Interview with Zehua Zhang

I became a designer because I have always been deeply interested in the relationship between people, space, and the environment. From an early stage, I was fascinated by how architecture and design can influence emotions, behaviors, and everyday experiences. This curiosity led me to pursue architecture as a field where creativity and logic can work together to solve real problems and improve the quality of life.
Through academic study, professional practice, and participation in international competitions, I gradually developed my own design approach that values human experience, contextual thinking, and sustainability. I enjoy the process of transforming ideas into meaningful spatial experiences, while also considering environmental responsibility and long-term impact. For me, becoming a designer was a natural progression of my passion for creating thoughtful, functional, and future-oriented spaces.

My priorities in design are human experience, contextual response, and sustainability. I focus on creating spaces that are functional, meaningful, and environmentally responsible, while carefully considering how people interact with the space and its surroundings.
In terms of technique, I combine site research, sketches, digital modeling, and real-time visualization to develop and refine ideas. I pay close attention to light, material, spatial sequence, and landscape integration, as these elements strongly influence the atmosphere and experience of architecture.
My design style is contextual, human-centered, and sustainability-driven. I am interested in clean spatial compositions, natural materials, and the integration of architecture with landscape and natural light to create spaces that feel calm, intuitive, and connected to their environment.

When I design, I often feel a sense of curiosity and responsibility. I try to imagine myself as a future user of the space—how I would move through it, how light and materials would shape my emotions, and how the environment would influence daily experiences. At the same time, I feel a strong sense of care, thinking about how the design can improve comfort, interaction, and well-being for others. For me, design is an emotional process that connects empathy with intention, always aiming to create spaces that feel meaningful and human-centered.

One aspect of my background that strongly shaped me as a designer is my interest in physical model making and 3D printing. I enjoy translating ideas into tangible forms because it allows me to better understand spatial relationships, scale, structure, and material qualities. Working with physical models has helped me develop a more intuitive understanding of space and detail, while 3D printing has expanded my ability to quickly test and visualize complex design ideas. These experiences have strengthened both my creativity and my technical approach to design.

My growth path has been shaped through architectural education, professional practice, and international design competitions, which helped me develop a design approach that combines creativity, technical thinking, and sustainability. Working on different project types has also strengthened my understanding of human experience, context, and environmental responsibility in architecture. In the future, I hope to continue exploring sustainable design, adaptive reuse, and the integration of technology with spatial experience. My dream project would be a large-scale cultural or public space that combines architecture, landscape, and community interaction in a meaningful and environmentally responsible way.

My advice to young designers is to stay curious, observe real spaces carefully, and continuously learn from both everyday life and professional experience. It is important to build a strong foundation in design thinking, communication, and technical skills, while also remaining open to new technologies and ideas.
I also believe patience and persistence are very important in the early stages of a career. Design is a process of constant learning and iteration, so young designers should focus on developing their own way of thinking and creating meaningful, human-centered, and responsible work over time.

I would not define success as a fixed point, but I would suggest fellow designers, artists, and architects to always stay grounded in human experience and context. Good work comes from understanding people, space, and environment, and translating that understanding into clear and meaningful design ideas. I also think it is important to balance creativity with responsibility. Designers should embrace new technologies and methods, but not lose the core intention of creating thoughtful, sustainable, and impactful work. Collaboration, openness, and continuous learning are also essential in today’s evolving design field.

My daily routine usually revolves around design development, research, and continuous observation of my surroundings. I spend a large portion of the day working on projects—developing concepts, refining spatial ideas, and using digital tools to test and visualize design directions.
Alongside studio work, I often review references, study materials, and explore architectural cases to broaden my thinking. I also try to stay attentive to everyday environments, as light, movement, and spatial atmosphere in daily life often inspire new ideas. Overall, my routine combines focused design work with ongoing learning and reflection.

I keep up with design trends by regularly following architectural publications, exhibitions, and contemporary projects, as well as observing how new technologies and materials are being applied in practice. I also learn a lot through professional networks, competitions, and discussions within the design community.
However, I think trends should be approached with caution. They can be useful for understanding the current direction of the field and discovering new tools or ideas, but they should not dominate the design process. For me, the most important aspect is always context, human experience, and long-term value. A good design should remain meaningful beyond trends, responding to its site, users, and environment in a thoughtful and lasting way.

I define good design primarily by how well it serves people and improves their experience. A well-designed project or product should feel intuitive, comfortable, and easy to use, while clearly responding to human needs and behavior.
I also consider how it relates to its context—whether it respects its environment, uses materials thoughtfully, and demonstrates a sense of responsibility toward sustainability. Beyond function and aesthetics, good design should have clarity, coherence, and long-term value. Ultimately, if a design successfully connects people, space, and environment in a meaningful way, I consider it well designed.

I consider a design ready when it feels consistent and resolved across both concept and experience. The idea should be clear and fully expressed in the spatial organization, circulation, and material choices, without unnecessary contradictions or unfinished elements.
At the same time, I test whether it works in reality—how people would use the space, how it responds to light, context, and environmental conditions, and whether it is technically and practically feasible. Visualization and modeling also help me check if the atmosphere and experience feel complete.
In the end, a design is ready when it feels balanced, intentional, and capable of standing on its own as a clear response to both human needs and its environment.

