Interview with Pardis Karimi

My motivation comes from the desire to merge engineering logic with emotional experience. I design to transform functional systems into meaningful, expressive objects that connect with people on a deeper level.

I was not forced into design. It was a natural evolution from engineering into architecture and eventually into product design, where creativity and technical structure could coexist.

I design product concepts, architectural objects, and functional systems. I am particularly focused on musical instruments, especially the piano, as well as furniture and automotive-inspired design systems.

Young designers should develop multidisciplinary thinking. Do not limit yourself to aesthetics—understand engineering, structure, and human behavior. Innovation comes from connecting different fields.

A good designer solves problems efficiently. A great designer transforms how people perceive and experience those problems entirely.

Good design is a balance between functionality, clarity, and emotional impact. I evaluate design based on how naturally these elements coexist.

Good design improves human experience. It enhances functionality, emotional connection, and cultural value, making life more meaningful and efficient.

If I had unlimited time, I would design a fully reimagined piano system integrated with spatial architecture and interactive acoustic behavior for immersive environments.

My dream project is to develop a new generation of musical objects that merge architecture, engineering, and sound into a unified spatial experience.

My key principle is interdisciplinary integration—combining mechanical precision, architectural thinking, and emotional design language.

I am inspired by designers and engineers who bridge disciplines—those who merge structure, technology, and artistic expression into unified systems.

I admire designs that appear inevitable—where form, function, and material feel perfectly resolved and emotionally resonant.

My most significant design so far is my piano concept, as it reflects my entire multidisciplinary journey and integrates engineering, structure, and emotional design thinking.

I improved myself by continuously moving across disciplines and challenging myself to think beyond traditional engineering into spatial and emotional design.

If I had not become a designer, I would likely have continued in engineering or system development, focusing on mechanical innovation.

Design is the translation of engineering logic and human emotion into physical form and experience.

My growth has been shaped by academic foundations in engineering, architectural studies, and continuous self-driven exploration across design disciplines.

What helped me most was the ability to think across disciplines and constantly challenge the boundaries between engineering and design.

The main obstacle was transitioning from pure engineering logic to creative and conceptual thinking while maintaining technical accuracy.

Designers should present their work with clarity of concept, technical reasoning, and emotional narrative, not just visual output.

My next direction is focused on advanced product systems, particularly reinterpreting musical instruments such as the piano into new spatial and conceptual forms.

My ultimate goal is to create designs that exist between engineering and art—objects that are both technically intelligent and emotionally powerful.

People expect innovation, clarity, and emotional depth from designers—objects that go beyond functionality and create meaningful experiences.

Design contributes to society by shaping how people interact with objects, spaces, and technology, ultimately influencing behavior and culture.

I am currently developing conceptual product systems focused on musical instruments and immersive spatial objects.

The most satisfying projects are those where engineering complexity and emotional expression come together, particularly my piano concept.

I would like to see more integration between engineering, design, and emotional experience, as well as greater transparency in evaluation systems.

Design is moving toward a multidisciplinary future where technology, intelligence, and human experience merge into unified systems.

Depending on complexity, a project can take from several weeks to several months, especially when combining engineering and conceptual development.

I always start with understanding the core system—mechanics, structure, and emotional intention—before moving into form development.

Design is where engineering becomes emotion.

Design both sets trends and is influenced by them, but true innovation comes from leading rather than following.

Technology is a core enabler that expands the possibilities of structure, interaction, and material behavior in design.

I use a combination of professional tools for 3D modeling, visualization, and presentation. My workflow includes Rhino, Blender, and 3ds Max for modeling and concept development. For rendering, I use V-Ray and Corona Renderer to achieve high-quality, realistic visual outputs. For post-production and presentation, I rely on the Adobe Suite (Photoshop, Illustrator, InDesign).

Color, material, and spatial context define how a design is perceived emotionally and physically.

I wish people would ask about the conceptual and engineering thinking behind my designs, not just the final appearance.

When I see a great design, I immediately analyze its structural logic and how seamlessly it connects function with emotion.

My ideal partner is someone who understands both technical systems and conceptual thinking. Yes, I strongly believe in co-design.

I have had the opportunity to interact with highly accomplished professionals across various fields of engineering and design. Each of them, from their own perspective and area of expertise, has contributed significantly to shaping my design thinking. These multidisciplinary exchanges have played a key role in developing my approach to design.

The Design of Everyday Things – Don Norman. Less but Better – Dieter Rams. Engineering Design: A Systematic Approach.Thinking, Fast and Slow – Daniel Kahneman.Towards a New Architecture – Le Corbusier.....

I developed my skills through continuous cross-disciplinary practice, combining engineering, architecture, and product design experiences.

I would like to meet thinkers and designers who redefine the boundaries between technology, architecture, and art.

Recognition is valuable when it reflects meaningful work, but continuous evolution as a designer is far more important than awards.

My favorite color is green, as it represents balance, nature, and harmony. I am particularly drawn to Italy, inspired by its rich cultural heritage, museums, architectural excellence, and natural landscapes. I prefer seafood and light, refined cuisine. My favorite season is summer, as it reflects clarity, energy, and openness. My key passion is the piano, which strongly connects with my design thinking and appreciation for structure and expression. In terms of brands, I admire Porsche for its precision, engineering excellence, and timeless design philosophy

One memorable experience is realizing how engineering logic can evolve into emotional expression when applied in design contexts.

