Interview with Przemyslaw Cepielik
Przemysław Cepielik is a Polish architect and founder of Eklekt Atelier, a multidisciplinary design studio based in Krakow and Athens.
Designer of the Day Interview
18 May 2026
I am the founder of Eklekt Atelier, an architecture and interior design studio based in Kraków, working internationally on private residential architecture, interiors and landscape-oriented projects. My background is strongly rooted in applied arts education based on Bauhaus principles, which I studied in Athens, Greece. This early education shaped my understanding of proportion, simplicity, material honesty and the relationship between art, craftsmanship and architecture.
From the very beginning, I was deeply inspired by classical architecture and the timeless harmony of ancient Greek and Mediterranean spaces. Growing up surrounded by the architecture, light and atmosphere of Greece had a profound influence on my sensitivity towards space, scale and natural materials. Stone, wood, concrete and textures shaped by time remain essential elements in my work today.
Becoming an architect was always my dream. Architecture fascinated me long before I fully understood the profession itself. I was always drawn to spaces that could create emotion, silence and atmosphere rather than simply visual effect. Over the years, this fascination evolved into a personal design language focused on minimalism, strong geometry, emotional experience and deep connection between architecture and landscape.
Today, my work focuses on creating timeless spaces that combine architecture, interiors and nature into one coherent experience. I believe architecture should not only impress visually, but also create calmness, identity and emotional connection for the people who live within it.
From the very beginning, I was deeply inspired by classical architecture and the timeless harmony of ancient Greek and Mediterranean spaces. Growing up surrounded by the architecture, light and atmosphere of Greece had a profound influence on my sensitivity towards space, scale and natural materials. Stone, wood, concrete and textures shaped by time remain essential elements in my work today.
Becoming an architect was always my dream. Architecture fascinated me long before I fully understood the profession itself. I was always drawn to spaces that could create emotion, silence and atmosphere rather than simply visual effect. Over the years, this fascination evolved into a personal design language focused on minimalism, strong geometry, emotional experience and deep connection between architecture and landscape.
Today, my work focuses on creating timeless spaces that combine architecture, interiors and nature into one coherent experience. I believe architecture should not only impress visually, but also create calmness, identity and emotional connection for the people who live within it.
I always knew I wanted to become an architect. From an early age, I was fascinated by cities, buildings, proportions and the emotional impact of spaces. My path toward design naturally developed through my education in Athens, where I studied in a school focused on applied arts and Bauhaus-inspired principles. This experience taught me to see design as a balance between aesthetics, function, craftsmanship and simplicity.
At the same time, living in Greece exposed me daily to the influence of classical antiquity, Mediterranean landscapes and architecture deeply connected to light and nature. These experiences shaped my understanding of timeless architecture and continue to inspire my work today.
Over time, architecture became much more than a profession for me — it became a way of expressing atmosphere, emotion and identity through space. Through years of practice, travel and observation, I gradually developed a personal approach rooted in minimalism, natural materials and strong relationships between architecture and landscape.
At the same time, living in Greece exposed me daily to the influence of classical antiquity, Mediterranean landscapes and architecture deeply connected to light and nature. These experiences shaped my understanding of timeless architecture and continue to inspire my work today.
Over time, architecture became much more than a profession for me — it became a way of expressing atmosphere, emotion and identity through space. Through years of practice, travel and observation, I gradually developed a personal approach rooted in minimalism, natural materials and strong relationships between architecture and landscape.
My priorities in design are atmosphere, proportion, functionality and timelessness. I always try to create spaces that feel calm, emotionally engaging and naturally connected to their environment. I believe architecture should age beautifully and remain relevant far beyond temporary trends.
Functionality is a fundamental part of my design philosophy. In my projects, form and aesthetics always emerge from function and the way people experience and use the space in everyday life. I believe the most powerful architecture is created when beauty grows naturally from clarity, purpose and well-resolved spatial relationships rather than from purely decorative gestures.
My design approach is strongly influenced by Bauhaus principles, classical architecture and Mediterranean minimalism. I value simplicity, clarity of form and honest use of natural materials such as stone, wood, concrete and textured surfaces shaped by light. Rather than focusing on excessive gestures, I prefer architecture that creates emotional depth through proportion, rhythm, shadow and spatial experience.
Technically, I combine digital tools with intuitive thinking, sketching and conceptual exploration. I approach each project holistically — architecture, interiors, landscape and light should function together as one coherent composition.
Functionality is a fundamental part of my design philosophy. In my projects, form and aesthetics always emerge from function and the way people experience and use the space in everyday life. I believe the most powerful architecture is created when beauty grows naturally from clarity, purpose and well-resolved spatial relationships rather than from purely decorative gestures.
My design approach is strongly influenced by Bauhaus principles, classical architecture and Mediterranean minimalism. I value simplicity, clarity of form and honest use of natural materials such as stone, wood, concrete and textured surfaces shaped by light. Rather than focusing on excessive gestures, I prefer architecture that creates emotional depth through proportion, rhythm, shadow and spatial experience.
Technically, I combine digital tools with intuitive thinking, sketching and conceptual exploration. I approach each project holistically — architecture, interiors, landscape and light should function together as one coherent composition.
Designing is a deeply emotional and immersive process for me. At the beginning of every project, I usually feel curiosity and excitement because each space carries hidden potential waiting to be discovered. I enjoy the moment when an abstract idea slowly transforms into architecture with its own atmosphere, identity and emotional presence.
The greatest satisfaction comes from refining proportions, light, materials and functionality until everything feels natural and coherent. I strongly believe that beauty in architecture should emerge from logic, function and the way people truly experience space. In my projects, form and aesthetics are never separated from usability — they evolve together as one harmonious system.
Designing gives me a sense of fulfillment because it allows me to transform emotions, memories and intuition into spaces that people can live in and emotionally connect with. For me, architecture is not only about creating buildings, but about shaping experiences, silence, calmness and relationships between people and their environment.
The greatest satisfaction comes from refining proportions, light, materials and functionality until everything feels natural and coherent. I strongly believe that beauty in architecture should emerge from logic, function and the way people truly experience space. In my projects, form and aesthetics are never separated from usability — they evolve together as one harmonious system.
Designing gives me a sense of fulfillment because it allows me to transform emotions, memories and intuition into spaces that people can live in and emotionally connect with. For me, architecture is not only about creating buildings, but about shaping experiences, silence, calmness and relationships between people and their environment.
