Interview with Mai Wahdan

Design has always been at the core of who I am. I studied architecture academically, which gave me a strong foundation in spatial thinking, material understanding, and conceptual development. Although I initially pursued a successful career in education, I felt a strong internal pull back to design—the field I originally studied and loved. This wasn’t a sudden decision but a return to my roots. My transition was driven by a passion to create meaningful, soulful spaces and objects that blend natural materials, cultural depth, and modern craftsmanship. My husband, who is also an architect, has been a major source of support and inspiration throughout this journey.

My top priorities in design are: (1) emotional connection—each space or piece should evoke feeling; (2) timeless materiality—I emphasize natural elements like wood, stone, and metal; and (3) narrative-driven concepts—every project tells a story. My style blends luxury with nature, often incorporating biophilic elements and earthy tones. I begin with hand sketches and mood boards before moving to digital tools for precise development. Depending on the project, I may also use physical mockups or explore materials through prototyping, especially in furniture design.

Designing fills me with a mix of excitement, curiosity, and deep focus. The most thrilling phase is the initial spark—translating an abstract idea into a tangible concept. I also find great joy in the development journey, especially when materials and forms begin to align with the vision. There’s a quiet satisfaction in finalizing a project and seeing it come to life. For me, design is both a personal escape and a professional calling—it gives me purpose, creative freedom, and a continuous sense of fulfillment.

My academic background in architecture laid a strong foundation for my design thinking—combining structure, creativity, and functionality. Studying architecture trained me to approach each project holistically, balancing form, space, and emotion. Beyond academics, growing up in a culturally rich environment surrounded by art and heritage deeply influenced my sensitivity to aesthetics and storytelling. One of the biggest influences on my work has been the connection between people and their spaces—how thoughtful design can shape experience, evoke emotion, and leave a lasting impression.

My growth path is centered around expanding the reach and impact of Luxentti—both creatively and geographically. I aim to design more culturally rooted, globally recognized spaces and products that merge tradition with innovation. I’m particularly excited about showcasing our work in international exhibitions like Milan Design Week. A dream project for me would be to design a boutique cultural retreat or museum that celebrates regional identity through architecture, interior design, and custom furniture. I want to be remembered as a designer who told meaningful stories through material and form.

Trust your instincts, but be open to learning from every experience—whether success or challenge. Design is not just about beauty; it’s about intention, context, and clarity. Surround yourself with people who elevate your thinking, and never stop exploring. Don’t rush to find a style—let it emerge naturally through practice. One of the best pieces of advice I’ve received is: “Design with purpose, not trend.” Stay curious, stay humble, and most importantly, stay passionate.

Stay grounded in your values, and let your design philosophy evolve through experience. Always design with intent—each line, material, and decision should serve a purpose. Avoid falling into trends without questioning their relevance. Collaboration is key, but so is protecting your creative integrity. Push boundaries, but respect context. And finally, don’t underestimate the power of storytelling in design—it’s what makes your work resonate.

My day usually starts with reviewing project updates, sketches, or team discussions. I balance creative work—like conceptual development or design reviews—with strategic planning for Luxentti. Depending on the phase, I might be immersed in material selections, overseeing 3D models, or collaborating with clients. Throughout the day, small things like a good playlist, a spontaneous idea, or a beautiful texture sample often bring me joy. Even on the busiest days, there’s always a moment that reconnects me with why I love what I do.

I stay aware of design trends, but I don’t let them dictate my work. I believe in creating timeless designs that are rooted in material, culture, and emotion. I follow trends through exhibitions, publications, and global design movements, but I filter them through my own lens. My inspiration comes more from history, architecture, nature, and human experience than from what’s trending at the moment. Trends may inform, but they never define my work.

Good design is intuitive—it feels right even before you analyze it. For me, it’s defined by clarity, purpose, emotional resonance, and timelessness. A well-designed space or object should connect with its user, respect its context, and age gracefully. I look for coherence in form, material, and function. If something can communicate a story or evoke a feeling without explanation, then it’s a success. On the other hand, overcomplication and unnecessary gestures are common pitfalls I always avoid.

A design is ready when it balances function, emotion, and intention—when each element feels resolved and aligned with the original vision. I’m a perfectionist by nature, so I tend to refine until there’s nothing left to adjust meaningfully. But I’ve also learned to trust the moment when a design stops asking questions and starts offering answers. While I believe every design can be improved endlessly, knowing when to stop is a crucial skill. Once a design carries clarity and confidence, I know it’s ready to move forward.

