Interview with David Bastos
Sou David Bastos, um arquiteto brasileiro com mais de 40 anos de experiência em misturar "rústico com sofisticado".
Design Legend Interview
28 September 2026
Graduated in Architecture and Urbanism from the Federal University of Bahia (UFBA) in 1980, my journey began to take shape long before my academic years. Growing up in a family of medical professionals, my fascination with spaces, forms, and the way people relate to their built environment blossomed early in childhood.
My vision of spatiality, fluidity, and structural rigor found early inspiration in daily observation and dialogue with my father, while my sensitivity to aesthetics, craftsmanship, and refined material quality came from my mother. This diverse background allowed me to develop a unique perspective on design—one that does not view architecture and interior design as separate entities, but rather as a single, continuous narrative.
Over a career spanning more than four decades—leading DB Arquitetos, with offices in Salvador and São Paulo, and projects across Brazil, the United States, and Portugal—I have sought to consolidate a timeless signature. To me, design stems from the careful observation of human behavior, local culture, and the textures of the world. It is the constant pursuit of translating identity, comfort, and elegance into projects that engage in a harmonious, respectful dialogue with both the landscape and those who inhabit them.
My vision of spatiality, fluidity, and structural rigor found early inspiration in daily observation and dialogue with my father, while my sensitivity to aesthetics, craftsmanship, and refined material quality came from my mother. This diverse background allowed me to develop a unique perspective on design—one that does not view architecture and interior design as separate entities, but rather as a single, continuous narrative.
Over a career spanning more than four decades—leading DB Arquitetos, with offices in Salvador and São Paulo, and projects across Brazil, the United States, and Portugal—I have sought to consolidate a timeless signature. To me, design stems from the careful observation of human behavior, local culture, and the textures of the world. It is the constant pursuit of translating identity, comfort, and elegance into projects that engage in a harmonious, respectful dialogue with both the landscape and those who inhabit them.
What motivates me to design is the transformative power that space holds over people's lives. Beyond creating beautiful forms, design and architecture have the capacity to evoke emotions, offer shelter, organize chaos, and provide a deep sense of well-being. I became an architect and designer because I realized that our happiness and our way of experiencing the world are profoundly connected to the places we inhabit.
To me, designing is a constant exercise in translation: taking intangible desires, memories, and everyday needs and turning them into something concrete, functional, and beautiful. It is the pursuit of creating genuine connections between humanity, materials, and the landscape. Seeing a completed project and realizing that it enhances the daily lives and elevates the quality of life of those who inhabit it is the ultimate reward and the fuel that renews my passion for the profession every single day.
To me, designing is a constant exercise in translation: taking intangible desires, memories, and everyday needs and turning them into something concrete, functional, and beautiful. It is the pursuit of creating genuine connections between humanity, materials, and the landscape. Seeing a completed project and realizing that it enhances the daily lives and elevates the quality of life of those who inhabit it is the ultimate reward and the fuel that renews my passion for the profession every single day.
It was an entirely conscious and passionate choice. As I mentioned, I grew up in a family where medicine was the expected and natural path, surrounded by medical professionals on all sides. However, my inclination toward the arts, drawing, and spatial volume always spoke louder. There was never any pressure to follow another path; on the contrary, I had the freedom to listen to my own essence and follow the vocation that had been pulsing within me since childhood. Choosing architecture and design was an act of self-discovery and the fulfillment of a dream that has shaped my entire personal and professional journey.
I design architecture centered on well-being and the art of living, ranging from coastal homes and urban penthouses to multi-family residential developments, such as the Cascais Residential Building in Portugal. Recently, I expanded this vision to product design, creating my own signature furniture lines, including custom tables and benches. The core of my work lies in seamlessly integrating indoor and outdoor spaces, maximizing natural light, ventilation, and the warmth of natural materials.
The project I would like to create most is always the next one, as I believe every new challenge brings fresh discoveries and opportunities to innovate. Beyond expanding into mixed-use developments, product design, and international projects, I would love to contribute to the restoration and revitalization of downtown São Paulo—drawing on the experience and insight I gained from helping revitalize the central area of Salvador. For me, breathing new life into urban heritage and historic city centers is one of the most meaningful roles architecture can play.
The project I would like to create most is always the next one, as I believe every new challenge brings fresh discoveries and opportunities to innovate. Beyond expanding into mixed-use developments, product design, and international projects, I would love to contribute to the restoration and revitalization of downtown São Paulo—drawing on the experience and insight I gained from helping revitalize the central area of Salvador. For me, breathing new life into urban heritage and historic city centers is one of the most meaningful roles architecture can play.
First, stay humble and cultivate a passion for continuous learning. Architecture and design require immense dedication, keen observation, and deep cultural curiosity. My advice is: develop a sharp eye for how people truly live, feel the light within spaces, respect nature and local heritage, and never design for superficial aesthetics alone. True design is about fostering human connection, enhancing quality of life, and achieving timelessness that endures through generations.
Furthermore, do not be afraid of hard work, getting your hands dirty on-site, and embracing mistakes as stepping stones toward discovering your own authentic voice. Avoid chasing fleeting trends; instead, seek authenticity, work with honesty in materials, and approach every single project as if it were the most important of your life. Becoming a legend is simply the natural outcome of a lifetime devoted with passion, consistency, and deep respect for both people and space.
Furthermore, do not be afraid of hard work, getting your hands dirty on-site, and embracing mistakes as stepping stones toward discovering your own authentic voice. Avoid chasing fleeting trends; instead, seek authenticity, work with honesty in materials, and approach every single project as if it were the most important of your life. Becoming a legend is simply the natural outcome of a lifetime devoted with passion, consistency, and deep respect for both people and space.
A good designer masters technical skills, fulfills the brief efficiently, and delivers a beautiful, functional space. A great designer, however, goes far beyond technique—they possess emotional sensitivity, intuition, and the ability to listen to the silence of architecture and the true needs of the human soul.
A great designer creates with purpose and soul, crafting spaces that evoke emotion, warmth, and genuine well-being while achieving a timelessness that never surrenders to fleeting trends. They know how to read the site, the natural light, the climate, and the surrounding culture to transform architecture into a fluid and unforgettable living experience.
A great designer creates with purpose and soul, crafting spaces that evoke emotion, warmth, and genuine well-being while achieving a timelessness that never surrenders to fleeting trends. They know how to read the site, the natural light, the climate, and the surrounding culture to transform architecture into a fluid and unforgettable living experience.
A design becomes truly great when it achieves a perfect harmony between functionality, emotion, and timelessness. It is not enough for a project to look striking in photos; it must function effortlessly in daily life, embrace its inhabitants, and age gracefully over time without losing its relevance.
I evaluate good design through sensory experience and its ultimate impact: I observe how a space interacts with natural light, air, and landscape, and whether it immediately evokes a feeling of calm and freedom. However, the ultimate test of a truly exceptional design lies in its power to captivate far beyond the original brief: it is when the finished result creates a deep desire in others to live in, feel, or own a space just like it. It is when the design transcends individual use to inspire and become coveted by the world.
I evaluate good design through sensory experience and its ultimate impact: I observe how a space interacts with natural light, air, and landscape, and whether it immediately evokes a feeling of calm and freedom. However, the ultimate test of a truly exceptional design lies in its power to captivate far beyond the original brief: it is when the finished result creates a deep desire in others to live in, feel, or own a space just like it. It is when the design transcends individual use to inspire and become coveted by the world.
The value of good design is immeasurable, as it is not merely an expense or a visual luxury—it is a direct investment in human well-being, daily health, and overall quality of life. Good design optimizes resources, increases property value over time, maximizes natural light and ventilation, and resolves complex spatial challenges with intelligence and elegance.
Everyone should invest in good design because the spaces we inhabit directly shape our minds, emotions, and everyday energy. When a space is thoughtfully conceived, it removes friction from daily routines, fosters fluid movement, and creates a sanctuary of warmth and peace. Good design transforms ordinary living into an extraordinary daily experience, aging gracefully to become a timeless asset.
Everyone should invest in good design because the spaces we inhabit directly shape our minds, emotions, and everyday energy. When a space is thoughtfully conceived, it removes friction from daily routines, fosters fluid movement, and creates a sanctuary of warmth and peace. Good design transforms ordinary living into an extraordinary daily experience, aging gracefully to become a timeless asset.