I stay motivated by constantly challenging myself to create work that bridges technical precision and emotional depth.

As a child, I was always curious about how systems work, which naturally evolved into engineering and later design thinking.

In the future, I believe design will merge with intelligent systems, creating adaptive environments and emotionally responsive objects.

My work focuses on merging engineering precision with artistic expression. I aim to create designs that are not only functional but also emotionally resonant and structurally intelligent.

I operate as an independent multidisciplinary designer, working across product design, architectural concepts, and spatial systems. My practice focuses on integrating engineering precision with conceptual and emotional design thinking.

Design is the translation of logic, structure, and human emotion into tangible form. It is the point where engineering meets experience.

I am most interested in complex product systems, particularly musical instruments such as pianos, as well as furniture and architectural objects that combine structure and emotion.

My piano concept is one of my most significant works, as it reflects my multidisciplinary background and merges engineering structure with emotional and spatial design thinking.

My early professional work was primarily focused on architecture and interior-related projects within the built environment. Over time, I gradually transitioned toward conceptual and product design, where I could integrate engineering thinking with creative and spatial exploration.

My interest lies in advanced and precision-driven materials, alongside digital design and fabrication technologies that enable a seamless connection between concept and realization. I am particularly drawn to engineered materials such as high-performance metals, composites, and wood systems when applied in product and architectural design contexts.

On the technology side, I rely heavily on parametric and 3D modeling platforms such as Rhino, Blender, and 3ds Max for conceptual development and form exploration. For visualization and realism, I use rendering engines like V-Ray and Corona Renderer to accurately translate design intent into visual experience. In addition, I consider digital fabrication tools and CNC-based production methods essential, as they allow complex geometries to be physically realized with high precision.

I feel most creative during the early conceptual phase of a project, when ideas are still abstract and open to exploration.

I focus on structural logic, functional clarity, and emotional impact, ensuring that all three layers coexist harmoniously.

I experience a balance of analytical focus and creative exploration, where logic and intuition work together.

A sense of completion and satisfaction, especially when the final outcome aligns with both the conceptual and functional intentions.

A successful design is one that seamlessly integrates function, structure, and emotional resonance.

I first evaluate the clarity of concept and the coherence between function and form.

Designers are responsible for creating solutions that improve human experience while respecting environmental and social sustainability.

Design is evolving toward a multidisciplinary future where technology, engineering, and human experience merge into adaptive systems.

My focus has primarily been on conceptual development, and I am currently preparing for future opportunities to present my work in exhibitions that align with architectural and product design innovation.

My inspiration comes from engineering systems, architectural structures, natural forms, and the interaction between humans and objects.

My design style is conceptual, structured, and multidisciplinary, combining engineering precision with architectural thinking and emotional expression.

Cultural context influences my perception of structure, aesthetics, and spatial relationships, though my design approach remains global and multidisciplinary.

I collaborate on a project basis, contributing conceptual development, product design, and technical visualization depending on project requirements.

Companies should clearly define objectives while allowing creative freedom for designers to explore innovative solutions.

My process begins with system analysis, followed by conceptual exploration, structural development, and finally visual and technical refinement.

Minimal functional objects, musical instruments, architectural models, books on design and engineering, and technology devices.

My day usually involves conceptual development, 3D modeling, research, and refining design ideas across multiple projects.

Develop multidisciplinary thinking and do not limit yourself to aesthetics; understand structure, engineering, and human behavior.

Positive: creative freedom and impact. Negative: high responsibility and continuous iteration.

Clarity of concept before form.

Analytical thinking, creativity, technical understanding, and spatial awareness.

Rhino, Blender, 3ds Max for modeling; V-Ray and Corona Renderer for visualization; Adobe Suite for presentation and post-production.

I prioritize structured phases from concept to execution, allowing flexible iteration within each stage.

Depending on complexity, from several weeks to several months.

How do you combine engineering with creativity?

My multidisciplinary transition from engineering into architectural and product design practice.

I work across independent and collaborative projects in design and conceptual development.

I am particularly drawn to minimal design, where clarity, reduction, and purpose come together to create strong conceptual and functional impact. I appreciate designs that remove unnecessary elements and focus on essential structure, proportion, and meaning. For me, minimalism is not about simplicity alone, but about achieving depth through precision, balance, and intentional design decisions.

Expanding into advanced product systems and redefining musical and spatial design experiences.

Primarily independent, with selective collaboration depending on project needs.

Yes, I am currently working on several projects in the fields of conceptual architecture and luxury product design. These projects are developed with a focus on integrating architectural language with product design, aiming to create a unified experience between space, form, and function.
On the product design side, I am developing luxury and minimalist-oriented concepts that emphasize structural precision, material quality, and conceptual identity. In architecture, I am exploring ideas that focus on the interaction between humans, space, and designed objects across different scales.

Through professional design platforms and official collaboration channels.

My work focuses on merging engineering precision with conceptual and emotional design. I aim to create systems that go beyond functionality and redefine human experience through form, structure, and interaction.