My biggest design work to date is a landmark cultural plaza project. It focuses on creating a public space that integrates cultural programs, open gathering areas, and landscape elements to encourage community interaction and engagement.
The project is significant for me because it combines architecture, landscape, and public space design at a larger scale, requiring a strong balance between spatial experience, functionality, and contextual response. It also reflects my interest in designing spaces that are socially meaningful, accessible, and connected to everyday urban life.

My favorite designers are Zaha Hadid and Santiago Calatrava. I admire Zaha Hadid for her bold and visionary approach to architecture, pushing spatial boundaries through fluid forms and innovative concepts that redefine how space can be experienced. Her work inspires me to think beyond conventional structures and explore more expressive possibilities in design. I also respect Santiago Calatrava for his integration of architecture, engineering, and sculpture. His designs demonstrate a strong understanding of structure and movement, often inspired by nature and human anatomy. Together, their work influences me to think more creatively and structurally, while still aiming for meaningful spatial experiences.

I grew up in China and am currently based in New York, which has shaped my lifestyle and way of thinking in a broad and diverse environment. This background has helped me develop an open and adaptable perspective, especially in how I approach design and creativity.
In my daily life, I like to stay observant and connected to my surroundings. I often draw inspiration from everyday urban experiences, cultural contexts, and small details in the environment. For me, lifestyle and design are closely linked—what I experience in daily life often becomes the starting point for my creative thinking and design process.

My work culture is collaborative, detail-oriented, and research-driven. I value clear communication, shared understanding of goals, and an iterative design process that allows ideas to evolve through constant testing and refinement. I also place strong importance on combining creativity with technical precision to ensure designs are both meaningful and feasible.
My business philosophy is based on responsibility, quality, and long-term value. I believe good design should respond to human needs, respect its context, and contribute positively to the environment and society. I also see collaboration with clients and consultants as an essential part of the process, where open dialogue helps achieve more thoughtful and well-resolved outcomes.

As a designer and architect, my contributions to society are mainly reflected through my focus on creating responsible, sustainable, and human-centered spaces. I aim to design projects that improve people’s daily lives, strengthen community interaction, and respond thoughtfully to environmental challenges.
I am also committed to promoting sustainability in architecture, especially through material choices, energy awareness, and long-term environmental thinking. In addition, participating in competitions, exhibitions, and collaborative projects allows me to share ideas and contribute to broader design discussions. For me, these efforts together represent a way of giving back to society through design.

Attending the A’ Design Award was a very positive experience for me, especially in terms of exposure to diverse international design work and creative perspectives. It provided an opportunity to see how designers from different backgrounds approach similar challenges in very different and inspiring ways.
It was also valuable in terms of networking and communication, allowing me to connect with other designers and professionals in the field. Overall, the experience helped me broaden my understanding of global design standards and reinforced my motivation to continue developing work that is thoughtful, innovative, and impactful.

What motivates me to design is the opportunity to create meaningful spaces that improve how people live, feel, and interact with their environment. I became a designer because I have always been fascinated by the relationship between people, space, and nature, and I enjoy combining creativity with analytical thinking to shape experiences that are both functional and emotionally engaging. At the same time, I believe design carries a responsibility to create more sustainable, human-centered, and future-oriented environments.

I chose to become a designer through my own passion and curiosity for architecture and spatial experience. From an early stage, I was deeply interested in how design shapes human interaction, emotion, and the environment, which naturally led me to actively pursue architecture and design as my professional path. For me, becoming a designer was a personal decision driven by creativity, exploration, and a strong desire to create meaningful and sustainable spaces.

I work across a wide range of architectural and spatial design projects, including large-scale developments, adaptive reuse, historic preservation, residential, commercial, retail, and campus projects. I am especially interested in designing projects that integrate sustainability, natural landscapes, and human-centered spatial experiences. In the future, I hope to work more on culturally meaningful and environmentally responsive projects that explore the relationship between architecture, nature, and community.

I believe young designers should stay curious, patient, and open to continuous learning. It is important to observe real spaces, understand people and context, and develop both creative thinking and technical skills. Rather than focusing only on style, young designers should build a strong design process, remain adaptable to new technologies, and create work that is meaningful, responsible, and connected to human experience. Consistency, dedication, and a genuine passion for design are what truly shape long-term growth.

A good designer can deliver strong, functional, and visually coherent solutions, but a great designer goes further by deeply understanding people, context, and long-term impact. Great designers are not only focused on form and aesthetics, but also on how their work influences human experience, behavior, and well-being over time. They balance creativity with responsibility, and intuition with critical thinking, to create work that is meaningful, sustainable, and enduring.

For me, a really good design is one that successfully balances human experience, functionality, and environmental responsibility. I evaluate design based on how people interact with the space, how clearly it responds to its context, and whether it creates a meaningful atmosphere through light, material, and spatial quality. A strong design is not only visually compelling, but also intuitive, sustainable, and capable of creating lasting value for both people and the environment.