There are exciting developments currently in motion that I cannot fully disclose just yet, but my true dream for the near future—and soon a reality—is the establishment of my own Institute. Furthermore, I have recently been approached by a world-renowned cultural institution to design a space that will encapsulate my architectural legacy.
If time were unlimited, this is precisely the kind of work I would devote myself to: designing for the collective. After five decades of crafting private residences and exclusive developments, my ultimate passion now is to create public, cultural, and educational spaces that are open and inclusive, where people can experience natural light, nature, and meaningful architecture. Designing for the general public and leaving a transformative legacy for future generations is the most fulfilling chapter of my career.
If time were unlimited, this is precisely the kind of work I would devote myself to: designing for the collective. After five decades of crafting private residences and exclusive developments, my ultimate passion now is to create public, cultural, and educational spaces that are open and inclusive, where people can experience natural light, nature, and meaningful architecture. Designing for the general public and leaving a transformative legacy for future generations is the most fulfilling chapter of my career.
My dream project is the creation and physical manifestation of my own Institute—a cultural, educational, and architectural hub seamlessly integrated with the city and nature. I envision this space as my definitive legacy: a vibrant institution dedicated to preserving architectural history, mentoring emerging talent, researching sustainable materials, and driving social impact.
My recipe for design success combines active listening to the client's true needs, spatial intuition, and an unwavering commitment to well-being and timelessness.
However, my secret ingredient is undeniably using nature in favor of the design. Nature is never just a backdrop in my architecture; it is the ultimate protagonist and co-author of my work. Instead of erecting barriers or imposing rigid forms, I open the architecture to its surroundings, leveraging natural light, cross-ventilation, lush greenery, and organic materials—such as wood and stone—to craft spaces that breathe, embrace, and elevate daily living into a peaceful, fluid experience.
However, my secret ingredient is undeniably using nature in favor of the design. Nature is never just a backdrop in my architecture; it is the ultimate protagonist and co-author of my work. Instead of erecting barriers or imposing rigid forms, I open the architecture to its surroundings, leveraging natural light, cross-ventilation, lush greenery, and organic materials—such as wood and stone—to craft spaces that breathe, embrace, and elevate daily living into a peaceful, fluid experience.
I have always drawn inspiration from the great masters of modern Brazilian and international architecture who mastered the play of light, connection with nature, and the nobility of materials. Icons like Oscar Niemeyer, for his fluid curves and poetic boldness; Lúcio Costa, for his humanistic urban vision; and Lina Bo Bardi, for her deep sensitivity to local culture and brilliant approach to collective spaces.
On the international stage, I profoundly admire Norman Foster for his ability to seamlessly integrate advanced technology, structural efficiency, and sustainability on a monumental scale, as well as visionaries like Frank Lloyd Wright and Mies van der Rohe. In furniture design, I look to the rich Brazilian identity of Joaquim Tenreiro and Sergio Rodrigues. For me, true inspiration comes from those who didn't just build structures or design objects, but invented entirely new ways of living, integrating, and experiencing space.
On the international stage, I profoundly admire Norman Foster for his ability to seamlessly integrate advanced technology, structural efficiency, and sustainability on a monumental scale, as well as visionaries like Frank Lloyd Wright and Mies van der Rohe. In furniture design, I look to the rich Brazilian identity of Joaquim Tenreiro and Sergio Rodrigues. For me, true inspiration comes from those who didn't just build structures or design objects, but invented entirely new ways of living, integrating, and experiencing space.
I am a great admirer of Paola Lenti’s outdoor furniture design. I deeply respect her research into innovative textiles, technological weaves, and vibrant color palettes, crafting outdoor pieces that feel like natural extensions of the landscape. Her work perfectly embodies the seamless dialogue between indoor and outdoor living with utmost elegance and comfort.
In Brazilian furniture design, Sergio Rodrigues’ Mole Chair remains a favorite for capturing our warm, relaxed lifestyle using noble materials like native wood and leather. In architecture, Frank Lloyd Wright’s Fallingwater stands as a brilliant masterclass in symbiosis with nature, while Norman Foster’s iconic works demonstrate how precise engineering, technology, and sustainable vision can reshape urban landmarks.
In Brazilian furniture design, Sergio Rodrigues’ Mole Chair remains a favorite for capturing our warm, relaxed lifestyle using noble materials like native wood and leather. In architecture, Frank Lloyd Wright’s Fallingwater stands as a brilliant masterclass in symbiosis with nature, while Norman Foster’s iconic works demonstrate how precise engineering, technology, and sustainable vision can reshape urban landmarks.
My greatest design is always my latest project. In architecture and design, everything evolves so rapidly—new materials, advanced construction technologies, shifting lifestyle habits, and above all, our own maturity and repertoire as creators.
What makes the latest project great is precisely that it embodies the culmination of a lifetime of accumulated experience, paired with the most recent innovations in the field. Every new work I complete represents the current state of the art of my architectural thinking: more refined in its integration with nature, more detailed in its craftsmanship, and more precise in its pursuit of human well-being. That is why my most recent project is always my favorite... until the next one comes to life!
What makes the latest project great is precisely that it embodies the culmination of a lifetime of accumulated experience, paired with the most recent innovations in the field. Every new work I complete represents the current state of the art of my architectural thinking: more refined in its integration with nature, more detailed in its craftsmanship, and more precise in its pursuit of human well-being. That is why my most recent project is always my favorite... until the next one comes to life!
To become a better designer, one must step away from digital trend boards and experience the real world. My advice is: travel extensively, visit exhibitions, walk through different cities, observe how natural light shifts throughout the day, and above all, pay close attention to how people actually live and interact with their environments. Exceptional design stems from rich cultural baggage and human sensitivity, not just software or fleeting social media trends.
What I did throughout my career was immerse myself in construction sites early on, learning directly from master craftsmen and builders. During my university years, I interned in low-income housing projects and informal communities, which taught me profound lessons about the essence of living, spatial dignity, and human connection, regardless of budget constraints. Moreover, I worked relentlessly across hundreds of projects of all scales, constantly sketching, experimenting with raw materials, and supervising execution on-site. Continuous refinement comes from tireless curiosity and the courage to experience architecture hands-on.
What I did throughout my career was immerse myself in construction sites early on, learning directly from master craftsmen and builders. During my university years, I interned in low-income housing projects and informal communities, which taught me profound lessons about the essence of living, spatial dignity, and human connection, regardless of budget constraints. Moreover, I worked relentlessly across hundreds of projects of all scales, constantly sketching, experimenting with raw materials, and supervising execution on-site. Continuous refinement comes from tireless curiosity and the courage to experience architecture hands-on.
I would likely have pursued medicine. I come from a family of physicians—both my father and my brother followed that path—and there was a strong expectation for me to follow the family tradition as well. But the absolute truth is: if I hadn't become an architect and designer, I would have been deeply unhappy in my profession.
My passion for understanding how people live, creating spaces, playing with light, and shaping environments speaks louder to my soul. Had it not been architecture, I might have tried to express myself through fine arts or set design, but nothing fulfills me like architecture does. Choosing my own path was the most liberating decision of my life, because designing and creating is what drives me every single day.
My passion for understanding how people live, creating spaces, playing with light, and shaping environments speaks louder to my soul. Had it not been architecture, I might have tried to express myself through fine arts or set design, but nothing fulfills me like architecture does. Choosing my own path was the most liberating decision of my life, because designing and creating is what drives me every single day.
To me, design is the art of crafting spaces and objects that balance functionality, emotion, and well-being, transforming daily routines and the way people live. If I had to summarize my design philosophy in two core words, they would be: timeless and tropical.
Timeless design is that which endures through time, transcending fleeting trends to maintain its elegance, relevance, and dignity across decades. And tropical design is the celebration of our identity: it is the deep integration with nature, the embrace of abundant natural light and ventilation, and the use of warm, organic materials—such as wood, stone, and woven textures—to create fluid, welcoming spaces filled with soul. To me, perfect design is that which delivers this tropical lightness with timeless sophistication.