My background was strongly shaped by applied arts education based on Bauhaus principles in Athens, Greece. This experience taught me discipline, clarity of form and the importance of functionality in design. At the same time, living in Greece exposed me daily to classical antiquity, Mediterranean architecture and the relationship between architecture, landscape and natural light. These influences continue to shape my sensitivity toward timeless proportions, natural materials and emotional atmosphere in space.
Beyond architecture itself, travel, observation and understanding human behavior have been equally important in my development as a designer. I believe architecture should not only look beautiful, but also function naturally and improve everyday life. In my projects, aesthetics always emerge from functionality, spatial logic and the emotional experience of the user.
Beyond architecture itself, travel, observation and understanding human behavior have been equally important in my development as a designer. I believe architecture should not only look beautiful, but also function naturally and improve everyday life. In my projects, aesthetics always emerge from functionality, spatial logic and the emotional experience of the user.
My goal is to continue developing Eklekt Atelier as an internationally recognized studio focused on emotionally driven architecture, interiors and landscape-oriented projects. I want to further refine a strong architectural language rooted in minimalism, functionality, timelessness and connection to nature.
In the future, I would like to create more projects in Mediterranean environments, especially in Greece, where architecture can strongly interact with landscape, light, water and topography. My dream projects are private residences and hospitality spaces that create a deep emotional experience while remaining calm, functional and timeless. I am particularly interested in architecture that blurs the boundary between interior and exterior space.
In the future, I would like to create more projects in Mediterranean environments, especially in Greece, where architecture can strongly interact with landscape, light, water and topography. My dream projects are private residences and hospitality spaces that create a deep emotional experience while remaining calm, functional and timeless. I am particularly interested in architecture that blurs the boundary between interior and exterior space.
My advice is to focus less on trends and more on developing your own sensitivity and understanding of space. Young designers should learn patience because good architecture takes time, experience and continuous refinement. It is also very important to travel, observe real architecture, study proportions, natural light and materials instead of relying only on digital references.
I would also advise young designers to never separate aesthetics from functionality. Beautiful architecture without logic and usability quickly becomes superficial. In truly timeless design, form naturally grows out of function, proportion and the way people experience space in everyday life.
I would also advise young designers to never separate aesthetics from functionality. Beautiful architecture without logic and usability quickly becomes superficial. In truly timeless design, form naturally grows out of function, proportion and the way people experience space in everyday life.
I believe designers should focus on authenticity rather than constantly chasing visibility or temporary trends. Strong architecture is created through consistency, patience and a deep understanding of proportion, function and atmosphere. It is important to create projects that age well emotionally and materially.
I also believe natural materials, simplicity and clarity are becoming increasingly important in a world overloaded with visual noise. Designers should remember that architecture is ultimately created for people and everyday life. The most meaningful projects are often the ones that feel calm, intuitive and timeless rather than overly complicated or attention-seeking.
I also believe natural materials, simplicity and clarity are becoming increasingly important in a world overloaded with visual noise. Designers should remember that architecture is ultimately created for people and everyday life. The most meaningful projects are often the ones that feel calm, intuitive and timeless rather than overly complicated or attention-seeking.
My days usually begin calmly, often with time spent thinking, sketching or reviewing concepts before entering the operational rhythm of the studio. I do not separate creativity from everyday management because architecture requires balancing both emotional sensitivity and practical decision-making.
A large part of my day involves discussions with clients, consultants, contractors and my team, but I always try to preserve quiet moments for conceptual thinking and creative focus. I work intensely, often late into the evening, because some of the best ideas appear when there is silence and full concentration.
A large part of my day involves discussions with clients, consultants, contractors and my team, but I always try to preserve quiet moments for conceptual thinking and creative focus. I work intensely, often late into the evening, because some of the best ideas appear when there is silence and full concentration.
I observe contemporary design, but I try not to follow trends directly. Trends are temporary by nature, while architecture should remain meaningful and relevant for decades. Instead of focusing on trends, I prefer studying timeless architecture, classical proportions, natural materials and emotional qualities of space.
My inspiration comes more from travel, cinema, art, photography, landscapes and historical architecture than from social media trends. I believe strong design should have its own identity and authenticity rather than trying to imitate what is currently popular.
My inspiration comes more from travel, cinema, art, photography, landscapes and historical architecture than from social media trends. I believe strong design should have its own identity and authenticity rather than trying to imitate what is currently popular.
For me, good design is timeless, functional and emotionally meaningful. A well-designed project feels natural and effortless, as if nothing unnecessary has been added and nothing important has been omitted. I believe architecture should create calmness, clarity and a strong relationship between people, light and space.
I evaluate design not only by aesthetics, but also by how it functions in everyday life. In my opinion, form should always emerge from function and spatial logic. When a project is truly well designed, people intuitively understand and experience the space without needing explanation.
One of the most common mistakes in design today is prioritizing visual impact over authenticity and usability. Many projects try too hard to impress visually while forgetting atmosphere, comfort and emotional longevity. Good design should remain meaningful long after trends disappear.
I evaluate design not only by aesthetics, but also by how it functions in everyday life. In my opinion, form should always emerge from function and spatial logic. When a project is truly well designed, people intuitively understand and experience the space without needing explanation.
One of the most common mistakes in design today is prioritizing visual impact over authenticity and usability. Many projects try too hard to impress visually while forgetting atmosphere, comfort and emotional longevity. Good design should remain meaningful long after trends disappear.
A project feels ready when all elements — function, proportion, light, materiality and atmosphere — work together naturally and coherently. It is less about perfection and more about reaching a sense of balance where nothing feels excessive or unresolved.
At the same time, I believe architecture is never completely finished in an emotional sense because every project continues to evolve through the people who live within it and the passage of time. However, there is always a moment during the design process when intuition tells you that the project has achieved its identity and clarity.
At the same time, I believe architecture is never completely finished in an emotional sense because every project continues to evolve through the people who live within it and the passage of time. However, there is always a moment during the design process when intuition tells you that the project has achieved its identity and clarity.
13. What is your biggest design work?
One of the most significant projects in my career was the design of a public park commissioned by the City of Kraków. This project was particularly important because it combined architecture, landscape and public space into one cohesive environment intended to improve everyday urban life and create a stronger connection between people and nature.
Designing on a public scale required balancing functionality, accessibility, ecology and emotional atmosphere while responding to the identity of the surrounding city fabric. The project taught me the importance of creating spaces that are not only visually coherent, but also socially meaningful and naturally integrated into their environment.
This experience strongly influenced my later architectural approach, especially my sensitivity toward landscape, movement, spatial composition and the relationship between built form and nature.
One of the most significant projects in my career was the design of a public park commissioned by the City of Kraków. This project was particularly important because it combined architecture, landscape and public space into one cohesive environment intended to improve everyday urban life and create a stronger connection between people and nature.