Good design improves the quality of everyday life by creating spaces and experiences that are functional, meaningful, and emotionally engaging. It has the ability to enhance well-being, strengthen human connection, and respond more responsibly to environmental and social challenges. Investing in good design is important because thoughtful design creates long-term value — not only aesthetically, but also through sustainability, efficiency, comfort, and a stronger relationship between people and their surroundings.

If I had the time, I would like to design more public and cultural spaces that bring people, nature, and community together. I am especially interested in projects such as cultural centers, sustainable campuses, and adaptive reuse spaces that create meaningful social experiences while responding responsibly to the environment. I would design for communities and future generations, with the goal of creating spaces that are inclusive, restorative, and lasting.

One dream project I have not yet had the time to realize is an automotive museum that goes beyond displaying cars, but instead creates an immersive spatial experience that connects design, culture, and technology. I envision it as a place where architecture, light, and landscape work together to tell the story of automotive history and innovation, while also emphasizing sustainability and the future of mobility. It would be a project that combines my interest in human-centered experience, material expression, and contextual design into one meaningful cultural landmark.

My secret ingredient in design is a consistent focus on people and context. I always start by understanding how users experience space, and how light, material, and environment shape their emotions and behavior. Combined with curiosity, persistence, and a balance between intuitive thinking and technical analysis, this allows me to develop designs that are both meaningful and responsible.

I am deeply inspired by architects such as Zaha Hadid and Santiago Calatrava. Zaha Hadid’s work pushes the boundaries of form, fluidity, and spatial imagination, showing how architecture can be both dynamic and visionary. Santiago Calatrava’s designs, on the other hand, beautifully integrate engineering and architecture, expressing structure as both function and art. Both of them demonstrate how strong conceptual thinking and technical excellence can create iconic and emotionally powerful architecture, which continues to influence my own design thinking.

I am particularly inspired by the works of Zaha Hadid and Santiago Calatrava. Zaha Hadid’s designs are powerful for their fluid, dynamic forms and her ability to push architectural expression beyond conventional boundaries, creating spaces that feel futuristic and highly experiential. Santiago Calatrava’s works stand out for the way he integrates architecture and structural engineering, where form, movement, and structure come together in a sculptural and expressive way. I admire both of them because their designs combine strong conceptual thinking with technical innovation, resulting in architecture that is both iconic and emotionally impactful.

One of my most meaningful design projects was a community cultural center. I consider it a strong work because it successfully integrated spatial clarity, public interaction, and cultural expression within a cohesive architectural concept. What makes it great, in my view, is the way it balances openness and functionality—creating flexible spaces that support exhibitions, gatherings, and everyday community life while encouraging social interaction. At the same time, the design emphasizes human experience through light, circulation, and spatial sequence, making the environment intuitive and engaging. It also reflects my focus on contextual and socially responsible design, where architecture becomes a platform for community identity and connection rather than just a physical structure.

To become a better designer, I believe people should continuously train their observation, strengthen their understanding of context and human behavior, and keep building both creative and technical skills. It is important to learn from real spaces, study how people interact with the built environment, and remain open to feedback and iteration. In my own experience, I improved by combining site-based research with design practice, constantly testing ideas through sketches and digital tools, and staying curious about materials, light, and spatial experience. Over time, this process helped me develop a more balanced approach that is both intuitive and analytical, with a strong focus on human-centered and sustainable design.

If I hadn’t become an architect, I would still choose to work in a design-related field. I have always been passionate about how form, function, and experience come together, so I could see myself moving into industrial design or automotive design. These fields also combine creativity, technology, and user experience in a very direct way, which aligns with my interests in spatial thinking, material expression, and innovation. Ultimately, regardless of the specific discipline, I would always choose a path within design, where I can continue exploring how ideas become meaningful and functional experiences.

For me, design is the balance between creativity, purpose, and responsibility. It is not only about aesthetics, but also about shaping how people experience and interact with the world around them. Good design combines function, emotion, and meaning while embracing sustainable and environmentally responsible principles to create spaces and experiences that are thoughtful, impactful, and future-oriented.

My biggest supporters have always been my parents. Their encouragement, trust, and consistent support gave me the confidence to pursue my own path in design. They respected my interests from an early stage and allowed me the freedom to explore creativity while also reminding me of the importance of dedication and responsibility. Their support has been a foundational part of my journey and continues to motivate me to grow as a designer.

What helped me most was a combination of curiosity, discipline, and continuous learning through real projects and observation. Spending time on-site, studying how people interact with space, and testing ideas through sketches and digital tools gradually shaped my design thinking. My academic and professional experiences, along with exposure to different cultural and architectural contexts, also played an important role. Over time, I learned to balance creativity with technical understanding, while always keeping human experience and sustainability at the center of my work.

Before becoming more established in my design path, one of the main challenges I faced was learning how to balance creativity with technical and real-world constraints such as time, budget, and feasibility. In the beginning, it also took time to develop a clear design voice and to translate abstract ideas into practical, buildable solutions. Working through these challenges through continuous practice, feedback, and real project experience helped me grow more confident and mature as a designer, and taught me the importance of patience, iteration, and responsibility in the design process.