Timeless design is that which endures through time, transcending fleeting trends to maintain its elegance, relevance, and dignity across decades. And tropical design is the celebration of our identity: it is the deep integration with nature, the embrace of abundant natural light and ventilation, and the use of warm, organic materials—such as wood, stone, and woven textures—to create fluid, welcoming spaces filled with soul. To me, perfect design is that which delivers this tropical lightness with timeless sophistication.
First and foremost, my mother, who strongly supported my choice to pursue architecture over medicine, along with my own relentless work and dedication. A major turning point in my career was the Trapiche project in Salvador, a monumental historic restoration that gained wide acclaim and consolidated my signature approach of merging architectural heritage, natural light, and the breathtaking Bahian coastline.
Throughout this journey, key clients and supporters believed in my vision and helped amplify my work, including Lícia Fábio, who was an early champion and connector in Bahia, and Joyce Pascowitch, who brought significant media visibility to my architecture on a national scale. Alongside them, I owe this success to my team at DB Arquitetos—engineers, craftsmen, and collaborators—because no one builds a five-decade legacy alone.
Throughout this journey, key clients and supporters believed in my vision and helped amplify my work, including Lícia Fábio, who was an early champion and connector in Bahia, and Joyce Pascowitch, who brought significant media visibility to my architecture on a national scale. Alongside them, I owe this success to my team at DB Arquitetos—engineers, craftsmen, and collaborators—because no one builds a five-decade legacy alone.
What helped me refine my craft in architecture was a blend of keen observation, relentless hard work, and the sensitivity to truly listen to people. Being born and educated in Bahia gave me a unique perception of natural light, tropical ventilation, the honesty of organic materials, and the effortless lightness of living. That cultural foundation was my greatest school.
Furthermore, immersing myself in construction sites from the very beginning, learning directly from master craftsmen, and supervising every detail gave me deep practical expertise. The key to great design lies not just in drafting beautiful shapes, but in the ability to translate clients' dreams into warm, timeless, and functional spaces. Daily discipline, respect for context, and an unyielding commitment to human well-being are the pillars that brought me to where I am today.
Furthermore, immersing myself in construction sites from the very beginning, learning directly from master craftsmen, and supervising every detail gave me deep practical expertise. The key to great design lies not just in drafting beautiful shapes, but in the ability to translate clients' dreams into warm, timeless, and functional spaces. Daily discipline, respect for context, and an unyielding commitment to human well-being are the pillars that brought me to where I am today.
Without a doubt, the single greatest obstacle throughout my career has been navigating the business reality of running a sustained, top-tier architectural firm in Brazil. Keeping a practice thriving for five decades amidst complex taxation, high corporate tax burdens, economic volatility, and excessive bureaucracy requires far more than artistic talent—it demands rigorous management, resilience, and daily courage.
Alongside these entrepreneurial hurdles, expanding my practice outside Bahia early on meant overcoming skepticism from traditional markets toward tropical, open-air architecture. Proving that natural light, cross-ventilation, and organic simplicity represented the pinnacle of sophistication—all while balancing the overhead and tax demands of a growing firm—was the ultimate trial that forged my professional longevity and maturity.
Alongside these entrepreneurial hurdles, expanding my practice outside Bahia early on meant overcoming skepticism from traditional markets toward tropical, open-air architecture. Proving that natural light, cross-ventilation, and organic simplicity represented the pinnacle of sophistication—all while balancing the overhead and tax demands of a growing firm—was the ultimate trial that forged my professional longevity and maturity.
Designers should present their work with soul, truth, and genuine joy. I firmly believe that a project should never be presented as a cold 3D render or a collection of sterile, lifeless images. Presenting architectural work means telling a truthful story about how people will live, feel, and experience happiness within that space.
When I sit down with a client, I don't simply pitch structures, forms, or materials; I present the true essence of architecture and the atmosphere of the space. I walk them through how natural light will enter in the morning, how breezes will flow through the house, and how that environment will bring warmth and well-being to their daily lives. The presentation must reflect the passion of the architect and the joy of those who will inhabit it. Without soul and authenticity, architecture loses its true purpose.
When I sit down with a client, I don't simply pitch structures, forms, or materials; I present the true essence of architecture and the atmosphere of the space. I walk them through how natural light will enter in the morning, how breezes will flow through the house, and how that environment will bring warmth and well-being to their daily lives. The presentation must reflect the passion of the architect and the joy of those who will inhabit it. Without soul and authenticity, architecture loses its true purpose.
The future brings a moment of profound maturity and global expansion in my career. On the residential and international front, I am currently developing the Cascais Development in Portugal, a very special project that exports our signature tropical, timeless living philosophy to the European landscape.
However, the most pivotal milestone for the coming years is the consolidation of my legacy. As I approach the celebration of my 50th anniversary in architecture, I am focusing my energy on establishing the David Bastos Institute and designing a conceptual space in partnership with a world-renowned cultural institution. What you can expect from me in the future is an even deeper commitment to the collective, public architecture, education, and the preservation of heritage—always designing with soul, truth, and an unwavering passion for light and human well-being.
However, the most pivotal milestone for the coming years is the consolidation of my legacy. As I approach the celebration of my 50th anniversary in architecture, I am focusing my energy on establishing the David Bastos Institute and designing a conceptual space in partnership with a world-renowned cultural institution. What you can expect from me in the future is an even deeper commitment to the collective, public architecture, education, and the preservation of heritage—always designing with soul, truth, and an unwavering passion for light and human well-being.
My ultimate goal is not to erect monuments to my own ego, but to transform people's lives through spatial design and leave a meaningful, lasting contribution to society. I want the environments I have crafted to continue welcoming families, fostering connection, and bringing peace and well-being for decades to come.
Furthermore, as I approach half a century in architecture, my overarching purpose has expanded into the realm of collective legacy. Through the establishment of my Institute and the creation of public and cultural projects, my ultimate goal is to give back to architecture and the city everything they have given me. I want to inspire and mentor future generations of designers, demonstrating that truly great architecture serves human dignity, honors nature, and spreads joy with soul and authenticity.
Furthermore, as I approach half a century in architecture, my overarching purpose has expanded into the realm of collective legacy. Through the establishment of my Institute and the creation of public and cultural projects, my ultimate goal is to give back to architecture and the city everything they have given me. I want to inspire and mentor future generations of designers, demonstrating that truly great architecture serves human dignity, honors nature, and spreads joy with soul and authenticity.
People expect consistency, a refined eye, and the guarantee of an unmistakable signature style. When a client approaches a professional with decades of established practice, there is a clear expectation for a distinct vision: the ability to interpret desires and translate them into timeless, elegant spaces imbued with genuine soul.
Beyond aesthetics, they demand utmost confidence and flawless technical mastery. They expect architecture that transcends short-lived trends, aging gracefully while delivering true daily well-being. The responsibility of a renowned practitioner is to never settle for the ordinary—it is to consistently surprise through seamless integration with nature, masterful use of light, and meticulous detailing, honoring the trust of those who place their way of living in our hands.
Beyond aesthetics, they demand utmost confidence and flawless technical mastery. They expect architecture that transcends short-lived trends, aging gracefully while delivering true daily well-being. The responsibility of a renowned practitioner is to never settle for the ordinary—it is to consistently surprise through seamless integration with nature, masterful use of light, and meticulous detailing, honoring the trust of those who place their way of living in our hands.
Design and architecture possess the power to directly elevate mental health, well-being, and human connection. Thoughtful architecture is never an isolated luxury; it is a fundamental tool for human dignity and citizenship. When we design spaces that champion natural light, fresh air, lush nature, and thermal comfort, we create environments that reduce stress and foster daily balance.
On a collective scale, design shapes a better society by crafting inclusive places for community and gathering. Urban, institutional, and cultural spaces centered on human needs cultivate a sense of belonging, civic generosity, and respect for heritage and the environment. By integrating sustainable practices, conscious material use, and social sensitivity, design influences how cities thrive, leaving a legacy of warmth, dignity, and elevated quality of life for generations to come.
On a collective scale, design shapes a better society by crafting inclusive places for community and gathering. Urban, institutional, and cultural spaces centered on human needs cultivate a sense of belonging, civic generosity, and respect for heritage and the environment. By integrating sustainable practices, conscious material use, and social sensitivity, design influences how cities thrive, leaving a legacy of warmth, dignity, and elevated quality of life for generations to come.