Designing on a public scale required balancing functionality, accessibility, ecology and emotional atmosphere while responding to the identity of the surrounding city fabric. The project taught me the importance of creating spaces that are not only visually coherent, but also socially meaningful and naturally integrated into their environment.
This experience strongly influenced my later architectural approach, especially my sensitivity toward landscape, movement, spatial composition and the relationship between built form and nature.
I deeply admire architects such as Tadao Ando, John Pawson and Ludwig Mies van der Rohe for their understanding of simplicity, proportion and spatial atmosphere. I am also strongly inspired by classical Greek architecture and the timeless harmony of antiquity.
What connects all of these influences is the idea that architecture does not need unnecessary complexity to create emotional power. I admire designers who understand light, silence, materiality and restraint.
What connects all of these influences is the idea that architecture does not need unnecessary complexity to create emotional power. I admire designers who understand light, silence, materiality and restraint.
My lifestyle is deeply connected to travel, art, photography and observation of everyday life. During my travels, I am particularly interested in documenting local architecture, cultural rituals, textures, light and culinary traditions of each region. I believe every place carries its own atmosphere and identity, which can be understood not only through buildings, but also through food, craftsmanship, habits and the way people interact with space.
Having lived and studied in Greece, Mediterranean culture had a profound influence on my sensitivity toward light, natural materials, landscape and timeless simplicity. These experiences continue to shape my architectural language and emotional approach to design.
Photography plays an important role in the way I observe proportions, shadow and spatial composition, while painting allows me to express emotions and intuition in a more abstract and personal way. Both disciplines strongly influence my architectural process by teaching me sensitivity toward atmosphere, color, texture and visual balance.
I believe architecture should be connected to life itself — to memory, culture, nature and human experience — rather than existing purely as an isolated object.
Having lived and studied in Greece, Mediterranean culture had a profound influence on my sensitivity toward light, natural materials, landscape and timeless simplicity. These experiences continue to shape my architectural language and emotional approach to design.
Photography plays an important role in the way I observe proportions, shadow and spatial composition, while painting allows me to express emotions and intuition in a more abstract and personal way. Both disciplines strongly influence my architectural process by teaching me sensitivity toward atmosphere, color, texture and visual balance.
I believe architecture should be connected to life itself — to memory, culture, nature and human experience — rather than existing purely as an isolated object.
My work philosophy is based on authenticity, collaboration and attention to detail. I believe architecture should emerge from dialogue between function, atmosphere and the individual needs of the client. Every project is approached holistically, where architecture, interiors and landscape form one coherent vision.
I value honesty, trust and long-term relationships both within my team and with clients. At Eklekt Atelier, we focus on creating timeless spaces rather than following temporary trends. Functionality is always fundamental in our process because I believe beauty should naturally evolve from usability, proportion and clarity.
I value honesty, trust and long-term relationships both within my team and with clients. At Eklekt Atelier, we focus on creating timeless spaces rather than following temporary trends. Functionality is always fundamental in our process because I believe beauty should naturally evolve from usability, proportion and clarity.
I believe architects have a responsibility to improve the quality of human experience through thoughtful and timeless design. While architecture may not always directly solve social problems, it can positively influence the way people live, feel and interact with their environment.
I try to contribute by promoting architecture that values simplicity, sustainability, emotional well-being and connection to nature. I also believe sharing knowledge, inspiring younger designers and encouraging sensitivity toward space and materials are important forms of contribution within the creative community.
I try to contribute by promoting architecture that values simplicity, sustainability, emotional well-being and connection to nature. I also believe sharing knowledge, inspiring younger designers and encouraging sensitivity toward space and materials are important forms of contribution within the creative community.
Participating in the A’ Design Award was a very valuable experience because it provided international recognition and an opportunity to present my work within a global design context. Awards and competitions can help designers gain visibility, build credibility and connect with broader audiences and professionals from different fields.
What I appreciate most is the possibility to share architectural ideas and emotions beyond local boundaries. Being recognized by an international jury is both motivating and inspiring, encouraging further exploration and development of a personal architectural language.
What I appreciate most is the possibility to share architectural ideas and emotions beyond local boundaries. Being recognized by an international jury is both motivating and inspiring, encouraging further exploration and development of a personal architectural language.
Interview about Curved Residential Design Interview
Interview about Villa Horizon Private Residence Design Interview
Design Legend Interview
18 May 2026
My background is rooted in applied arts education based on Bauhaus principles, which I studied in Athens, Greece. This experience shaped my understanding of functionality, proportion, material honesty and the relationship between art, craftsmanship and architecture. Growing up surrounded by Mediterranean culture and classical antiquity strongly influenced my sensitivity toward timeless architecture, natural light and emotional atmosphere in space.
Over time, I developed my own architectural language focused on minimalism, strong geometry, functionality and the emotional relationship between architecture and landscape. Today, through Eklekt Atelier, I work primarily on private residential architecture, interiors and landscape-oriented projects.
Over time, I developed my own architectural language focused on minimalism, strong geometry, functionality and the emotional relationship between architecture and landscape. Today, through Eklekt Atelier, I work primarily on private residential architecture, interiors and landscape-oriented projects.
I always dreamed of becoming an architect. What motivates me most is the possibility of transforming emotions, atmosphere and human experience into physical space. Architecture has the power to influence how people feel, live and interact with their surroundings every day.
I am inspired by timeless spaces, natural materials, silence, light and the emotional impact that architecture can create without excessive gestures. Designing allows me to combine creativity, functionality and sensitivity into something lasting and meaningful.
I am inspired by timeless spaces, natural materials, silence, light and the emotional impact that architecture can create without excessive gestures. Designing allows me to combine creativity, functionality and sensitivity into something lasting and meaningful.
It was entirely my own path and passion. From an early age, I was fascinated by architecture, cities, landscapes and the emotional qualities of space. Becoming an architect was never accidental for me — it was something I always naturally gravitated toward. Over the years, this fascination evolved into a professional and personal commitment to creating architecture that is timeless, functional and emotionally engaging.
I primarily design private residences, interiors and landscape-oriented architectural projects. I am especially interested in creating spaces where architecture, interiors and nature form one coherent experience. In the future, I would like to design more projects located in Mediterranean environments, particularly in Greece, where architecture can interact strongly with landscape, light, water and topography. I am also very interested in hospitality architecture and projects that create immersive emotional experiences through simplicity, functionality and atmosphere.
Young designers should focus on developing their own sensitivity instead of chasing trends or visibility. They should observe real architecture, travel, study proportions, materials and light, and learn patience because meaningful design takes time and maturity.