One of my proudest works is the Tura Table, which won the Golden A’ Design Award in 2025. It was inspired by the Tura stone used in the ancient Egyptian pyramids, translated into a modern, lightweight form using fiberglass. The table combines three monumental stone-like bases with a tempered glass top, merging history with innovation. It represents years of research into materials, usability, and aesthetics. Tura Table is more than just furniture—it’s a story carved in contemporary form. I’m also excited about current projects that explore cultural identity through interior and architectural storytelling.

I admire many designers, but one who deeply resonates with me is Thomas Heatherwick—his ability to merge architecture, art, and engineering into emotionally engaging forms is truly inspiring. I also find inspiration in the work of Kelly Wearstler for her bold layering and fearless creativity. Each of these figures has influenced my appreciation for balance between innovation, elegance, and emotional impact.

I live between cultures, drawing inspiration from both my Egyptian roots and the places I’ve worked in gulf . My lifestyle is a mix of quiet observation and creative exploration. I’m often inspired by traditional crafts, regional textures, and architectural heritage. Music is part of my process—it sets the mood while I conceptualize. I believe good design elevates daily life, and my aim is to reflect that belief in every project. My culture taught me to honor beauty in detail and to value the stories behind forms.

At Luxentti, our work culture is grounded in collaboration, respect, and design integrity. I work closely with my partner—my husband—who is also an architect. We lead with a shared vision but from different strengths. When selecting partners or team members, I look for curiosity, accountability, and passion for detail. I value open-mindedness and strong ethics just as much as creativity. We approach each project with care, balancing innovation with cultural sensitivity. The core of our business philosophy is to design with meaning, not just aesthetics.

I believe design has a responsibility beyond aesthetics—it can uplift communities and create meaningful change. Whenever possible, I contribute by mentoring young designers, sharing knowledge, and participating in initiatives that support creative growth. I’m open to pro bono collaborations, especially when the project aligns with values of sustainability, education, or cultural preservation. I also engage in design events and talks that aim to make design more accessible and inspiring to the next generation. Giving back, for me, means using design as a tool for impact—whether big or small.

The A’ Design Award was a transformative experience. It provided an international platform to showcase my work, connect with incredible creatives, and gain meaningful exposure. Three major benefits stood out: (1) global recognition, (2) access to a network of like-minded professionals, and (3) the opportunity to exhibit and publish my work. Winning the Golden Award for the Tura Table gave me validation and motivation to push my vision further. Being selected as Designer of the Day is a true honor—it reaffirms my belief in purposeful, story-driven design.

Design allows me to turn emotions, stories, and visions into real, living spaces. I became a designer because I believe spaces have the power to shape how we feel, live, and connect — and creating that impact has always been my passion.

I chose it—completely. Even though I started my career in another field, design was always calling me. It wasn’t a forced path; it was a return to who I’ve always been.

I currently design interior spaces and furniture pieces, focusing on creating meaningful and elegant environments. Moving forward, I wish to design more highly personalized spaces and statement furniture pieces that tell stories, reflect individuality, and connect deeply with nature — blending luxury, authenticity, and sustainability.

Stay true to your passion, stay patient with your journey, and never stop learning. Focus on building depth, not just chasing trends. Real greatness comes from consistency, authenticity, and designing with heart — not just with skill. Legends are made by those who keep creating, even when no one is watching.

A good designer creates beautiful work.
A great designer creates work that feels — designs that tell stories, evoke emotions, and leave a lasting impact.
It’s not just about how things look, but about how they connect with people on a deeper level.

A really good design goes beyond aesthetics—it solves a problem, tells a story, and evokes emotion. It feels effortless yet intentional. I evaluate good design based on its clarity of concept, harmony between form and function, material honesty, and how it connects with people on a deeper level.

Good design shapes how we live, feel, and connect with our surroundings. It’s not just about beauty — it’s about creating spaces and objects that enhance everyday life, bring comfort, inspire emotions, and add lasting value.
Investing in good design is investing in a better quality of life, in spaces that nurture well-being and leave a meaningful impression over time.

I would love to design a cultural center that merges art, heritage, and architecture—something rooted in Arab identity. Ideally for a foundation or initiative that promotes cultural preservation.

Designing a boutique hotel or retreat in a natural landscape, where every interior element is custom-designed and tells a story.

Depth—whether it’s in concept, material, or meaning. I don’t design for looks only; I always ask “why” and “how it connects to the user.”