I believe designers should present their work as a clear and coherent narrative that explains not only the final outcome, but also the thinking process behind it. A strong presentation should communicate the relationship between concept, context, and user experience, supported by diagrams, visuals, and spatial storytelling. It is important that the work is both visually engaging and intellectually clear, so that others can understand the intention, evolution, and impact of the design. Ultimately, good presentation is about making the design accessible, meaningful, and convincing without losing its depth.

My next design direction is focused on developing more culturally meaningful and environmentally responsive projects that integrate architecture, landscape, and technology. I am especially interested in exploring spaces such as public cultural facilities and mobility-related architecture, including projects like an automotive museum, where design can connect storytelling, innovation, and user experience. In the future, people can expect me to continue refining a human-centered and sustainable approach, while pushing the integration of spatial experience, material expression, and emerging technologies to create more immersive and impactful environments.

My ultimate goal as a designer is to create architecture and spaces that meaningfully improve how people live, feel, and connect with their environment. I hope to develop work that balances human experience, cultural value, and environmental responsibility, while contributing positively to the future of cities and communities. Ultimately, I aim to design spaces that are not only functional and aesthetically strong, but also enduring, sustainable, and emotionally resonant.

People usually expect an esteemed designer to bring clarity of vision, strong design thinking, and the ability to translate complex ideas into meaningful, executable solutions. They also expect consistency in quality, responsibility toward users and the environment, and a clear understanding of context and purpose. For me, it also means being able to balance creativity with practicality, while continuously pushing ideas forward in a way that is both innovative and grounded in real human needs.

Design helps create a better society by shaping environments that improve how people live, interact, and experience everyday life. Good design enhances accessibility, comfort, and well-being, while also strengthening community connection and cultural identity. At the same time, it plays an important role in addressing environmental challenges through sustainable thinking and responsible material and energy use. Ultimately, design contributes to a better society by making spaces more human-centered, inclusive, and mindful of both present needs and future impact.

At the moment, I am especially excited about continuing to develop design work that explores the intersection of architecture, culture, and mobility, with a strong interest in future-oriented public spaces such as an automotive museum concept. I am also focused on refining my approach to sustainable and context-driven design, while integrating new visualization and digital tools to better understand spatial experience. What motivates me most is the opportunity to translate these ideas into meaningful, human-centered environments that connect people, technology, and nature.

The projects that gave me the most satisfaction are those where I could clearly see the connection between concept, user experience, and real spatial impact—especially the community cultural center I worked on. It was meaningful because it combined spatial organization, public interaction, and cultural expression in a way that directly supported community life. I also find great satisfaction in projects that focus on adaptive reuse and sustainable strategies, where design can transform existing environments into more vibrant and meaningful spaces. These experiences are rewarding because they show how thoughtful design can improve both people’s daily experiences and the long-term value of a place.

In the coming years, I would like to see the design industry place even greater emphasis on sustainability, long-term thinking, and human-centered impact. Design should move beyond purely visual outcomes and focus more on how spaces perform over time—environmentally, socially, and culturally. I also hope for more interdisciplinary collaboration, where architecture, technology, and data work more closely together to create better-informed and more adaptive design solutions. Ultimately, I believe the industry should continue shifting toward more responsible, context-driven, and inclusive practices that prioritize real human needs and environmental balance.

I believe the design field is moving toward a more integrated and intelligent practice, where architecture, technology, sustainability, and user experience are deeply connected. With the development of digital tools and AI, design will become more iterative and data-informed, allowing designers to test, simulate, and refine ideas more efficiently. At the same time, I think the human aspect will remain central—design will increasingly focus on emotional experience, environmental responsibility, and contextual sensitivity. Overall, the future of design will be more adaptive, collaborative, and driven by both technology and human-centered values.

The timeline to finalize a design project varies greatly depending on its scale, complexity, and program requirements. Smaller interior or renovation projects may take a few weeks to a few months, while larger architectural or public projects can take several months to over a year through different design phases. In my process, I focus on iterative development—starting from concept and gradually refining through research, modeling, and visualization—so the timeline is always balanced between exploration, feedback, and technical resolution to ensure a thoughtful and well-resolved design outcome.

When I start a new design project, I begin with understanding the site and context through observation, research, and analysis. I focus on how people use the space, how light, climate, and movement patterns shape the environment, and what the project truly needs to respond to. From there, I develop early conceptual ideas through sketches and diagrams, which help me translate initial insights into spatial strategies before moving into more detailed design development and visualization.

My life motto as a designer is to stay curious, design with intention, and always prioritize people and context. I believe meaningful design comes from continuously observing, questioning, and refining ideas, while balancing creativity with responsibility.

I believe design sets the trends. While trends can influence the direction of aesthetics and ideas, it is design thinking that truly drives innovation and defines what comes next. Strong design is rooted in deep understanding of people, context, and technology, and it has the power to shape new ways of living, working, and experiencing space. In that sense, design is not just a response to trends, but a force that creates them.

Technology plays a supportive and enabling role in my design process. It allows me to explore ideas more efficiently through tools such as modeling, real-time visualization, and simulation, helping me better understand space, light, and material early in the process. At the same time, technology enhances precision and communication, making it easier to test, refine, and present design concepts. However, I always see technology as a tool to support creativity and human-centered thinking, not as a replacement for design intuition or conceptual exploration.