It is also important to understand that aesthetics alone are not enough. Truly timeless architecture emerges when beauty naturally grows out of functionality, clarity and emotional honesty.
It is also important to understand that aesthetics alone are not enough. Truly timeless architecture emerges when beauty naturally grows out of functionality, clarity and emotional honesty.
A good designer can create visually attractive spaces, but a great designer creates architecture that people can emotionally connect with for many years. Great design is not only about aesthetics — it is about atmosphere, function, proportion, silence and the ability to create timeless experiences.
I believe great designers understand restraint. They know when to simplify, when to remove unnecessary elements and how to create emotional power through clarity rather than excess.
I believe great designers understand restraint. They know when to simplify, when to remove unnecessary elements and how to create emotional power through clarity rather than excess.
For me, truly good design feels natural, timeless and emotionally balanced. It should function intuitively and improve the quality of everyday life without demanding constant attention.
I evaluate design through proportion, functionality, atmosphere, materiality and the emotional experience it creates. In my opinion, the best architecture is the one where form naturally emerges from function, light and spatial logic.
I evaluate design through proportion, functionality, atmosphere, materiality and the emotional experience it creates. In my opinion, the best architecture is the one where form naturally emerges from function, light and spatial logic.
Good design improves the quality of life on both emotional and practical levels. Architecture influences how we feel, think, rest and interact with our environment every day. Well-designed spaces create calmness, comfort and emotional well-being.
Investing in good design also means investing in longevity and timelessness. Spaces created with care, functionality and honest materials age much better and remain valuable for decades.
Investing in good design also means investing in longevity and timelessness. Spaces created with care, functionality and honest materials age much better and remain valuable for decades.
I would love to design a large-scale architectural retreat integrated with landscape and nature — a place combining architecture, art, water, light and silence into one immersive experience. It could function as a cultural, hospitality or contemplative space where people reconnect with themselves and their surroundings.
I am most interested in designing for people who value authenticity, atmosphere and timelessness rather than temporary trends or purely visual impact.
I am most interested in designing for people who value authenticity, atmosphere and timelessness rather than temporary trends or purely visual impact.
One of my dream projects would be designing a Mediterranean residence or boutique hospitality complex located on a coastal landscape where architecture becomes almost inseparable from the horizon, light and water.
I am fascinated by projects where simplicity, natural materials and landscape can create a deeply emotional and timeless experience. I would also love to design spaces that integrate architecture with art, photography and cultural experience.
I am fascinated by projects where simplicity, natural materials and landscape can create a deeply emotional and timeless experience. I would also love to design spaces that integrate architecture with art, photography and cultural experience.
I believe the most important ingredient is sensitivity — the ability to observe light, proportions, atmosphere and human emotions. Patience and consistency are equally important because meaningful architecture cannot be created instantly.
My approach is based on balancing functionality with emotional depth. In my projects, aesthetics always emerge naturally from logic, proportion and the way people experience space.
My approach is based on balancing functionality with emotional depth. In my projects, aesthetics always emerge naturally from logic, proportion and the way people experience space.
I deeply admire architects such as Tadao Ando, John Pawson and Ludwig Mies van der Rohe for their understanding of simplicity, atmosphere and restraint. I am also strongly inspired by classical Greek architecture and Mediterranean spatial culture.
Beyond architecture itself, I draw inspiration from photography, painting, cinema and travel. Observing landscapes, textures, light and cultural rituals often influences my work more than contemporary trends.
Beyond architecture itself, I draw inspiration from photography, painting, cinema and travel. Observing landscapes, textures, light and cultural rituals often influences my work more than contemporary trends.
I admire projects that create strong emotional experiences through simplicity and proportion. Works such as Tadao Ando’s Church of the Light or John Pawson’s minimalist spaces inspire me because they prove that architecture does not need excessive complexity to become powerful and memorable.
I am also fascinated by ancient Greek architecture because of its timeless harmony, clarity and relationship with landscape and light.
I am also fascinated by ancient Greek architecture because of its timeless harmony, clarity and relationship with landscape and light.
One of the most important projects in my career was the design of a public park commissioned by the City of Kraków. What made this project particularly meaningful was the opportunity to shape public space in a way that combined functionality, landscape and emotional experience.
The project taught me how architecture and landscape can positively influence everyday urban life and create stronger relationships between people and nature. Its greatest value was not only visual coherence, but also its social and spatial impact.
The project taught me how architecture and landscape can positively influence everyday urban life and create stronger relationships between people and nature. Its greatest value was not only visual coherence, but also its social and spatial impact.
I believe becoming a better designer starts with developing sensitivity and learning how to truly observe the world. Traveling, experiencing different cultures, studying light, materials, landscapes and everyday human behavior are all essential. Personally, I learned a lot through photography, painting and observing architecture beyond trends and social media.
I also believe designers should focus on understanding functionality and human experience rather than only aesthetics. In my own journey, studying Bauhaus principles and classical architecture taught me that timeless beauty always comes from proportion, clarity and purpose.
I also believe designers should focus on understanding functionality and human experience rather than only aesthetics. In my own journey, studying Bauhaus principles and classical architecture taught me that timeless beauty always comes from proportion, clarity and purpose.
If I had not become an architect, I would most likely have pursued something connected to visual arts, photography or painting. I have always been strongly drawn toward artistic expression, atmosphere and observation. Creativity was always a natural part of my personality, so I believe I would still be creating in one form or another.
For me, design is the ability to transform emotions, ideas and functionality into meaningful experiences. Good design should improve everyday life while creating emotional connection and harmony between people and their environment.
I see architecture and design not as isolated objects, but as part of culture, memory and human experience. Design should feel natural, timeless and emotionally authentic.
I see architecture and design not as isolated objects, but as part of culture, memory and human experience. Design should feel natural, timeless and emotionally authentic.
My biggest support has always come from the people closest to me as well as from the experiences and environments that shaped my sensitivity over the years. Living in Greece, experiencing Mediterranean culture and being surrounded by art, architecture and nature had a profound influence on my development.
I am also grateful to my clients, collaborators and team because architecture is always a collective process built on trust, dialogue and shared vision.
I am also grateful to my clients, collaborators and team because architecture is always a collective process built on trust, dialogue and shared vision.
Continuous observation, curiosity and consistency played the biggest role in my development. I always try to learn not only from architecture, but also from photography, painting, cinema, travel and cultural experiences.
I believe one of the most important lessons was understanding that truly timeless architecture is not created through excess, but through restraint, proportion, functionality and emotional depth.