What excites me most right now is experiencing two milestones of deep impact and significance in my career. On the residential and international front, I am thrilled to be developing the Cascais Development in Portugal. Exporting our signature tropical language, abundant natural light, seamless connection with nature, and relaxed Brazilian lifestyle to Europe is a fascinating endeavor that expands our global footprint.
On the other hand, what truly ignites my passion at this stage of my life is establishing the David Bastos Institute and designing a conceptual space in partnership with a world-renowned cultural and educational institution. Focusing my energy on public, social, and educational projects that will serve as a lasting legacy for society and future generations of architects is, without a doubt, the most rewarding and exciting chapter of my career.
On the other hand, what truly ignites my passion at this stage of my life is establishing the David Bastos Institute and designing a conceptual space in partnership with a world-renowned cultural and educational institution. Focusing my energy on public, social, and educational projects that will serve as a lasting legacy for society and future generations of architects is, without a doubt, the most rewarding and exciting chapter of my career.
The project that brought me one of the greatest career satisfactions was the restoration and design of the Trapiche in Salvador. It marked a defining milestone for me, as it called for preserving the historic heritage of Bahia while infusing it with contemporary elements, natural light, and the stunning views of All Saints Bay. Seeing a historic landmark reborn with vitality, elegance, and purpose fills me with immense pride.
I also derive profound satisfaction from creating beachfront and coastal residences, particularly throughout Bahia and Trancoso. These are projects where architecture subtly steps back to allow nature, open verandas, and ocean breezes to take center stage. Witnessing families live happily, barefoot, and completely connected to their natural surroundings in these homes is the ultimate reward. More recently, the Cascais Development in Portugal has brought me great joy by demonstrating that our timeless, tropical living philosophy transcends borders and resonates with people anywhere in the world.
I also derive profound satisfaction from creating beachfront and coastal residences, particularly throughout Bahia and Trancoso. These are projects where architecture subtly steps back to allow nature, open verandas, and ocean breezes to take center stage. Witnessing families live happily, barefoot, and completely connected to their natural surroundings in these homes is the ultimate reward. More recently, the Cascais Development in Portugal has brought me great joy by demonstrating that our timeless, tropical living philosophy transcends borders and resonates with people anywhere in the world.
I would like to see the design and architecture industry step away from disposable consumption and fleeting trends driven by social media. We currently live at a pace where design is often produced merely for instant visual impact, resulting in spaces and products that lack soul and narrative, becoming obsolete far too quickly.
In the coming years, I want to see a genuine commitment to durability, timelessness, and real sustainability. I advocate for an industry that values local and organic materials, honors the craftsmanship of builders, and strictly respects the natural environment. We need to return to an architecture built to endure for generations—one that ages with dignity and places human well-being and happiness at its core, rather than prioritizing superficial visual spectacle.
In the coming years, I want to see a genuine commitment to durability, timelessness, and real sustainability. I advocate for an industry that values local and organic materials, honors the craftsmanship of builders, and strictly respects the natural environment. We need to return to an architecture built to endure for generations—one that ages with dignity and places human well-being and happiness at its core, rather than prioritizing superficial visual spectacle.
The field of design and architecture is heading toward a fascinating crossroads. With the rapid advancement of technologies such as artificial intelligence, advanced materials, and digitalization, design will inevitably become more precise, efficient, and hyper-personalized. However, the more technologically integrated our lives become, the more urgently we will crave a vital reconnection with what is fundamental.
The true avant-garde will not lie in digital tools alone, but in our capacity to leverage technology to craft spaces that are more human, biophilic, and genuinely sustainable. The future of design belongs to the synthesis between technological innovation and nature: spaces that champion natural light, clean air, cross-ventilation, organic materials, and emotional well-being. Design is moving toward sanctuary—creating timeless, nourishing environments that promote health and serenity amidst an increasingly accelerated world.
The true avant-garde will not lie in digital tools alone, but in our capacity to leverage technology to craft spaces that are more human, biophilic, and genuinely sustainable. The future of design belongs to the synthesis between technological innovation and nature: spaces that champion natural light, clean air, cross-ventilation, organic materials, and emotional well-being. Design is moving toward sanctuary—creating timeless, nourishing environments that promote health and serenity amidst an increasingly accelerated world.
The completion timeline of a project depends heavily on the client's profile and level of indecisiveness. While the technical process itself can flow smoothly, the actual speed of delivery is ultimately dictated by the client’s ability to make firm decisions and trust the vision.
To illustrate this, I often share my own personal experience: I completed the full renovation of my own 270 m² (2,900 sq ft) apartment in just 8 months! I believe I was my own worst client due to my sheer anxiety to see the finished result, but I had one decisive advantage: I hand-sketched the entire design, made every choice with absolute conviction, and didn't move or alter a single piece of furniture or detail during construction. When there is clarity of vision, trust in the design, and swift decision-making, architecture moves at an impressive pace. The key to an efficient project is unwavering confidence from start to finish.
To illustrate this, I often share my own personal experience: I completed the full renovation of my own 270 m² (2,900 sq ft) apartment in just 8 months! I believe I was my own worst client due to my sheer anxiety to see the finished result, but I had one decisive advantage: I hand-sketched the entire design, made every choice with absolute conviction, and didn't move or alter a single piece of furniture or detail during construction. When there is clarity of vision, trust in the design, and swift decision-making, architecture moves at an impressive pace. The key to an efficient project is unwavering confidence from start to finish.
It all starts with the client’s desire. Before I even pick up a pencil to draw the very first line, my true starting point is listening with absolute focus and empathy. I need to understand the soul of the people who will inhabit that space—their daily routines, memories, aspirations, and unique lifestyle. Architecture does not exist to impose a rigid formula, but to give physical form to human dreams.
From that initial desire, I connect the client's expectations to the site itself: analyzing the topography, surroundings, sun orientation, natural wind paths, and surrounding landscape. The design is born at the exact intersection of what the client envisions and what the land and light demand. My role is to translate those desires through my hand-sketched vision, refining them with timeless sophistication, functionality, and warmth.
From that initial desire, I connect the client's expectations to the site itself: analyzing the topography, surroundings, sun orientation, natural wind paths, and surrounding landscape. The design is born at the exact intersection of what the client envisions and what the land and light demand. My role is to translate those desires through my hand-sketched vision, refining them with timeless sophistication, functionality, and warmth.
My motto is simple yet profound: "Space and time are the ultimate luxury."
In an increasingly accelerated world—saturated with noise, information, and shrinking living quarters—true privilege does not lie in ostentation or excessive ornamentation. The true luxury is having space to breathe, to live with fluidity and warmth, and time to pause, reflect, and enjoy life's simple moments with the people we care about. All of my architecture is crafted to evoke this sense of freedom, where natural light, fresh air, and generous spaces give people back the time and well-being that daily life often erodes.
In an increasingly accelerated world—saturated with noise, information, and shrinking living quarters—true privilege does not lie in ostentation or excessive ornamentation. The true luxury is having space to breathe, to live with fluidity and warmth, and time to pause, reflect, and enjoy life's simple moments with the people we care about. All of my architecture is crafted to evoke this sense of freedom, where natural light, fresh air, and generous spaces give people back the time and well-being that daily life often erodes.
In my case, design defines the trends.
I have never designed to follow passing fads or short-lived market trends. On the contrary: when I began championing the seamless integration between indoor and outdoor spaces, the honest use of timber structures, cross-ventilation, maximizing natural light, and the unpretentious elegance of tropical living, I was forging a new path. Time and the consolidation of my body of work have proven that this signature approach became a respected benchmark that influenced the broader industry. Authentic design, rooted in truth, soul, and timelessness, does not consume trends—it creates and defines them for generations to come.
I have never designed to follow passing fads or short-lived market trends. On the contrary: when I began championing the seamless integration between indoor and outdoor spaces, the honest use of timber structures, cross-ventilation, maximizing natural light, and the unpretentious elegance of tropical living, I was forging a new path. Time and the consolidation of my body of work have proven that this signature approach became a respected benchmark that influenced the broader industry. Authentic design, rooted in truth, soul, and timelessness, does not consume trends—it creates and defines them for generations to come.