My design toolbox includes both digital and physical tools that support different stages of the design process. On the digital side, I use modeling and visualization tools such as Rhino, Revit, and real-time rendering platforms to develop and test spatial ideas, especially in terms of light, material, and atmosphere. I also use graphic and presentation tools to communicate concepts clearly. Physically, sketching is still an essential part of my workflow, along with site observation and material studies. Books, architectural references, and real-life urban and natural environments are important sources of inspiration for me. I also rely on photography and on-site documentation to capture spatial conditions and details that inform my design thinking.

Color, materials, and ambience are essential elements that define the emotional and experiential quality of a space. Color helps establish atmosphere and perception, guiding how people feel and interpret an environment. Materials bring tactility, authenticity, and a sense of connection to context, allowing spaces to feel grounded and real. Ambience—shaped by light, acoustics, and spatial composition—unifies these elements into a coherent experience. Together, they transform architecture from a purely functional structure into a sensory and emotional experience that engages people on multiple levels.

I hope people will ask about the ideas, intentions, and human experiences behind my design, rather than only focusing on its appearance. I would like them to be curious about how a space responds to its context, how it shapes emotions and interactions, and how sustainability and technology are integrated into the process. For me, the most meaningful questions are those that explore why a design exists and how it improves people’s lives and the environment.

When I see a great design or product, my first reaction is curiosity about the thinking behind it—why it was designed that way and what problem it is trying to solve. I pay attention to how it balances form, function, and user experience, as well as how materials, details, and technology are used to create meaning. I also reflect on how it makes people feel and whether it introduces a new perspective or improves an existing experience. For me, a strong design always sparks both emotional response and analytical thinking.

My ideal design partner is someone who is open-minded, detail-oriented, and able to balance creativity with critical thinking. I value collaborators who bring different perspectives—whether in architecture, engineering, or other creative fields—because diverse input often leads to stronger and more meaningful outcomes. I believe in co-design. I see design as a collaborative process rather than an individual effort, where ideas are continuously refined through dialogue, feedback, and shared problem-solving. This approach not only improves the quality of the work, but also ensures that the final design is more inclusive, thoughtful, and responsive to real needs.

The people who have had the most influence on my design thinking are my academic mentors, project collaborators, and colleagues I have worked with in professional practice. My professors helped me develop a strong conceptual foundation and critical thinking approach, while my colleagues in practice exposed me to real-world constraints, teamwork, and the importance of detail and execution. I have also been influenced by clients and end users, whose feedback constantly reminds me to prioritize human experience, practicality, and context in every design decision.

The books that have had the most impact on my design thinking are architectural autobiographies and monographs. They allow me to understand not only the final works of architects, but also their design philosophies, processes, and the evolution of their thinking over time. Through these books, I gain insight into how different designers approach context, material, and spatial experience, which continuously broadens my own perspective and helps me reflect on and refine my design approach.

I developed my skills through continuous practice, real project experience, and constant reflection on both successes and failures. Working across different scales and typologies helped me build a strong foundation in spatial thinking, technical understanding, and design communication. At the same time, I learned a great deal from site visits, material exploration, and testing ideas through sketches and digital tools. Over time, this iterative process helped me refine my ability to balance creativity, context, and technical constraints, while always keeping human experience and sustainability at the core of my work.

Irrelative of time and space, I would like to meet and discuss with architects and designers who have fundamentally shaped how we understand space and experience, such as Tadao Ando, Zaha Hadid, and Santiago Calatrava. I would be very interested in hearing their thoughts on how they balance concept, structure, and emotion in their work, and how they see the future of architecture evolving with technology and sustainability.

The awards and recognitions I’ve received are very meaningful to me because they reflect the effort, learning, and collaboration behind each project. At the same time, I see them more as encouragement than a final achievement—they motivate me to keep improving and exploring new ideas in design.
As for fame, I don’t really focus on it. I believe the most important thing is the quality and impact of the work itself, not the attention it receives. I try to stay grounded, continue learning, and remain focused on creating thoughtful, human-centered, and responsible design.

My favorite color is neutral, natural tones—especially warm whites, earth tones, and soft greys—because they reflect material honesty and calmness in space. My favorite place is anywhere with strong natural light and a clear relationship between architecture and landscape, such as open courtyards or coastal environments. I enjoy simple, well-prepared food that emphasizes freshness and balance rather than complexity. My favorite season is autumn, for its light, atmosphere, and sense of transition. In terms of things, I appreciate well-designed objects that combine function and detail with clarity. As for brands, I tend to admire those that prioritize design integrity, craftsmanship, and innovation rather than just aesthetics.

Once during a site visit, I was deeply focused on studying the light, circulation, and spatial logic of a space and took it very seriously as part of the design. Later, I realized it was just a temporary construction setup, not the actual design. It was a funny moment, but it also reminded me that in design, it’s important to understand not just what you see, but the real context and construction behind it.

A great day for me as a designer is when I make real progress in understanding a project—whether it’s solving a spatial problem, refining a concept, or finding a clearer direction through iteration. I feel most motivated when I can connect ideas with tangible design decisions, especially when I see how a space could meaningfully improve human experience. I stay motivated by staying curious and continuously exposing myself to new references, sites, and ideas. The process of learning, testing, and improving keeps me engaged, and I remind myself that good design takes time, patience, and constant refinement.