I believe one of the most important lessons was understanding that truly timeless architecture is not created through excess, but through restraint, proportion, functionality and emotional depth.
One of the greatest challenges was balancing creativity with the realities of business, responsibility and technical limitations. Architecture requires patience because meaningful projects take years to develop and realize.
Another challenge was staying authentic in a world strongly influenced by trends and fast visual consumption. I always tried to remain focused on timeless values, functionality and emotional quality instead of temporary popularity.
Another challenge was staying authentic in a world strongly influenced by trends and fast visual consumption. I always tried to remain focused on timeless values, functionality and emotional quality instead of temporary popularity.
Designers should present their work honestly and emotionally, not only visually. A project should communicate its atmosphere, function, story and relationship with people and place rather than simply trying to impress aesthetically.
I believe presentation is also about clarity and authenticity. Strong architecture usually speaks through proportion, materials, light and atmosphere without needing excessive explanation.
I believe presentation is also about clarity and authenticity. Strong architecture usually speaks through proportion, materials, light and atmosphere without needing excessive explanation.
In the future, I would like to further develop architecture that creates strong emotional relationships between landscape, light, water and built form. I am particularly interested in Mediterranean residential and hospitality projects where architecture can become deeply integrated with nature and atmosphere.
You can expect projects that continue exploring minimalism, timeless functionality, strong geometry and emotional calmness through natural materials and spatial composition.
You can expect projects that continue exploring minimalism, timeless functionality, strong geometry and emotional calmness through natural materials and spatial composition.
My ultimate goal is to create architecture that remains emotionally meaningful and timeless for generations. I want my projects to improve the quality of life quietly and naturally, without relying on temporary trends or unnecessary complexity.
I would also like to build a recognizable architectural language that connects minimalism, functionality, landscape and emotional experience into one coherent vision.
I would also like to build a recognizable architectural language that connects minimalism, functionality, landscape and emotional experience into one coherent vision.
I believe people expect authenticity, vision and the ability to create spaces that are both functional and emotionally engaging. Clients are often searching not only for aesthetics, but also for atmosphere, identity and timelessness.
An architect should understand how people truly live and create spaces that feel natural, balanced and deeply connected to their everyday experience.
An architect should understand how people truly live and create spaces that feel natural, balanced and deeply connected to their everyday experience.
Good design improves everyday life by creating healthier, calmer and more meaningful environments. Architecture influences emotions, relationships, behavior and the way people experience cities and nature.
I believe thoughtful design can reconnect people with simplicity, natural materials, light and emotional well-being in a world that is increasingly fast and overstimulated.
I believe thoughtful design can reconnect people with simplicity, natural materials, light and emotional well-being in a world that is increasingly fast and overstimulated.
Currently, I am working on several private residential projects that continue my exploration of minimal architecture strongly connected to landscape and natural light. I am especially excited about projects where architecture interacts closely with water, horizon and topography.
I am also interested in expanding internationally and developing future projects in Mediterranean environments, particularly in Greece.
I am also interested in expanding internationally and developing future projects in Mediterranean environments, particularly in Greece.
The projects that gave me the greatest satisfaction were those where architecture, interiors and landscape became one emotional and coherent experience. I especially value projects where simplicity and functionality create strong atmosphere without unnecessary complexity.
Public space projects and residential architecture both taught me how deeply design can influence everyday human experience, emotions and connection to nature.
Public space projects and residential architecture both taught me how deeply design can influence everyday human experience, emotions and connection to nature.
I would like to see a stronger return to authenticity, timelessness and human-centered design instead of architecture driven mainly by trends, algorithms and visual consumption. Today, many projects are created primarily to look attractive on screens or social media, often losing emotional depth, functionality and long-term value.
I believe the future of design should focus more on natural materials, sustainability, emotional well-being and meaningful relationships between people, architecture and nature. I would also like to see greater appreciation for simplicity, craftsmanship and projects that age beautifully over time instead of constantly chasing novelty.
I believe the future of design should focus more on natural materials, sustainability, emotional well-being and meaningful relationships between people, architecture and nature. I would also like to see greater appreciation for simplicity, craftsmanship and projects that age beautifully over time instead of constantly chasing novelty.
I think architecture and design are moving toward more emotional, sensory and experience-oriented spaces. In a world dominated by technology and overstimulation, people increasingly seek calmness, authenticity and connection to nature.
At the same time, technology and artificial intelligence will continue to influence the design process, but I believe human sensitivity, intuition and cultural understanding will remain irreplaceable. The future belongs to architecture that balances innovation with timeless human needs.
At the same time, technology and artificial intelligence will continue to influence the design process, but I believe human sensitivity, intuition and cultural understanding will remain irreplaceable. The future belongs to architecture that balances innovation with timeless human needs.
It depends on the scale and complexity of the project. Some concepts emerge very intuitively and quickly, while refining proportions, functionality and atmosphere can take months or even years. In architecture, the process continues evolving from the first sketch to the final realization.
I believe meaningful projects need time because architecture matures through observation, iteration and understanding of the space and its users.
I believe meaningful projects need time because architecture matures through observation, iteration and understanding of the space and its users.
I always begin by understanding the place, landscape, light and emotional context of the project. Before thinking about form, I try to understand how people will live, move and experience the space emotionally.
The first stage is usually intuitive — sketches, atmosphere references, proportions and spatial relationships. Functionality is always fundamental from the beginning because in my projects aesthetics naturally emerge from use, logic and human experience.
The first stage is usually intuitive — sketches, atmosphere references, proportions and spatial relationships. Functionality is always fundamental from the beginning because in my projects aesthetics naturally emerge from use, logic and human experience.
I believe architecture should create emotion before impression. My goal is always to create spaces that feel timeless, calm and naturally connected to people and their environment.
I believe truly meaningful design creates its own identity rather than following trends. Trends are temporary by nature, while architecture should remain relevant and emotionally valuable for decades.
Good design can influence trends, but the strongest projects usually emerge from authenticity, functionality and timeless thinking rather than from trying to follow what is currently fashionable.
Good design can influence trends, but the strongest projects usually emerge from authenticity, functionality and timeless thinking rather than from trying to follow what is currently fashionable.
Technology is an important tool that helps communicate, develop and refine ideas, but it should never replace human intuition and sensitivity. I use digital tools extensively during the design and visualization process, however the emotional quality of architecture still comes from observation, experience and understanding of space.
For me, technology should support architecture, not dominate it.
For me, technology should support architecture, not dominate it.
I use professional architectural and visualization software throughout the design process, combined with conceptual sketching and visual studies. Beyond digital tools, photography also plays an important role in the way I observe light, textures, proportions and atmosphere.