To me, technology is a vital ally that operates in two essential ways: driving process agility and delivering quiet, intelligent space design. Within my practice, advanced software and digital tools provide immense agility in project development, precise execution detailing, and streamlined communication with construction teams—drastically reducing timelines and optimizing performance.
Within the architecture itself, technology must remain invisible, functional, and strictly in service of human well-being. I integrate technological solutions to ensure smart automation, genuine sustainability, energy efficiency, and superior thermal and acoustic comfort. The ideal technology is one that accelerates delivery and simplifies daily life without drawing attention to itself, keeping center stage reserved for natural light, organic materials, and the soul of the hand-drawn sketch.
Within the architecture itself, technology must remain invisible, functional, and strictly in service of human well-being. I integrate technological solutions to ensure smart automation, genuine sustainability, energy efficiency, and superior thermal and acoustic comfort. The ideal technology is one that accelerates delivery and simplifies daily life without drawing attention to itself, keeping center stage reserved for natural light, organic materials, and the soul of the hand-drawn sketch.
My most important piece of design equipment remains pen and paper. Freehand sketching is where the concept is born spontaneously, where spatial intention gains soul, and where the client’s vision takes form in the very first lines. I never substitute the sensitivity of a hand-drawn sketch for any initial digital tool.
However, to translate that vision into reality with maximum speed and accuracy, DB Arquitetos is fully equipped with state-of-the-art technology. We utilize advanced 3D modeling software, BIM technology for technical coordination and documentation, as well as high-definition rendering platforms. This seamless combination of hand-drawn intuition and digital precision enables us to execute complex architectural projects with efficiency, rigorous quality control, and operational agility.
However, to translate that vision into reality with maximum speed and accuracy, DB Arquitetos is fully equipped with state-of-the-art technology. We utilize advanced 3D modeling software, BIM technology for technical coordination and documentation, as well as high-definition rendering platforms. This seamless combination of hand-drawn intuition and digital precision enables us to execute complex architectural projects with efficiency, rigorous quality control, and operational agility.
Color, materials, and environment are the foundational elements that dictate the soul and atmosphere of a space. Architecture is never merely about drafting shapes; it is experienced through textures, the tactile warmth of materials, and how natural light interacts with surfaces throughout the day.
In my practice, I prioritize organic and natural materials—such as timber, natural stone, woven fibers, and fair-faced concrete—because they convey authenticity, tactile warmth, and age gracefully over time. My color palette remains subtle and harmonious, acting as a serene canvas that allows the surroundings to take center stage. The environment is the ultimate culmination of this balance: a synthesis of cross-ventilation, abundant daylight, and tactile elements that together foster sanctuary, peace, and human well-being.
In my practice, I prioritize organic and natural materials—such as timber, natural stone, woven fibers, and fair-faced concrete—because they convey authenticity, tactile warmth, and age gracefully over time. My color palette remains subtle and harmonious, acting as a serene canvas that allows the surroundings to take center stage. The environment is the ultimate culmination of this balance: a synthesis of cross-ventilation, abundant daylight, and tactile elements that together foster sanctuary, peace, and human well-being.
I would love for people to ask, "How does this space make you feel?" and "How will this project age over the coming decades?" rather than focusing solely on visual style, material costs, or current trends.
To me, the true essence of design lies not in immediate visual spectacle for a photo, but in the human experience of inhabiting a place. I would welcome questions about the invisible decisions behind the architecture: how orientation and natural ventilation were orchestrated for effortless comfort, how materials were selected to age gracefully, and how spatial layouts foster connection and peace of mind. When the conversation centers on human well-being and timelessness, we are discussing the real soul of architecture.
To me, the true essence of design lies not in immediate visual spectacle for a photo, but in the human experience of inhabiting a place. I would welcome questions about the invisible decisions behind the architecture: how orientation and natural ventilation were orchestrated for effortless comfort, how materials were selected to age gracefully, and how spatial layouts foster connection and peace of mind. When the conversation centers on human well-being and timelessness, we are discussing the real soul of architecture.
The very first thing that comes to my mind is a profound sense of admiration for the perfect balance between simplicity, intelligence, and soul. When I encounter an extraordinary piece of design, I immediately recognize the clarity of thought behind it: the ability to solve a complex challenge through a clean gesture, completely free from unnecessary clutter or ornament.
I also reflect on the authenticity of the design—how that object or space performs in daily life, its respect for materials, and its capacity to remain meaningful over time. Excellent design never seeks fleeting applause or superficial shock value; instead, it evokes that quiet realization: "Why didn't anyone think of this before?" It serves as an inspiring reminder that true sophistication lies in simplicity and an unwavering devotion to human well-being.
I also reflect on the authenticity of the design—how that object or space performs in daily life, its respect for materials, and its capacity to remain meaningful over time. Excellent design never seeks fleeting applause or superficial shock value; instead, it evokes that quiet realization: "Why didn't anyone think of this before?" It serves as an inspiring reminder that true sophistication lies in simplicity and an unwavering devotion to human well-being.
My ultimate design partner is nature. I deeply believe in co-design when it emerges in harmony with the environment: natural light, topography, native vegetation, and ocean breezes act as my co-creators in every project. Architecture reaches its highest potential when it responds to its site, allowing the natural landscape to directly shape the spatial experience.
On the execution and industrial front, I strongly advocate for close collaboration with technical partners who share the same commitment to precision and excellence. In Brazil, I work closely with key strategic partners like Casual Móveis, which represents leading international design brands and brings world-class furniture into our interiors, and Demuner, responsible for crafting most of the custom joinery and architectural framing across my projects. Together, they deliver the technical mastery and seamless indoor-outdoor integration that my signature architecture demands.
On the execution and industrial front, I strongly advocate for close collaboration with technical partners who share the same commitment to precision and excellence. In Brazil, I work closely with key strategic partners like Casual Móveis, which represents leading international design brands and brings world-class furniture into our interiors, and Demuner, responsible for crafting most of the custom joinery and architectural framing across my projects. Together, they deliver the technical mastery and seamless indoor-outdoor integration that my signature architecture demands.
Over the course of five decades, the people who influenced my design most profoundly were those who taught me to perceive life, art, and spatial design with sensitivity, rigor, and authenticity.
First and foremost, my mother, who shaped my aesthetic sensibility from an early age, instilling in me a deep appreciation for beauty, hospitality, and home comfort. On a professional and cultural level, remarkable figures like public relations pioneer Lícia Fábio and journalist Joyce Pascowitch played a key role in my career, connecting my work with new horizons and amplifying the reach of my architectural vision.
Equally influential were the master craftsmen and builders on site—the carpenters, masons, and site managers I worked alongside early in my career in Bahia. It was through daily dialogue with them that I learned to respect the honesty of raw materials, the wisdom of artisanal techniques, and the discipline of execution. Finally, my clients: by entrusting me with their dreams, memories, and personal lifestyles, each of them continuously challenges me to evolve and craft spaces imbued with real soul and purpose.
First and foremost, my mother, who shaped my aesthetic sensibility from an early age, instilling in me a deep appreciation for beauty, hospitality, and home comfort. On a professional and cultural level, remarkable figures like public relations pioneer Lícia Fábio and journalist Joyce Pascowitch played a key role in my career, connecting my work with new horizons and amplifying the reach of my architectural vision.
Equally influential were the master craftsmen and builders on site—the carpenters, masons, and site managers I worked alongside early in my career in Bahia. It was through daily dialogue with them that I learned to respect the honesty of raw materials, the wisdom of artisanal techniques, and the discipline of execution. Finally, my clients: by entrusting me with their dreams, memories, and personal lifestyles, each of them continuously challenges me to evolve and craft spaces imbued with real soul and purpose.
Throughout my life, the books that have made the deepest impression on my practice are those that transcend purely technical architectural theory to explore the human soul, cultural heritage, and our sensitive relationship with space and nature.
The seminal writings of sociologist Gilberto Freyre on the evolution of Brazilian domestic architecture profoundly shaped my understanding of the veranda, the inner courtyard, and the social rituals of living in Brazilian culture. I have also been a dedicated student of monographs on the great masters of international and Brazilian modernism—from Lina Bo Bardi and Oscar Niemeyer to Frank Lloyd Wright and Ludwig Mies van der Rohe—whose works taught me about formal precision, spatial fluidity, and seamless integration with the surrounding landscape.