As a child, I don’t think I was aware that I would become a designer. But I was always curious about spaces, environments, and how things were built or organized. I liked observing details, light, and places around me, even if I didn’t fully understand why at the time. Looking back, those early curiosities gradually shaped my interest in design, but it was more of a natural development over time rather than something obvious from the beginning.

I believe the way we define cities, architecture, and even design will be very different from today. Spaces may become more adaptive, intelligent, and deeply integrated with technology and nature, where boundaries between built environment and natural systems are much more fluid. At the same time, I hope that regardless of technological progress, the core of design will still focus on human experience—how people feel, connect, and live meaningfully within their environments.

I would like people to know that for me, design is always about people, context, and responsibility rather than just form or style. Every project is an exploration of how space can improve human experience and create a more meaningful connection between people and their environment.
I also see design as a continuous learning process. I am always observing, questioning, and refining my thinking through real-world experiences, collaboration, and new technologies.
Most importantly, I hope my work reflects sincerity and care—for users, for context, and for the future we are collectively shaping.

I am a licensed architect in the state of New York, a member of the American Institute of Architects, and a LEED Accredited Professional. I graduated from the Stuart Weitzman School of Design at the University of Pennsylvania, where I was awarded the Master of Science in Design: Advanced Architectural Design Prize in Design Excellence upon graduation. I have received several international competition recognitions, including an Honorable Mention in the eVolo Skyscraper Competition, finalist recognition in the CTBUH International Tall Building Design Competition, and Second Prize in the UIA International Creative Competition organized by the International Union of Architects. My work has also been exhibited at the Venice Architecture Biennale.

For me, design is the balance between creativity, purpose, and responsibility. It is not only about aesthetics, but also about shaping how people experience and interact with the world around them. Good design combines function, emotion, and meaning while embracing sustainable and environmentally responsible principles to create spaces and experiences that are thoughtful, impactful, and future-oriented.

My practice spans a wide range of scales and project types, from large new developments to historic preservation and adaptive reuse projects. I have worked on the transformation of industrial heritage sites, facade renovations in historic towns, interior renewals, as well as residential, office, retail, commercial, and campus projects.

I am particularly drawn to projects where natural light becomes an active design element—shaping atmosphere, guiding movement, and defining how people perceive and inhabit space throughout the day. I enjoy working with materials that express both honesty and tactility, such as natural stone, wood, and exposed structural systems, while also exploring low-impact and innovative sustainable technologies. For me, material choice is not only aesthetic but also environmental, reflecting a responsibility toward long-term ecological impact. I am also interested in designs that bring nature into architecture—through green landscapes, courtyards, terraces, and biophilic strategies that blur the boundary between built and natural environments. These elements help create spaces that are not only functional, but also calming, restorative, and deeply connected to their context.

The first project I designed was a community cultural center. It was a meaningful experience because it combined spatial planning, public interaction, and cultural expression within a single project. My role focused on developing the overall spatial concept, organizing functional zones, and shaping how different programs—such as exhibition spaces, multipurpose rooms, and informal gathering areas—could work together to support community life. What made the project particularly interesting was the emphasis on openness and inclusivity. I explored how architecture could encourage social interaction while also providing flexibility for different events and activities. It was my first time working on a project with such a strong public and cultural dimension, and it helped me better understand how design can strengthen community identity and engagement.

My favorite area is architectural technology, especially real-time visualization and rendering tools. I am very interested in how real-time engines and high-quality visualization techniques can translate design ideas into immersive spatial experiences. These tools allow me to quickly test proportions, light, materials, and atmosphere in a very intuitive way, helping me better understand how a space will be experienced in reality. For me, visualization is not just presentation, but an essential part of the design process that supports decision-making and strengthens spatial thinking.

I feel the most creative when I am on site and able to directly experience the space and its surroundings. Observing the site in person—its light, scale, materials, movement patterns, and atmosphere—gives me a much deeper understanding than drawings alone. At the same time, studying the surrounding context helps me understand how people interact with the environment and what the place truly needs. This combination of physical presence and contextual understanding often becomes the moment when ideas start to emerge naturally, allowing me to develop design concepts that are grounded, intuitive, and responsive to real conditions.

During the design process, I focus primarily on the relationship between people and space, especially how users experience and interact with their environment. I pay close attention to spatial sequence, scale, light, and atmosphere to ensure that the design feels intuitive, comfortable, and meaningful in daily use.
At the same time, I strongly emphasize sustainable strategies and the integration of green landscapes. I believe architecture should respond to its environment by incorporating ecological thinking, improving energy performance, and bringing nature into everyday spatial experience. For me, good design is where human experience, environmental responsibility, and spatial quality come together as one.

When I design, I often feel a sense of curiosity and responsibility. I try to imagine myself as a future user of the space—how I would move through it, how light and materials would shape my emotions, and how the environment would influence daily experiences. At the same time, I feel a strong sense of care, thinking about how the design can improve comfort, interaction, and well-being for others. For me, design is an emotional process that connects empathy with intention, always aiming to create spaces that feel meaningful and human-centered.