I believe tools themselves are secondary — what matters most is the designer’s sensitivity and ability to create meaningful spatial experiences.
I believe tools themselves are secondary — what matters most is the designer’s sensitivity and ability to create meaningful spatial experiences.
Materials, color and atmosphere are fundamental because they directly influence emotions and perception of space. I work primarily with natural materials such as stone, wood, concrete and textured surfaces because they age beautifully and create timeless emotional quality.
I am especially interested in how natural light interacts with materials throughout the day, shaping shadow, depth and atmosphere. For me, ambiance is often more important than decorative form itself.
I am especially interested in how natural light interacts with materials throughout the day, shaping shadow, depth and atmosphere. For me, ambiance is often more important than decorative form itself.
I would like people to ask how the space feels rather than only how it looks. Emotional experience, atmosphere, light and functionality are far more important to me than purely visual impact.
I believe architecture becomes meaningful when people emotionally connect with it and naturally feel calm, comfort and identity within the space.
I believe architecture becomes meaningful when people emotionally connect with it and naturally feel calm, comfort and identity within the space.
The first thing I notice is whether the design feels honest, timeless and emotionally coherent. I admire projects where simplicity, proportion and functionality work together naturally without unnecessary complexity.
The best designs usually create strong emotional impact quietly and effortlessly.
The best designs usually create strong emotional impact quietly and effortlessly.
I strongly believe architecture is a collaborative process. My ideal collaborators are people who value authenticity, functionality, attention to detail and emotional quality in design.
The best projects emerge through dialogue between architects, clients, engineers, craftsmen and artists who share a common sensitivity and vision.
The best projects emerge through dialogue between architects, clients, engineers, craftsmen and artists who share a common sensitivity and vision.
The greatest influence on my work came from people connected to art, craftsmanship, architecture and Mediterranean culture. Living in Greece and observing classical architecture, local materials, landscapes and everyday life strongly shaped my understanding of timelessness and spatial atmosphere.
I am also deeply inspired by artists, photographers and filmmakers because they teach sensitivity toward light, composition and emotion.
I am also deeply inspired by artists, photographers and filmmakers because they teach sensitivity toward light, composition and emotion.
Books related to architecture, minimalism, classical proportions, art and philosophy had the strongest influence on me. However, I believe direct experience — traveling, observing architecture, painting, photography and experiencing places physically — shaped my understanding of space even more profoundly than books alone.
I am particularly inspired by works exploring simplicity, atmosphere, phenomenology and the emotional relationship between people and architecture.
I am particularly inspired by works exploring simplicity, atmosphere, phenomenology and the emotional relationship between people and architecture.
I developed my skills gradually through observation, experience, travel and continuous exploration of architecture, art and human behavior. My education in applied arts based on Bauhaus principles gave me strong foundations in functionality, proportion and material awareness, while living in Greece deeply shaped my sensitivity toward classical architecture, light and timeless spatial composition.
Beyond formal education, photography, painting and studying cultural environments played an essential role in developing my understanding of atmosphere and emotional experience in architecture. I believe becoming a better designer is a lifelong process of observation, refinement and learning how to simplify.
Beyond formal education, photography, painting and studying cultural environments played an essential role in developing my understanding of atmosphere and emotional experience in architecture. I believe becoming a better designer is a lifelong process of observation, refinement and learning how to simplify.
I would love to speak with architects and artists such as Tadao Ando, Ludwig Mies van der Rohe or ancient Greek architects whose work continues to influence architecture centuries later. I would also be fascinated to discuss space, light and atmosphere with painters, photographers and filmmakers because architecture is deeply connected to visual emotion and perception.
More than technical discussions, I would be interested in understanding how they perceived silence, proportion, timelessness and human experience through their work.
More than technical discussions, I would be interested in understanding how they perceived silence, proportion, timelessness and human experience through their work.
Recognition and awards are very meaningful because they confirm that architecture can emotionally resonate beyond local boundaries and personal perspective. They also create opportunities to share ideas and connect with people internationally.
At the same time, I try to remain focused on the work itself rather than recognition. For me, architecture is still primarily about creating authentic, timeless and functional spaces rather than pursuing visibility or fame.
At the same time, I try to remain focused on the work itself rather than recognition. For me, architecture is still primarily about creating authentic, timeless and functional spaces rather than pursuing visibility or fame.
I am naturally drawn to earthy and neutral colors inspired by stone, sand, concrete, wood and Mediterranean light. One of my favorite places is Greece because of its unique relationship between landscape, architecture, culture and atmosphere.
I also deeply appreciate regional cuisine and culinary traditions during my travels because food often reflects the identity and rhythm of a place. I enjoy simplicity and authenticity both in architecture and lifestyle. Rather than specific brands, I value timeless craftsmanship, honest materials and objects designed with clarity and purpose.
I also deeply appreciate regional cuisine and culinary traditions during my travels because food often reflects the identity and rhythm of a place. I enjoy simplicity and authenticity both in architecture and lifestyle. Rather than specific brands, I value timeless craftsmanship, honest materials and objects designed with clarity and purpose.
One memorable experience was visiting a construction site very early in the morning after heavy rain, expecting complete chaos, only to discover that the reflections of water and unfinished concrete unexpectedly created one of the most atmospheric moments of the entire project. It reminded me that architecture is often shaped not only by design itself, but also by unpredictable moments, nature and light.
Experiences like this taught me to observe spaces emotionally and intuitively, even during imperfect stages of realization.
Experiences like this taught me to observe spaces emotionally and intuitively, even during imperfect stages of realization.
The most satisfying moments are when an abstract idea begins to transform into a real atmosphere and coherent space. I am motivated by the process itself — observing light, refining proportions, selecting materials and seeing how architecture slowly gains emotional identity.
Travel, photography, painting and contact with nature also help me stay inspired and emotionally connected to the creative process.
Travel, photography, painting and contact with nature also help me stay inspired and emotionally connected to the creative process.
From a very young age, it was clear that I was strongly drawn toward architecture, drawing, visual arts and spatial imagination. I was fascinated by cities, buildings, landscapes and the emotional feeling certain spaces could create.
Becoming an architect was always a natural dream for me, even long before I fully understood what the profession involved.
Becoming an architect was always a natural dream for me, even long before I fully understood what the profession involved.
I believe technology will continue transforming the way we design and live, but fundamental human needs will remain unchanged. People will always seek light, nature, emotional comfort, beauty and meaningful connection with their surroundings.