Furthermore, books on fine art, travel photography, and the architectural heritage of Bahia serve as constant sources of creative inspiration. To me, literature and visual arts nourish aesthetic intuition, ensuring that architecture remains far more than functional structure—it becomes an expression rich in poetry, memory, and cultural identity.
The seminal writings of sociologist Gilberto Freyre on the evolution of Brazilian domestic architecture profoundly shaped my understanding of the veranda, the inner courtyard, and the social rituals of living in Brazilian culture. I have also been a dedicated student of monographs on the great masters of international and Brazilian modernism—from Lina Bo Bardi and Oscar Niemeyer to Frank Lloyd Wright and Ludwig Mies van der Rohe—whose works taught me about formal precision, spatial fluidity, and seamless integration with the surrounding landscape.
Furthermore, books on fine art, travel photography, and the architectural heritage of Bahia serve as constant sources of creative inspiration. To me, literature and visual arts nourish aesthetic intuition, ensuring that architecture remains far more than functional structure—it becomes an expression rich in poetry, memory, and cultural identity.
I developed my skills over five decades through a constant balance of hands-on experience on construction sites, aesthetic sensitivity, and deeply listening to human needs. Mastery is not acquired solely in classrooms or textbooks; it is forged through daily practice, tackling real structural challenges, and developing a profound understanding of the honesty of materials.
Early in my career in Bahia, working directly alongside master builders, carpenters, and craftsmen provided me with an essential technical and structural foundation. Concurrently, I cultivated my vision by traveling extensively, observing both historic and contemporary architecture, and studying how different cultures inhabit space. However, the most decisive factor in my growth has been my commitment to freehand sketching and designing around human experience and happiness. With every completed project, I refined my touch until establishing a timeless, elegant, and unmistakably signature architectural language.
Early in my career in Bahia, working directly alongside master builders, carpenters, and craftsmen provided me with an essential technical and structural foundation. Concurrently, I cultivated my vision by traveling extensively, observing both historic and contemporary architecture, and studying how different cultures inhabit space. However, the most decisive factor in my growth has been my commitment to freehand sketching and designing around human experience and happiness. With every completed project, I refined my touch until establishing a timeless, elegant, and unmistakably signature architectural language.
Aqui está a versão atualizada e emocionante da 43ª Pergunta, integrando a presença indispensável da mãe e o desejo de mostrar a ela até onde o trabalho do filho dela chegou, mantendo o tom afetuoso e em 1ª pessoa:
Versão em Português
43. Indiferente ao tempo e ao espaço, quem você gostaria de conhecer e com quem gostaria de conversar?
Indiferente ao tempo, ao lugar ou a qualquer grande figura histórica, o meu maior desejo seria estar reunido com os meus amigos e com a minha mãe. Para mim, não há nada mais valioso e enriquecedor do que uma boa mesa cercada pelas pessoas que amo e que acompanham a minha jornada.
Gostaria infinitamente de conversar de novo com a minha mãe, de abraçá-la e de mostrar a ela onde o trabalho do filho dela me levou. Foi ela quem me ensinou a enxergar a beleza e a sensibilidade do mundo desde pequeno. Ao lado dela, meus amigos trazem a vida real, o afeto e a espontaneidade; eles sempre têm uma história nova para contar, uma novidade ou uma gargalhada que renova a minha energia. A verdadeira sofisticação da vida está na simplicidade desses encontros. É na celebração com as pessoas que amo que me recarrego, me inspiro e me lembro diariamente do motivo pelo qual crio espaços: para abrigar o afeto e a vida junto de quem nos importa.
English Version (for A' Design Award)
43. Regardless of time and space, who would you like to meet and talk to?
Regardless of time, place, or any celebrated historical figure, my ultimate desire would always be to gather with my friends and my mother. To me, there is nothing more deeply meaningful or enriching than a warm table surrounded by the people I love and who have shaped my journey.
Above all, I would give anything to sit down with my mother once more, to embrace her and show her just how far her son's dedication and hard work have carried me. She was the one who first taught me to perceive beauty and emotional sensitivity in the world. Alongside her memory, my friends bring authenticity, warmth, and joy; they always have a new story to share, a fresh perspective, or a laugh that restores my spirit. The true sophistication of living resides in the warmth of these connections. It is through celebrating with those I love that I recharge, draw inspiration, and remember daily why I design spaces: to honor love, memory, and human togetherness.
Versão em Português
43. Indiferente ao tempo e ao espaço, quem você gostaria de conhecer e com quem gostaria de conversar?
Indiferente ao tempo, ao lugar ou a qualquer grande figura histórica, o meu maior desejo seria estar reunido com os meus amigos e com a minha mãe. Para mim, não há nada mais valioso e enriquecedor do que uma boa mesa cercada pelas pessoas que amo e que acompanham a minha jornada.
Gostaria infinitamente de conversar de novo com a minha mãe, de abraçá-la e de mostrar a ela onde o trabalho do filho dela me levou. Foi ela quem me ensinou a enxergar a beleza e a sensibilidade do mundo desde pequeno. Ao lado dela, meus amigos trazem a vida real, o afeto e a espontaneidade; eles sempre têm uma história nova para contar, uma novidade ou uma gargalhada que renova a minha energia. A verdadeira sofisticação da vida está na simplicidade desses encontros. É na celebração com as pessoas que amo que me recarrego, me inspiro e me lembro diariamente do motivo pelo qual crio espaços: para abrigar o afeto e a vida junto de quem nos importa.
English Version (for A' Design Award)
43. Regardless of time and space, who would you like to meet and talk to?
Regardless of time, place, or any celebrated historical figure, my ultimate desire would always be to gather with my friends and my mother. To me, there is nothing more deeply meaningful or enriching than a warm table surrounded by the people I love and who have shaped my journey.
Above all, I would give anything to sit down with my mother once more, to embrace her and show her just how far her son's dedication and hard work have carried me. She was the one who first taught me to perceive beauty and emotional sensitivity in the world. Alongside her memory, my friends bring authenticity, warmth, and joy; they always have a new story to share, a fresh perspective, or a laugh that restores my spirit. The true sophistication of living resides in the warmth of these connections. It is through celebrating with those I love that I recharge, draw inspiration, and remember daily why I design spaces: to honor love, memory, and human togetherness.
Receiving awards and having my body of work recognized brings a genuine sense of fulfillment. It stands as validation for five decades of dedication, integrity, and unyielding passion for architecture. However, I have never pursued recognition for the sake of fame alone—to me, renown is never a destination, but rather the natural byproduct of a practice built on truth, devotion, and love for the craft. I do not find recognition difficult to navigate because it is grounded in mutual respect and the warm regard of the design community.
While I feel deeply fulfilled, my eyes remain firmly fixed on the horizon: I still aspire to achieve so much more. At this stage of my career, the focus shifts from collecting accolades to consolidating a lasting legacy. I want to leverage my visibility to give back to society everything architecture has afforded me—whether through establishing my Institute, supporting social causes, or mentoring emerging talent. Celebrating past milestones fills me with pride, but the drive to shape a better tomorrow is what truly inspires me every day.
While I feel deeply fulfilled, my eyes remain firmly fixed on the horizon: I still aspire to achieve so much more. At this stage of my career, the focus shifts from collecting accolades to consolidating a lasting legacy. I want to leverage my visibility to give back to society everything architecture has afforded me—whether through establishing my Institute, supporting social causes, or mentoring emerging talent. Celebrating past milestones fills me with pride, but the drive to shape a better tomorrow is what truly inspires me every day.
Color: White and earth tones. White provides light, peace, and the ideal neutral canvas for architecture, while earth tones connect the home to the soil, the warmth of timber, and nature itself.
Place: Wherever my friends are. Especially Salvador, which embraced my roots and soul; Rio de Janeiro, where I was born; and São Paulo, a city that welcomed me through work and dynamism.
Food: Authentic Bahian cuisine and fresh, locally sourced comfort food. A classic moqueca enjoyed alongside close friends on a sunny day is unmatched.
Season: Summer. Abundant sunlight, warmth, and seamless outdoor living represent the core spirit of my tropical architectural philosophy.
Thing: Pen and paper. They remain the essential tools through which I take the first steps to translate human dreams into physical spaces.
