Skip to content

Interview with Kaoru Mizuno

He places great importance on “The thought in a process.” In each project, He think its intrinsic value and seek an answer that expresses client’s intention with creative design.

Designer Interview

9 March 2025

Father's influence.
I grew up with a lot of videotapes of labels my father had lettering on at home.
That was my first exposure to typography and how I got interested in design.

We are involved in seamless design work, from graphics to spaces, with a focus on packaging, including CI/VI. Our mission is not only to look good, but also to ‘accompany the user's life and maximise the value of the brand’.

Things that enrich our lives.

Brand logo design and packaging design.
I like the process of incorporating the brand's philosophy into the design.

A design that is not doing anything special but has a strong presence.

Graphic design for a private museum, including the catalogue of an exhibition.

When our design sparks a lively conversation with the client.

Does it properly reflect the client's philosophy and message?

Lots of anticipation and a little anxiety.

Great. Even better if the end user is happy and it sells even better.

Thought.
If it is well thought out and the essence is grasped,
I can design all the way to the end without hesitation.

In an abstract way, whether the dots are connected to form a line.

Never use negative expressions that could attack or bring down anyone or anything in particular.

With the advent of AI and various apps, it has gradually lost its previous specialisation,
It is now possible for anyone to easily give shape to their images.

none in particular

Various things from nature.

We focus on simplicity, but with an emphasis on ‘blending into everyday life and being loved for a long time’.
We seek beauty that fits in with the user's life, rather than eccentric design.

Japan. There are many influences.
Wabisabi and Zen spirit have a lot to offer in terms of design approach.
The disadvantage is that I'm not very good at bold and eccentric design approaches, which is probably a national trait.

Basically, I only handle the phases that require creative work and expertise,
The manager handles most of the interaction with the client.
This allows us to build a flatter relationship.

This seems like a difficult question to me.

Basically, we spend almost as much time thinking as we do working on the design.
Everything else is constantly fluctuating from project to project.

Rembrandt paper house I bought in Amsterdam
Sony speakers (LSPX-S3)
A coffee cup from HASAMI PORCELAIN
Normann Copenhagen wall clock
rOtring600 ballpoint pen

Nothing special.

Take care of your clients.

The loss of the borderline between work and private life,
Both a plus and a minus.

There is no set one.

The ability to be organised.

Pens and sketchbooks. I always use certain items.

I have a manager who takes care of it.

It depends on the client's scheduling.
If there is no set time, there seems to be no end...

Everything I have experienced at Curiosity.

Cosmetics Company and Food Company.

Brand logo design and packaging design.
I like the process of incorporating the brand's philosophy into the design.

Promotional projects in the city where I live now.

So far it has mostly been the latter, but in the future I plan to co-create with a team.

Please feel free to contact us at the following email.
contact@mo-ther.jp

Interview about Chandon Rose 2020 Japan Edition Wine Packaging Grand Interview

Email this page to a friend

Good Design Deserves Great Recognition

Nominate Your Work for the A' Design Award.

Nominate