It is rewarding to see ideas that began with empathy for future users become physical spaces that people can actually experience. At the same time, I feel a sense of responsibility, observing how the space is used in real life and how it interacts with people and its environment. It reinforces for me that design is ultimately about creating meaningful human experiences, not just objects or forms.

For me, a successful design is one that meaningfully connects people, space, and environment. It should create a clear and intuitive spatial experience that responds to human needs while enhancing daily life through light, material, and atmosphere. At the same time, it should be grounded in its context and incorporate sustainable thinking—respecting the environment and contributing positively to the future. A truly successful design is not only functional and aesthetically coherent, but also empathetic, responsible, and capable of creating lasting value for its users and surroundings.

When I evaluate whether a design is good or not, I first consider the human experience—how people feel, move, and interact within the space. If the spatial experience is unclear or uncomfortable, the design is difficult to succeed regardless of its form. I also look at how well the design responds to its context, including light, material, and environmental conditions, as well as its level of sustainability. Ultimately, a good design should be both intuitive and responsible—creating a clear spatial experience while respecting people and the environment.

From my point of view, a designer has the responsibility to create spaces that improve human experience while being mindful of their broader social and environmental impact. Design should not only serve functional and aesthetic goals, but also contribute positively to people’s well-being, community connection, and quality of life. At the same time, designers have a responsibility to the environment by making conscious choices in materials, energy use, and long-term sustainability. I believe good design should balance human needs with ecological awareness, creating spaces that are both meaningful today and responsible for the future.

I believe the design field is evolving toward a more integrated and interdisciplinary practice, where architecture, technology, sustainability, and user experience are increasingly connected. Designers are no longer only focused on form and function, but also on data, performance, and environmental responsibility.
With the growing application of AI in architecture, design is becoming more iterative, analytical, and responsive. AI tools can support simulation, optimization, and visualization, allowing designers to explore more possibilities and make more informed decisions. However, I believe AI is not a replacement for creativity, but a tool that enhances it.
In the future, I see design becoming more human-centered, environmentally conscious, and technologically empowered—where designers use both intuition and intelligent systems to create more adaptive, sustainable, and meaningful environments.

During my studies, my work was exhibited at the Venice Architecture Biennale. Looking ahead, I would like to continue developing my practice and participate in future exhibitions when there are meaningful projects that allow me to share my work in a broader professional and public context.

My design inspiration mainly comes from direct observation of sites and their surrounding context. I am very interested in how light, space, material, and human activity interact in real environments, and I often develop ideas through on-site experience. I also draw inspiration from everyday life, nature, and existing urban conditions, especially where there is a dialogue between the built and natural environment. To sustain my creativity, I combine field research, sketching, and digital visualization tools, which help me continuously test and refine spatial ideas.

I would describe my design approach as contextual, human-centered, and sustainability-driven. I am interested in creating architecture that responds directly to its site, climate, and cultural context, while focusing on how people experience and interact with space.
My exploration of this approach comes from my belief that good design should be both intuitive and responsible—balancing spatial experience, material expression, and environmental performance. I often integrate light, material, and landscape to create spaces that feel natural, clear, and connected to their surroundings.
Overall, my approach is both analytical and intuitive: I use context research and technical tools to inform decisions, while always prioritizing human experience and environmental impact.

I grew up in China and am currently based in New York. This cross-cultural background has a strong influence on my design thinking. Growing up in China gave me a deep appreciation for context, history, and the relationship between people and space, while living and working in New York has exposed me to a more diverse, fast-paced, and global design environment. I believe this combination is an advantage in my design process, as it allows me to balance different perspectives—tradition and innovation, detail and efficiency, intuition and analysis. It also encourages me to approach design with greater openness, adaptability, and cultural sensitivity.

I work with companies in a collaborative and research-driven way, focusing on clear communication and shared goals. I am comfortable engaging from early concept development through design refinement and execution, contributing both creative ideas and technical understanding. My approach emphasizes understanding project context, user needs, and sustainability goals, while using tools such as visualization and analysis to support decision-making. I value open dialogue and iterative feedback, which help ensure the design is both meaningful and feasible within real-world constraints.

I think companies should work with designers through open communication, trust, and a shared understanding of project goals. It is important to involve designers early in the process, allowing space for research, exploration, and iterative development rather than focusing only on fixed outcomes. When selecting a designer, companies should look beyond style and consider their design thinking, problem-solving ability, and understanding of context, users, and sustainability. A good designer is not only someone who creates strong visuals, but someone who can translate ideas into meaningful, functional, and responsible spatial solutions.

My design process usually begins with site observation and contextual research. I focus on understanding the physical environment, spatial conditions, and how people interact with the place, which helps me identify key design opportunities and constraints. From there, I develop initial concepts through sketches and diagrams, gradually refining ideas using both analytical thinking and visual tools such as modeling and real-time visualization. I often test light, material, and spatial relationships early in the process to better understand the user experience.

At home, I am particularly attentive to furniture selection, lighting design, interior landscaping and display, overall color tone, and spatial zoning.