I admire Kelly Wearstler for her fearless eclecticism and bold interiors, and Ferris Rafauli for his masterful detailing and luxurious architectural vision. Their work shows how design can be both artistic and powerful.

I love Kelly Wearstler’s furniture pieces—they’re bold, sculptural, and full of character. I’m especially inspired by how she designed her Malibu house and the Proper Hotel in LA—each space tells a layered story with texture, art, and emotion.

The Tura Table. It blends ancient Egyptian inspiration with a contemporary feel and thoughtful material research. It’s not just aesthetic—it carries meaning and innovation.

Stay curious. I constantly research, observe, and revisit my own work with a critical eye. I also surround myself with different disciplines—art, architecture, even science.

I would’ve stayed in the educational field, where I held a leadership role—but deep down, I always knew I’d return to design. It’s where I truly belong.

Design is storytelling through space, form, and material. It’s a way of connecting people emotionally to their environments.

My husband, Ahmed Habib. He’s not only my partner in life but also in architecture and design. We push each other to grow and challenge boundaries.

Curiosity, persistence, and staying authentic. I never follow trends blindly—I focus on meaning, context, and timelessness.

Transitioning from a different career path and proving myself in a new field. Also, working in a competitive industry while staying true to my identity.

With clarity, depth, and intention. Every visual or verbal presentation should reflect the concept, not just the surface aesthetics.

I’m working on an artistic horse stable and lounge in Oman that fuses culture, color, and architecture. I’m also preparing to showcase my work at Milan Design Week next year.

To create timeless designs that carry meaning and emotion—pieces and spaces that leave a lasting impact, culturally and experientially. I also dream of designing something that gives back to the community and enhances people’s lives on a deeper level.

Originality, depth, and consistency. Clients expect me to bring bold ideas while staying grounded in functionality and elegance.

Good design enhances well-being, encourages interaction, and reflects identity. It shapes how people live, feel, and connect with their surroundings.

The horse stable and lounge project in Oman—it blends vibrant culture with contemporary architecture. I’m also developing new furniture pieces that explore material storytelling.

The Tura Table gave me the most satisfaction—it’s deeply symbolic, material-driven, and reflects my passion for merging heritage with innovation. It was also my first internationally awarded furniture piece, which made it even more meaningful.

More recognition for regional voices and cultural narratives. I’d love to see a shift from global sameness to local authenticity.

Toward emotional and sensory design—spaces and products that not only look good but feel personal and meaningful.

It depends on the complexity. A furniture piece usually takes 4 to 8 weeks from concept to prototype, although some prototypes can take several months. Interior projects vary widely and can also extend over several months, especially when they involve custom details and full execution.

I start with listening—understanding the client’s needs, the context, and the emotional story behind the project. Then I build a concept that connects those elements into a cohesive narrative.

Design with meaning, build with care, and always leave a lasting impression.

Good design sets the trends. Trends may come and go, but true design leads by vision, not by following.

Technology is a tool, not the end goal. It helps me visualize, refine, and bring ideas to life, but the essence always starts with a strong concept.

I use a combination of SketchUp, AutoCAD, and 3ds Max for visuals. For prototyping and development, I work closely with fabricators and engineers using CNC, 3D printing, and manual modeling.

They are everything—they set the tone, evoke emotion, and give depth to a space or object. I always select them with intention and cultural sensitivity.

I wish they’d ask about the story behind it—what inspired it, why I chose certain materials, and how it connects to the user’s experience.

I immediately want to understand the process behind it—what drove the idea, what materials were used, and what challenge it solves or emotion it evokes.

My ideal partner is someone who complements my thinking—strategic, open-minded, and detail-oriented. And yes, I strongly believe in co-design. Collaboration always enriches the outcome.

My husband Ahmed Habib has been the most influential—his architectural approach and conceptual thinking constantly push my boundaries and broaden my perspective.

Books on architectural theory, materiality, color psychology, and cultural heritage have deeply influenced me. They shaped the way I think about space, atmosphere, and the emotional impact of design.

Through hands-on experience, constant learning, and pushing myself beyond comfort zones. Every project was a lesson in concept, detail, and execution.

I’d love to sit with Zaha Hadid—her boldness, her vision, and how she transformed boundaries in architecture would be a dream to explore in conversation.

The recognition is humbling—it validates the effort and vision. But fame is not the goal. What matters most is staying grounded and continuing to create with integrity.

Color: Earthy green
Place: Luxor, Hurghada, Cairo, and the Maldives
Food: Anything with fresh herbs and citrus
Season: Fall
Thing: My sketchbook
Brand: Any brand that is locally made and custom crafted

Seeing ideas come to life—whether it’s a sketch turning into a prototype or a mood board shaping a space. That transformation fuels me.

