfri er mjög athyglisverð, dáð uppfinning sem gagnast og færir mörk listar, vísinda, hönnunar og tækni fram á við. The Armor Leikbúningur er mjög öfunduð sköpun sem vekur langanir, færir jákvæðar tilfinningar og kveikir undrun og aðdáun.
Á bak við hönnunina
Fjölmiðlapakki
Heimildir, hópmeðlimir og tæknilegar upplýsingar frá hönnuðinum.
- Einstakar eiginleikar
- This armor, made with fully recycled materials, mixes metallic corset nerves referring to the classic western armor, topped by a butcher's chainmail glove that evokes the bloodthirsty of the character with leather leggings overlapping layers denoting the various faces assumed by the character during the plot. From a modernist vision in terms of fabric, overlapping and weaving of pieces the structure refers to the vulnerability of the King and the man who lives at the same time in Richard III.
- Stærðir og umbúðir
- Armor- 45cmx30cmx55cm
Helmet- diameter:57cm High: 23cm - Merki
- Costume design, Shakespeare, Richard III, Armor, theater, cuban designer, Samantha Chijona Design, schijonag.
- Framleiðslutækni
- The armor is compound by 6 pieces. 1: The metal structure, it is metal lines sewn on a twill weave jerkin jacket, 2: the leather armor, leather gaiters overlapping forms an independent structure that joins the rest of the set with leather straps closed by buckles, 3: The metal glove, a chainmail glove closes the cuff to give the sleeve a shot, 4: The helmet,
a velvet hat lined with metal strips works as an armor helmet 5: The pants, a black twill pants and finally 6: Black leather boots to the knees. - Hönnunaráskorun
- The development of the piece became a challenge, I wanted to do something great for the character but working in Cuba is always difficult due to the lack of resources, so while researching, I also located materials. Looking in an antique warehouse I found these old pieces of unused corsets bones and leather leggings and decided to use them. With only one month to prepare the entire theater play with more than 16 characters we were detained in this armor for a week, assembling, testing and sewing piece by piece in search of achieving an attractive but useful result.
- Rannsóknir
- My research flew over two essential aspects, the historical and the technical. After having studied for years Western and Japanese armors, the challenge of creating one was wonderful. I had to solve how I should use the historical engineering structures in those garments with the modern materials I had in hand. I read and compiled images and information, of the western armor, I appropriated the metal and the order of the parts while from the Japanese I took overlays of leather pieces sewn with cord. The result was a very visual and modern armor that keeps its basic function, protection.
- Innblástur
- Having studied for years structures that we use when dressing and that have protected and distancing ourselves from the real world I choose one of my favorite, the armor. I took advantage of the study of Western and Japanese war pieces and modernized it with the use of materials and disused pieces. The text of Shakespeare's play emphasizes the two faces and the physical problem of the character I used it as inspiration to separate and show the two parts of Richard III.
- Lengd verkefnis
- The project started in June 2018 in Havana, Cuba and ended in September 2018 in Havana, Cuba.
- Verkflæði
- The piece is compound by 6 small parts, the main three, armor jacket, pant and boots are easy to put, also it has another leather structure which should be placed with buckles while the hat and the glove are closed by an elastic piece. the interaction between the actor and the piece is determined for the modular form of the main piece, the person can take off the leather part, the helmet, the glove and keep only the base jacket, pants and boots, in the same way he can add more pieces throught the evolution of the character inside the theater play.
- Einkaleyfi
- Copyrights belong to Chijona, Samantha, 2018
- Liðsmenn
- Designer and Creative Director: Samantha Chijona
Designer: Vladimir Cuenca - Myndheimildir
- Image 1,2,3,4,5: Samantha Chijona Photographer/ Samantha Chijona Designer /Richard III/ The Armor /Model: Maria Gabriela Sanchez, 2018
Kostað efni
Kannaðu umfram Designers.org
Uppgötvaðu vörur, þjónustu og tækifæri frá auglýsingaaðilum okkar.
Meira til að kanna
Tengd hönnunarverk
Skoðaðu fleiri verðlaunahönnun úr sama flokki, valin eftir gæðum.