In the future, I think architecture will become more integrated with sustainability, landscape and sensory experience. At the same time, timeless principles such as proportion, simplicity and functionality will remain universally important regardless of technological progress.
In the future, I think architecture will become more integrated with sustainability, landscape and sensory experience. At the same time, timeless principles such as proportion, simplicity and functionality will remain universally important regardless of technological progress.
I would like people to understand that my architecture is deeply connected to emotion, atmosphere and human experience rather than purely visual effect. I believe good design should feel calm, timeless and naturally integrated with life and landscape.
My work is strongly influenced by Mediterranean culture, classical architecture, photography, painting and observation of everyday rituals. In every project, I try to create spaces where functionality, simplicity and emotional depth coexist in a natural and authentic way.
My work is strongly influenced by Mediterranean culture, classical architecture, photography, painting and observation of everyday rituals. In every project, I try to create spaces where functionality, simplicity and emotional depth coexist in a natural and authentic way.
Designer Interview
18 May 2026
I have always wanted to be an architect; it has been a dream for as long as I can remember. I didn't know where, how, or when, but I knew that I would become an architect.
I Przemyslaw Cepielik represent Eklekt Atelier which is a modern form of a company / design house that has a wide range of services in the field of Architecture, Interiors and Greenery. We work with owners of apartments, houses, office spaces on new construction or renovation. As part of the cooperation, we offer a range of services, from project preparation through supervision or turnkey investment.
An opportunity to change your surroundings to better place.
I love designing houses, along with their interiors and surroundings, comprehensively. Only then can we guarantee the creation of a coherent home with its interior, as I adhere to the doctrine of designing a home from the inside out.
One of my proudest designs is the award-winning apartment featured in A'Design 2023. Despite its modest size, every aspect was crafted according to our vision from start to finish. The client bestowed us with complete trust, making the project particularly gratifying.
The first project I designed for a company was the renovation of a single-family house, involving basement expansion to seamlessly integrate with the home's surroundings.
In each field in which I design I love to use natural materials, such as Stone, wood, glass, as long as it is natural.
I feel most creative when I have the complete trust of the client.
During Designing, I focus most on The Idea, function, how to obtain Timeless effect
When I design, I feel fulfillment, I sense that I can accomplish anything.
When I see a realized design, I feel proud—a parental emotion.
Crafting a successful design is an artistry that thrives on collaboration with an exceptional client. The alchemy begins with seamless chemistry, shared vision, and a client endowed with perceptive insight, dreams, and passion.
When evaluating a design as good or bad, several key aspects come into consideration, and the importance of each may vary based on the specific context. Like Functionality, Aesthetics, Context, Innovation, Simplicity, Execution ability,
Designers bear important responsibilities toward society and the environment, as their work has a profound impact on the world. In every design we consider: Sustainability, Accessibility, Problem Solving, Ergonomic.
The design field is undergoing a transformative journey in the era of computers and AI. While there are concerns about potential challenges to creativity, I am optimistic about the future. Rather than perceiving technology as a threat, I envision it as an enabler. As we progress, I hope for the development of more accessible tools that not only safeguard but also amplify creativity. By embracing user-friendly interfaces, intuitive platforms, and collaborative technologies, we can unlock new dimensions of creative expression and ensure that the future of design is shaped by a harmonious synergy between human ingenuity and technological innovation.
In my field we do not organise exhibitions.
In my work, I draw inspiration from various fields, believing that creativity is a personal and dynamic process. I maintain a diverse set of interests and stay open to influences from different sources to keep my design thinking fresh and innovative. Antique golden proportions, the study of old cultures, and exploration of art and culture expand my perspective. During travels, I actively observe and study others' work, ensuring that I remain original and authentic without copying solutions.
My design style is versatile, and I find comfort in adapting to various styles. However, my preference lies in the modern classic style, and I particularly enjoy blending different styles. This inclination led to the establishment of my company, EKlekt Atelier, deriving its name from eclecticism. I believe in harmoniously merging elements from diverse styles to create unique and personalized designs that reflect the client's vision while adding a touch of innovation.
My journey started in Poland, but life led me to Greece for 16 transformative years. There, I delved into ancient Greek culture, embraced neoclassicism, and refined my skills in crafting spaces thoughtfully.
During this period, I developed a design approach that seamlessly blends bold innovation with a profound respect for culture, environment, and structural intricacies, navigating challenges like recurrent seismic activity. My artistic pursuits included mastering mosaic and stained glass art.
Upon returning to Poland, I committed to formal education in architecture and urban design. Since then, I've founded my architectural firm, seamlessly operating in both Poland and Greece. This global presence embodies a fusion of diverse cultural influences and innovative design philosophies that shape my professional journey.
During this period, I developed a design approach that seamlessly blends bold innovation with a profound respect for culture, environment, and structural intricacies, navigating challenges like recurrent seismic activity. My artistic pursuits included mastering mosaic and stained glass art.
Upon returning to Poland, I committed to formal education in architecture and urban design. Since then, I've founded my architectural firm, seamlessly operating in both Poland and Greece. This global presence embodies a fusion of diverse cultural influences and innovative design philosophies that shape my professional journey.
As an architect with a passion for artistry, my work with companies is like crafting a beautiful symphony of form and function. Each project is a canvas where I blend the practical needs of the company with its unique aesthetic identity.
I dive deep into the company's culture, values, and vision to infuse artistic elements that resonate with its spirit. Whether it's an office, retail space, or industrial facility, my goal is to create environments that inspire and enhance daily experiences.
Collaboration is key. I engage in a creative dialogue with company stakeholders, ensuring the final design not only meets functional needs but also tells the story of the company. By bringing my artistic soul into the process, I aim to turn corporate spaces into living works of art — spaces that breathe life into the company's mission and leave a lasting impression on everyone who encounters them.
I dive deep into the company's culture, values, and vision to infuse artistic elements that resonate with its spirit. Whether it's an office, retail space, or industrial facility, my goal is to create environments that inspire and enhance daily experiences.
Collaboration is key. I engage in a creative dialogue with company stakeholders, ensuring the final design not only meets functional needs but also tells the story of the company. By bringing my artistic soul into the process, I aim to turn corporate spaces into living works of art — spaces that breathe life into the company's mission and leave a lasting impression on everyone who encounters them.
Companies should allow designers in their design department to be something opposite to what they represent themselves, granting freedom for creativity and bold approaches.
In my design process, I focus on understanding the client by delving into their perceptions, identifying constraints—specifically those tied to their perspectives—and exploring their dreams. Subsequently, I strive to find harmony among functionality, ergonomics, economic considerations, and the client's perception.