Brand: Any fine Champagne house. To me, Champagne represents a toast to life, gatherings with friends, unpretentious sophistication, and the joyful celebration of every milestone.
Place: Wherever my friends are. Especially Salvador, which embraced my roots and soul; Rio de Janeiro, where I was born; and São Paulo, a city that welcomed me through work and dynamism.
Food: Authentic Bahian cuisine and fresh, locally sourced comfort food. A classic moqueca enjoyed alongside close friends on a sunny day is unmatched.
Season: Summer. Abundant sunlight, warmth, and seamless outdoor living represent the core spirit of my tropical architectural philosophy.
Thing: Pen and paper. They remain the essential tools through which I take the first steps to translate human dreams into physical spaces.
Brand: Any fine Champagne house. To me, Champagne represents a toast to life, gatherings with friends, unpretentious sophistication, and the joyful celebration of every milestone.
Across five decades of practice and hundreds of completed projects, working so closely with clients naturally yields memorable and humorous moments. One of the funkiest and most revealing stories occurred during the full renovation of my own 270 m² (2,900 sq ft) apartment—a project I completed in a record timeframe of just eight months.
Being both the architect and the client, I developed a severe case of executive anxiety. I had the entire concept hand-drawn with every detail locked in, but my sheer impatience to see the final result was so overwhelming that I visited the job site daily, demanding progress updates from my team and myself as if I were the most demanding, restless client DB Arquitetos had ever encountered!
At one point, my project team and the site managers looked at me laughing and said: "David, the architect has already approved this design, now you need to let the client step back and let us work!". I was, without a doubt, my own worst client. The funniest part is that despite all my daily angst, I didn't alter a single piece of furniture, wall layout, or electrical outlet from my initial freehand sketch. That experience taught me an unforgettable lesson in empathy: today, whenever a client calls me feeling anxious mid-construction, I smile and relate to them completely—after all, I've been in their shoes!
Being both the architect and the client, I developed a severe case of executive anxiety. I had the entire concept hand-drawn with every detail locked in, but my sheer impatience to see the final result was so overwhelming that I visited the job site daily, demanding progress updates from my team and myself as if I were the most demanding, restless client DB Arquitetos had ever encountered!
At one point, my project team and the site managers looked at me laughing and said: "David, the architect has already approved this design, now you need to let the client step back and let us work!". I was, without a doubt, my own worst client. The funniest part is that despite all my daily angst, I didn't alter a single piece of furniture, wall layout, or electrical outlet from my initial freehand sketch. That experience taught me an unforgettable lesson in empathy: today, whenever a client calls me feeling anxious mid-construction, I smile and relate to them completely—after all, I've been in their shoes!
What makes my day truly great is knowing that my work has the tangible power to bring well-being, comfort, and genuine happiness into people's lives. My deepest daily motivation springs from a continuous drive to evolve, to craft something better than what I created yesterday, and to live better today than I did yesterday.
To me, architecture has never been a sterile exercise in form or aesthetics; it is a vital catalyst for transforming everyday life. My motivation is renewed every single time I pick up a pen to trace a new sketch, when I witness natural light flood a newly finished space, or when I receive a heartfelt embrace from a client stepping into their new home. Realizing that my design has brought peace, family connection, and moments of joy is the fuel that inspires me to wake up every morning with the very same passion I had when I started 50 years ago.
To me, architecture has never been a sterile exercise in form or aesthetics; it is a vital catalyst for transforming everyday life. My motivation is renewed every single time I pick up a pen to trace a new sketch, when I witness natural light flood a newly finished space, or when I receive a heartfelt embrace from a client stepping into their new home. Realizing that my design has brought peace, family connection, and moments of joy is the fuel that inspires me to wake up every morning with the very same passion I had when I started 50 years ago.
When I was a child, it wasn't obvious that I would become an architect or a great designer, but it was absolutely obvious that I would be happy.
I grew up surrounded by freedom, affection, and a heightened sensitivity to beauty, nurtured above all by my mother. I didn't think in terms of career ambition or global recognition; I simply lived with deep curiosity, a love for nature, an eye for spatial atmosphere, and the pure joy of being around people. Architecture emerged naturally as the perfect vehicle to express that continuous pursuit of happiness. Through my hand sketches, I discovered the power to craft environments that evoke that very same feeling in others. In the end, being happy remains my ultimate life project—and architecture is simply the most beautiful way I have found to share that joy with the world.
I grew up surrounded by freedom, affection, and a heightened sensitivity to beauty, nurtured above all by my mother. I didn't think in terms of career ambition or global recognition; I simply lived with deep curiosity, a love for nature, an eye for spatial atmosphere, and the pure joy of being around people. Architecture emerged naturally as the perfect vehicle to express that continuous pursuit of happiness. Through my hand sketches, I discovered the power to craft environments that evoke that very same feeling in others. In the end, being happy remains my ultimate life project—and architecture is simply the most beautiful way I have found to share that joy with the world.
When I reflect on the distant future, a thousand years from now, I imagine that trends, technologies, and physical structures as we know them today will have transformed completely. However, I hold the firm conviction that the essence of the human soul and the fundamental need for shelter, comfort, and connection with nature will remain exactly the same.
I believe that future architecture will cease to be an aggressive imposition on the planet, evolving instead into a seamless, symbiotic extension of nature itself. Cities a millennium from now will not be defined by cold concrete or technological ostentation, but by organic, sustainable systems in harmony with the environment. No matter how advanced civilization becomes, a thousand years from now humans will still seek the warmth of sunlight, the gentle touch of a breeze, the shelter of a quiet space, and the joy of gathering around a table with loved ones. True architecture is timeless because it nurtures the soul—and the human soul never changes.
I believe that future architecture will cease to be an aggressive imposition on the planet, evolving instead into a seamless, symbiotic extension of nature itself. Cities a millennium from now will not be defined by cold concrete or technological ostentation, but by organic, sustainable systems in harmony with the environment. No matter how advanced civilization becomes, a thousand years from now humans will still seek the warmth of sunlight, the gentle touch of a breeze, the shelter of a quiet space, and the joy of gathering around a table with loved ones. True architecture is timeless because it nurtures the soul—and the human soul never changes.
I would like everyone to know that behind every single project signed over these 50 years, there is a man who designs with his soul, sketches by hand, and holds an unwavering belief in people and in life.
My design is never created to chase fleeting trends or exhibit ostentatious luxury; it is born to be lived, felt, and inhabited with love. I want people to know that true sophistication lies in simplicity—that real luxury is the peace of sunlight streaming through a window, a gentle breeze crossing the living room, and a warm table surrounded by friends. My ultimate hope is that my architecture continues to serve as an invitation to live lightly, embrace one's roots, and celebrate life every single day. An architect's line only gains true meaning when it becomes the stage for someone else's happiness.
My design is never created to chase fleeting trends or exhibit ostentatious luxury; it is born to be lived, felt, and inhabited with love. I want people to know that true sophistication lies in simplicity—that real luxury is the peace of sunlight streaming through a window, a gentle breeze crossing the living room, and a warm table surrounded by friends. My ultimate hope is that my architecture continues to serve as an invitation to live lightly, embrace one's roots, and celebrate life every single day. An architect's line only gains true meaning when it becomes the stage for someone else's happiness.
Designer Interview
28 September 2026
Minha paixão pela arquitetura começou na adolescência. Sempre tive curiosidade sobre como as pessoas viviam, e passei incontáveis horas lendo revistas de arquitetura e design de interiores. Quando chegou a hora de escolher uma carreira, meu pai acreditava que eu deveria seguir uma profissão mais tradicional, como medicina ou engenharia. Mas escolhi arquitetura porque era onde realmente me via. Desde o meu primeiro semestre na universidade, soube que tinha tomado a decisão certa. Com o passar dos anos, essa convicção só se fortaleceu. Acredito que arquitetura é muito mais do que projetar edifícios — ela tem o poder de melhorar a vida das pessoas. Por isso costumo dizer que não vendo apenas projetos; Eu crio felicidade através da arquitetura.