A typical day in my life is a balance between observation, design work, and reflection. I usually start by reviewing ideas or sketches, followed by focused design work that may include concept development, modeling, or visualization. Throughout the day, I often study references, explore materials, or refine spatial ideas through digital tools and drawings. I also try to stay aware of my surroundings—light, space, and everyday urban experiences often become subtle sources of inspiration.

My advice to young designers is to stay curious, observe closely, and learn from real spaces and everyday life. Good design comes from balancing creativity with technical thinking, and using tools and technology as support rather than replacement for ideas. Most importantly, be patient, keep iterating, and focus on creating work that is meaningful, human-centered, and connected to context and experience.

From my perspective, one of the greatest positives of being a designer is the ability to shape meaningful experiences and create spaces that improve how people live, feel, and interact with their environment. It is a creative process that constantly engages with culture, context, and innovation.
At the same time, it can be challenging because it requires balancing creativity with practical constraints such as time, budget, and technical limitations. It also involves continuous iteration and responsibility, since design decisions have long-term impacts on people and the environment.

My golden rule in design is to always start from the human experience. No matter how complex a project is, I believe good design should first be understandable, comfortable, and meaningful for the people who use it. At the same time, it should respect its context and environment, balancing functionality, sustainability, and clarity. If a design cannot connect with people or respond to its surroundings, then it is not truly successful.

I believe the most important skills for a designer are observation, critical thinking. A designer needs to carefully understand people, space, and context, and translate that understanding into clear spatial ideas. At the same time, strong technical and visual communication skills are essential, including drawing, modeling, and using digital tools to develop and test ideas. Finally, adaptability and curiosity are important, especially today, as design continues to evolve with new technologies and sustainability demands.

My design toolbox includes both digital and physical tools that support different stages of the design process. On the digital side, I use modeling and visualization tools such as Rhino, Revit, and real-time rendering platforms to develop and test spatial ideas, especially in terms of light, material, and atmosphere. I also use graphic and presentation tools to communicate concepts clearly. Physically, sketching is still an essential part of my workflow, along with site observation and material studies. Books, architectural references, and real-life urban and natural environments are important sources of inspiration for me. I also rely on photography and on-site documentation to capture spatial conditions and details that inform my design thinking.

I manage my time by breaking the design process into clear stages, from research and concept development to refinement and visualization. This helps me stay organized while allowing enough flexibility for iteration and exploration.
I also prioritize tasks based on clarity and impact, focusing first on understanding the site, context, and key design direction before moving into detailed development. For me, good time management in design is about maintaining both structure and creative space, so ideas can evolve without losing focus.

The timeline of a design project varies depending on its scale and complexity. For me, it is less about a fixed duration and more about the process of development—from research and concept design to refinement and visualization. Some smaller design explorations can take days or weeks, while more complex architectural projects may take months or even longer. What is most important is allowing enough time for iteration, testing ideas, and ensuring the final design is both thoughtful and well-resolved in terms of spatial experience, context, and sustainability.

The most frequently asked question I receive as a designer is about where my ideas come from and how a concept is developed into a final design. I usually explain that my inspiration comes from observing real spaces, understanding context, and studying how people interact with their environment. The design process then evolves through research, iteration, and visualization, where ideas are continuously tested and refined until they become a clear and meaningful spatial experience.

One of the most important experiences in my career has been gaining a deeper understanding of how architecture is developed through real-world practice. This includes learning how material selection, structural logic, and MEP systems all influence design decisions, as well as how technical data and constraints shape the built outcome.
Equally important has been understanding how architects collaborate with engineers and other consultants. Through coordination and communication, design ideas are continuously tested, refined, and resolved within practical limitations. These experiences have been essential in strengthening my ability to balance creativity with technical precision and to develop feasible, well-integrated architectural solutions.

My clients have included a range of public and private sector organizations across different project types, including cultural, residential, commercial, and institutional developments.

I enjoy design work that combines spatial experience, material exploration, and environmental thinking. In particular, I am drawn to projects that involve adaptive reuse and contextual design, where existing conditions, history, and new interventions come together. I find these projects most meaningful because they require both creativity and problem-solving, balancing preservation and innovation. They also allow me to engage with sustainability and user experience in a more direct way, creating architecture that is thoughtful, responsible, and connected to its surroundings.

My next step is to continue growing as an architect and designer by engaging in more diverse and challenging projects. I am particularly interested in further exploring sustainable design, adaptive reuse, and the integration of technology with spatial experience. I also hope to keep expanding my professional experience through collaboration with multidisciplinary teams, while refining my design approach through practice. Ultimately, my goal is to contribute to architecture that is thoughtful, context-driven, and responsive to both people and the environment.

It depends on the project. Some projects I develop independently from concept to design direction, while others are fully team-based from the beginning. In both cases, I value a clear design authorship and consistent thinking throughout the process. Whether working alone or within a team, I focus on maintaining a strong spatial idea, and I collaborate closely with others when needed to refine and realize the design.

I am currently working on a landmark cultural plaza design. The project focuses on creating a public space that integrates cultural functions, open gathering areas, and landscape elements to encourage interaction and community engagement.

People can contact me through my LinkedIn profile by searching my name.

That’s all from my side. Thank you!