Looking back, yes. I was always rearranging furniture, collecting fabric scraps, and sketching buildings—I just didn’t know it was called “design” yet.

I believe design will become even more human-centered—deeply responsive to emotion, nature, and sustainability. Hopefully, we’ll be more connected to the essence of living well, not just living smart.

Every piece I create comes from a place of meaning and emotion. I don’t design for trends—I design to tell a story, to honor heritage, and to bring beauty into everyday life.

Luxentti is a multidisciplinary design studio with a strong presence in the Gulf region. We specialize in architecture, interiors, landscaping, and furniture design. Our international team brings diverse perspectives, and we focus on natural materials, timeless elegance, and emotionally grounded spaces.

Design, to me, is how we shape the way people live, feel, and connect. It’s not just about beauty — it’s about creating purpose, emotion, and a sense of belonging through every detail.

I’m most drawn to designing spaces and furniture that feel timeless, natural, and emotionally resonant. I love working with raw materials like stone, wood, and metal — pieces that tell a story and connect deeply with the people using them. Whether it’s a serene villa or a sculptural console, I enjoy creating designs that balance function with quiet beauty.

One of my favorite designs is the Tura Table, inspired by the strength of the pyramids and the beauty of Tura stone. I used fiberglass to replicate the texture while keeping it light and practical. I designed it with love, never expecting it would win the Golden Award — that made it even more special.It blends history with modern living.The contrast between rugged texture and sleek glass creates a bold statement.It’s a piece that reflects both my roots and my design philosophy.

The first thing I designed for a company was a small apartment. It was a full interior project that allowed me to explore space optimization, material selection, and layout flow—all within a limited footprint. It taught me how to make every detail count, no matter the scale.

Material: Stone — timeless, grounding, and full of character. It adds depth and honesty to my work.
Platform: Instagram — a space to share stories, connect with a wider audience, and showcase the soul behind each design.
Technology: Modeling technology — it helps bring complex forms to life while balancing beauty and function.

I feel most creative when I’m surrounded by nature or traveling to new places. The change of scenery, textures, and cultures always spark fresh ideas. Silence, space, and raw materials also help me tune in and create with intention.

I focus most on materials, proportion, and emotional impact. I want every piece to feel balanced, natural, and meaningful — not just visually appealing, but also emotionally resonant and functional in real life.

When I design, I feel calm, connected, and inspired. There’s a quiet joy in shaping something from nothing — especially when it feels honest and purposeful. It’s a mix of focus and emotion, where intuition leads and every detail has meaning.

When my designs are realized, I feel a deep sense of fulfillment. It’s emotional to see an idea take physical form and become part of someone’s life. There’s pride, gratitude, and often surprise — especially when others connect with the piece in their own personal way.

A successful design balances beauty, function, and emotion. It feels natural in its environment, serves its purpose well, and resonates with people on a deeper level. When it tells a story and leaves a lasting impression — that’s success to me.

I first look at the balance between form and function. A good design should serve its purpose effortlessly while expressing a clear aesthetic language. Material choice, proportion, and emotional impact also play a key role in how I judge its success.

A designer has a responsibility to create with intention — to design spaces and objects that improve lives, respect the environment, and reflect cultural values. We shape how people live and interact with the world, so our work should be sustainable, inclusive, and meaningful.

Design is evolving toward deeper purpose — it’s no longer just about aesthetics. There’s a growing focus on sustainability, emotional wellbeing, and cultural relevance. The future of design lies in creating experiences that are human-centered, environmentally conscious, and driven by meaningful innovation.

My last exhibition will be at the MOODs exhibition of the A’ Design Award, where I’ll be showcasing my work. I aim to participate in any exhibition related to the A’ Design Award, and I’m planning to present my designs at Milan Design Week next year.

My inspiration comes from nature, history, and the places I travel. I’m drawn to textures, materials, and quiet details that tell a story. I feed my creativity by observing the world around me — from ancient architecture to everyday moments — and by staying curious. I also find inspiration in cultural heritage and raw materials like stone, wood, and metal. They ground my work and connect me to something timeless.

My design style is earthy, luxurious, and emotionally grounded. I’m drawn to natural materials, clean forms, and spaces that feel both refined and rooted. What led me to this style is a deep appreciation for nature, cultural identity, and timeless craftsmanship.The main characteristics of my work are raw textures, balanced proportions, and thoughtful material choices. My approach is always human-centered — I design with feeling, intention, and a strong connection to place.