My favorite design items at my home:
Kitchen Worktop - Brazilian Granite "Avocatus":
A touch of elegance in my kitchen, the Brazilian granite "Avocatus" worktop brings a natural and sophisticated charm, making it a favorite gathering spot.
Handmade Dining Table from Oak:
Crafted with care, my oak dining table boasts a natural shape that adds warmth to mealtime gatherings. Its handmade touch gives it a unique and personal feel.
Glamora Wallpaper:
The Glamora wallpaper, chosen to complement the green stone in the kitchen, not only adds a stylish touch but also weaves a visual thread that ties different spaces together seamlessly.
Porcelanosa Wall Tiles with Natural Textile Surface:
The Porcelanosa wall tiles with a natural textile surface bring a tactile dimension to my walls. It's not just about appearance; it's about creating a sensory experience in my living space.
Designed by Me Lighting:
Lighting designed by me completes the ambiance. These fixtures, crafted with a personal touch, not only illuminate but also contribute to the unique atmosphere, making each room special.
These items aren't just pieces of design; they're a reflection of my style, comfort, and the essence of what makes my home uniquely mine.
Kitchen Worktop - Brazilian Granite "Avocatus":
A touch of elegance in my kitchen, the Brazilian granite "Avocatus" worktop brings a natural and sophisticated charm, making it a favorite gathering spot.
Handmade Dining Table from Oak:
Crafted with care, my oak dining table boasts a natural shape that adds warmth to mealtime gatherings. Its handmade touch gives it a unique and personal feel.
Glamora Wallpaper:
The Glamora wallpaper, chosen to complement the green stone in the kitchen, not only adds a stylish touch but also weaves a visual thread that ties different spaces together seamlessly.
Porcelanosa Wall Tiles with Natural Textile Surface:
The Porcelanosa wall tiles with a natural textile surface bring a tactile dimension to my walls. It's not just about appearance; it's about creating a sensory experience in my living space.
Designed by Me Lighting:
Lighting designed by me completes the ambiance. These fixtures, crafted with a personal touch, not only illuminate but also contribute to the unique atmosphere, making each room special.
These items aren't just pieces of design; they're a reflection of my style, comfort, and the essence of what makes my home uniquely mine.
Description of my day: I don't wake up too early due to often working late nights, dedicating a lot of time to creating in silence. I always have breakfast and head to my studio. At the studio, I need to allocate time to my colleagues, employees, and contractors. Subsequently, I have to reconcile various aspects of running a business, which functions like any other company but involves the creative aspects that require focus, silence, inspiration, flair, and Muse :)
Do not try to design for trends or social media approval. Focus on creating architecture and spaces that have emotion, atmosphere and authenticity. Travel as much as possible, observe light, materials and proportions in real life, not only on screens. Learn patience — good design needs time, maturity and many iterations. Most importantly, develop your own sensitivity and visual language instead of copying what is currently popular.
One of the greatest positives is the ability to shape how people experience space and everyday life. Design allows you to transform emotions, memories and ideas into something physical and lasting. At the same time, it is also a very demanding profession that requires balancing creativity with business, technical limitations, deadlines and responsibility. The biggest challenge is probably maintaining creative sensitivity while constantly operating under pressure.
My golden rule is that architecture should create emotion before it creates impression. I believe simplicity, proportion, light and atmosphere are far more timeless than excessive form or unnecessary gestures. Good design should feel natural, calm and inevitable.
Sensitivity and observation are the most important skills. Beyond technical knowledge, a designer should understand proportions, human behavior, light, materials and emotions. Communication is equally important because architecture is always created through collaboration with clients, consultants and craftsmen. Patience and consistency are also essential.
My process combines digital and intuitive tools. I use professional architectural software and visualization tools daily, but I still value sketching and physical references. Inspiration often comes from travel, cinema, photography, art, fashion and nature rather than architecture itself. I also spend a lot of time studying materials, textures and the way natural light interacts with space throughout the day.
I try to divide my time between creative work and operational responsibilities. The most important design decisions usually happen during quiet hours without distractions, often late in the evening. I believe focus and clarity are more important than working endlessly. Good organization and a strong team are essential to maintaining balance between creativity and business.
It depends on the scale and complexity of the project. Some concepts appear very quickly, almost intuitively, while refining them can take months. In architecture, the process often evolves continuously from the first sketch to the final realization. I believe good projects mature over time and gain depth through the process itself.
Clients often ask how to create a timeless space that will still feel relevant and emotional many years from now. They are usually searching not only for aesthetics, but also for identity, atmosphere and a sense of belonging within architecture.
One of the most important experiences in my career was learning how to combine architecture, interiors and atmosphere into one coherent vision. Over the years, working on private residences taught me that architecture is not only about form, but also about emotion, light, materials and the way people experience space daily. Equally important was building my own studio and understanding how to balance creativity with responsibility, communication and business management.
Our clients are primarily private investors who value individuality, timeless aesthetics and emotional quality in architecture. Many of them are looking for spaces that reflect their lifestyle and personal identity rather than following temporary trends. We also collaborate with clients interested in high-end interiors and bespoke residential projects in Poland and abroad.
I enjoy residential architecture the most because it allows for creating deeply personal and emotional spaces. Designing homes gives the opportunity to shape everyday rituals, relationships with light, nature and privacy. I am especially drawn to projects where architecture becomes calm, sculptural and strongly connected to the surrounding landscape.
My future plans involve expanding Eklekt Atelier internationally and developing projects that combine architecture, interiors and landscape into one holistic experience. I am particularly interested in creating more projects in Mediterranean environments, especially in Greece, while continuing to evolve a strong and recognizable architectural language rooted in atmosphere, minimalism and timelessness.
Architecture is always a collaborative process. I develop the main creative direction and conceptual vision personally, while working closely with my team, consultants, engineers and craftsmen throughout the entire process. I believe the best projects are created through dialogue, trust and attention to detail at every stage.
Currently, we are working on several private residential projects that continue our exploration of strong geometric forms integrated with landscape and natural light. Many of these projects focus on creating architecture that feels calm, immersive and emotionally connected to its environment. I am particularly interested in further developing the relationship between architecture, water and horizon within future designs.
People can contact me through Eklekt Atelier’s official website at eklekt.pl or via our social media channels. We are always open to meaningful collaborations, architectural discussions and international projects.
I believe architecture should slow people down and reconnect them with space, light and nature. In a world dominated by speed and visual noise, I see design as an opportunity to create calmness, atmosphere and lasting emotional experiences. For me, timeless architecture is not about trends, but about creating spaces that continue to feel meaningful many years later.
Interview about Curved Residential Grand Interview