I live in Egypt, a country rich in history, craftsmanship, and cultural layers. That heritage deeply influences my work — from the use of natural materials like stone to the symbolic storytelling embedded in each design.

The richness of local culture is a constant source of inspiration, but it also comes with challenges like limited access to certain modern materials or technologies. Still, these limitations often push me to be more creative and resourceful, blending tradition with innovation in meaningful ways.

We usually start with an initial consultation to understand the company’s vision, target audience, and spatial needs. From there, we develop a tailored design strategy—whether it’s for a space, a product, or a full identity. Collaboration is key: we work closely with the client’s team through regular presentations and feedback loops to ensure alignment at every stage, from concept development to execution.

Companies should treat designers as creative partners by clearly communicating their goals while allowing room for creativity. Trust, respect, and involving designers early in the process lead to the best outcomes. When selecting a designer, look beyond the portfolio. Choose someone whose style aligns with your vision, who demonstrates strategic thinking, strong communication skills, and a genuine passion for their craft.

My design process starts with deep research and understanding of the client’s vision, needs, and lifestyle. I then move to concept development, where creativity meets strategy to form a clear direction. Through mood boards, sketches, and 3D visualization, I refine the design, ensuring every detail balances aesthetics, function, and emotion. Collaboration with the client throughout the journey is key to achieving a truly personalized result.

1.A custom-designed stone coffee table — designed by myself, reflecting raw beauty and personal expression.
2.A vintage leather armchair — timeless and full of character.
3.Large floor candles placed along the staircase — adding warmth and a soft, inviting glow.
4.Frames showcasing traditional Egyptian Bedouin accessories — bringing culture and authenticity to the space.
5.A large, uniquely designed mirror — a bold and artistic focal point.

My day begins quietly in my dressing room, with a warm cup of coffee that gives me a moment to breathe and reflect. I check on my kids, sharing small moments before the day gets busy, and have breakfast with my husband — a simple routine that grounds me. Then, I move into my creative space, where I sketch, explore ideas, and lose myself in the details that turn passion into design.

Be patient with yourself. Mastery takes time, don’t rush it.
•Stay curious. Inspiration is everywhere — not just in design books.
•Design with feeling. Let your work carry meaning, not just aesthetics.
•Stay humble, but protect your vision. Listen, learn, but don’t lose yourself.
•Keep building. Every project, every sketch, even the mistakes — they all shape your journey.

Being a designer is a beautiful journey where you get to shape spaces, emotions, and experiences. It offers endless creativity, continuous growth, and the deep satisfaction of turning ideas into something meaningful.
But at the same time, it can be emotionally demanding — balancing your vision with client expectations isn’t always easy. There’s a constant pressure to innovate, and sometimes the path feels lonely when few can truly understand the passion behind every detail.

Always design with purpose—every line, material, and detail should serve the story and function of the space.

A balance of creativity, emotional intelligence, attention to detail, and the ability to communicate ideas clearly—visually and verbally.

My toolbox includes software like AutoCAD, SketchUp, and V-Ray for visualization, alongside physical material samples, sketchpads, design books, and an archive of references inspired by nature, history, and travel.

I break down each project into clear phases, set realistic timelines, and rely on a well-structured team workflow to stay on track without compromising quality.

It depends on the complexity, but a furniture piece usually takes between 4 to 8 weeks from concept to prototype.

“Where did the inspiration come from?”—and the answer is almost always rooted in raw materials and natural elements.

Transitioning from the educational field into design and founding Luxentti—a turning point that aligned my passion with my profession.

Private homeowners across the Gulf, boutique hospitality projects, and individuals seeking tailored, high-end interiors and custom furniture.

I enjoy creating statement furniture pieces—they’re sculptural, expressive, and allow me to experiment with materials and forms on an intimate scale.

I’m launching a curated product line under Luxentti and expanding our design presence in the Gulf region with a focus on emotionally rich, nature-inspired interiors.

I lead the creative vision but collaborate with a talented team of designers, architects, and craftsmen to bring each project to life.

Yes, we’re currently developing a new collection of console tables that combine stone, brass, and glass—each one inspired by natural formations and historical architecture.

Through our website luxentti.com, directly via Instagram @luxentti, or by email at mai.ahmedwahdan@gmail.com.

Just a note on values—my designs always aim to connect emotionally with the user, bringing harmony between luxury, nature, and timeless craftsmanship.