Meu ateliê foi fundado há mais de quatro décadas com a crença de que a arquitetura deveria refletir a forma como as pessoas vivem. Hoje, com escritórios em Salvador e São Paulo, trabalhamos em projetos residenciais, de hospitalidade e comerciais no Brasil e no exterior. Cada projeto é abordado com o mesmo compromisso: criar espaços atemporales, elegantes e acolhedores que combinam funcionalidade, artesanato e profundo respeito pelo estilo de vida de cada cliente. Junto com uma equipe talentosa de jovens profissionais, continuamos a evoluir mantendo fiéis aos valores que definiram nosso trabalho desde o início.
Para mim, design é a capacidade de transformar necessidades em soluções que combinam beleza, funcionalidade e emoção. É um processo de escutar, interpretar e criar, onde cada detalhe tem um propósito. Um ótimo design não é sobre causar uma impressão — é sobre melhorar a vida das pessoas criando espaços mais humanos, confortáveis e atemporales.
Gosto de projetar qualquer projeto que tenha potencial para melhorar a vida das pessoas. As casas ocupam um lugar especial no meu coração porque me permitem criar espaços que refletem a personalidade e o modo de vida de cada cliente. Também gosto de projetar hotéis, espaços de encontro e projetos imersos na natureza, como casas de praia e no campo. No fim das contas, o que mais me inspira é criar arquiteturas que tragam felicidade, bem-estar e uma melhor qualidade de vida para as pessoas que a vivenciam.
Meu projeto favorito é sempre o mais recente. Reflete a evolução do meu trabalho, tudo o que aprendi ao longo da carreira e a oportunidade de levar minhas ideias além. Sou especialmente inspirado por projetos que me desafiam, especialmente aqueles desenvolvidos em outros países, onde tenho a chance de entender uma cultura, contexto e modo de vida diferentes. Cascais, o projeto reconhecido pelo Prêmio A' Design, é especialmente significativo para mim porque me deu a oportunidade de explorar novos horizontes enquanto criava arquitetura que responde ao ambiente sem perder a essência da minha filosofia de design.
Minha primeira experiência profissional em design veio durante meu estágio na AMESA (Alagados Melhoramentos S/A), uma agência pública do Estado da Bahia. Trabalhei em projetos para a comunidade de Alagados, onde muitas casas ficavam sobre estacas sobre água poluída, mas eram mantidas notavelmente limpas e cuidadas pelas famílias que moravam ali. O que mais me impressionou foi a dignidade e a felicidade que encontrei apesar das condições difíceis. Durante esse período, estive envolvido em uma ampla gama de projetos públicos, desde conjuntos habitacionais sociais e hospitais até iniciativas de infraestrutura e culturais, incluindo as tradicionais festividades de São João. Essa experiência moldou meu entendimento da arquitetura e me ensinou que seu maior propósito é melhorar a vida das pessoas, independentemente da escala ou contexto.
Minhas ferramentas favoritas permaneceram as mesmas desde o início da minha carreira: um lápis mecânico, papel vegetal e uma régua de balança. Todo projeto começa manualmente. É assim que penso, exploro ideias e desenvolvo minha arquitetura. Minha equipe depois traduz esses esboços em desenhos digitais, mas a essência de todo projeto nasce no papel. Acredito que o desenho manual cria uma conexão mais direta entre ideias, emoção e o processo criativo, e continua sendo uma parte essencial da forma como trabalho hoje.
Algumas das minhas melhores ideias surgem quando estou deitado na cama — pouco antes de dormir ou logo depois de acordar — quando minha mente pode vagar livremente e minha equipe ainda está dormindo. Risos.
O aspecto mais importante de qualquer design, para mim, é a pessoa que vai viver nele. Antes de pensar em forma, materiais ou estética, tento entender quem é meu cliente, como ele vive, o que ama e o que realmente o faz feliz. A arquitetura deve refletir sua identidade, não o ego do arquiteto.
Pessoalmente, tenho uma forte preferência por materiais naturais e honestos. Eu amo madeira, pedra, concreto e materiais que expressam seu verdadeiro caráter. Não gosto de materiais que imitam outra coisa, e deixo isso claro para meus clientes desde o início. Prefiro usar concreto polido genuíno do que uma superfície fingindo ser outro material, e sempre prefiro madeira natural a imitações. Acredito que a autenticidade nos materiais confere à arquitetura atemporalidade, caráter e integridade.
Pessoalmente, tenho uma forte preferência por materiais naturais e honestos. Eu amo madeira, pedra, concreto e materiais que expressam seu verdadeiro caráter. Não gosto de materiais que imitam outra coisa, e deixo isso claro para meus clientes desde o início. Prefiro usar concreto polido genuíno do que uma superfície fingindo ser outro material, e sempre prefiro madeira natural a imitações. Acredito que a autenticidade nos materiais confere à arquitetura atemporalidade, caráter e integridade.
O design me traz uma sensação de liberdade e alegria. É o momento em que ideias, sonhos e emoções começam a tomar forma através da arquitetura. Cada novo projeto me empolga porque cada cliente traz uma história única e um desafio diferente. O que mais me inspira é imaginar pessoas vivendo nesses espaços, criando memórias e se sentindo verdadeiramente felizes. Essa é a emoção que tento capturar em cada esboço.
Ver um projeto concluído é sempre um momento emocional. A jornada nem sempre é fácil. Houve momentos em que clientes discordaram de mim ou até discutiram comigo durante o processo de design porque eu propus ideias que ainda não conseguiam visualizar completamente. Mas sempre foco no resultado final e em como eles vão viver nesse espaço por muitos anos.
A maior recompensa vem depois. Repetidas vezes, os clientes me dizem que o resultado superou suas expectativas e que agora entendem as decisões que tomei. Muitos retornam para novos projetos, me recomendam para seus filhos e amigos, e se tornam amigos para a vida toda. Para mim, essa é a maior medida de sucesso. Ela confirma que a arquitetura, quando criada com convicção, sensibilidade e cuidado, tem o poder de realmente melhorar a vida das pessoas.
A maior recompensa vem depois. Repetidas vezes, os clientes me dizem que o resultado superou suas expectativas e que agora entendem as decisões que tomei. Muitos retornam para novos projetos, me recomendam para seus filhos e amigos, e se tornam amigos para a vida toda. Para mim, essa é a maior medida de sucesso. Ela confirma que a arquitetura, quando criada com convicção, sensibilidade e cuidado, tem o poder de realmente melhorar a vida das pessoas.
Um design bem-sucedido não é medido apenas por prêmios ou reconhecimento, mas pela felicidade das pessoas que o vivenciam todos os dias. Para mim, sucesso significa criar uma arquitetura que reflita a personalidade e o modo de vida de cada cliente, ao mesmo tempo em que oferece conforto, beleza e bem-estar duradouros.
A maior prova de que um projeto foi bem-sucedido é quando os clientes sentem uma conexão emocional com os espaços onde vivem e recomendam meu trabalho com entusiasmo para seus amigos e familiares. Na verdade, a maioria dos meus novos clientes vem dessas recomendações pessoais. Isso me diz que a arquitetura foi além da estética — tornou-se uma parte significativa da vida das pessoas.
A maior prova de que um projeto foi bem-sucedido é quando os clientes sentem uma conexão emocional com os espaços onde vivem e recomendam meu trabalho com entusiasmo para seus amigos e familiares. Na verdade, a maioria dos meus novos clientes vem dessas recomendações pessoais. Isso me diz que a arquitetura foi além da estética — tornou-se uma parte significativa da vida das pessoas.
Antes de considerar a estética, pergunto se o design realmente faz sentido para as pessoas que o usarão. Um bom design deve melhorar a vida cotidiana, funcionar sem esforço e criar uma conexão emocional. Também valorizo a honestidade dos materiais, proporções equilibradas, luz natural e a relação entre arquitetura e seu entorno. A beleza é importante, mas deve surgir naturalmente da integridade do design, e não do excesso ou de tendências passageiras.
Acredito que a maior responsabilidade de um arquiteto é projetar com consciência e respeito. Isso significa entender o lugar, preservar o que a natureza oferece e criar espaços que realmente melhorem a vida das pessoas. Sempre me esforço para trabalhar com materiais duráveis e naturais, evitando desperdícios e soluções que não têm valor a longo prazo.
Também acredito que nossa responsabilidade é criar arquitetura atemporal. Quanto mais tempo um projeto permanece relevante e amado, menos necessidade há de reformas, substituições e consumo desnecessário de recursos. Para mim, sustentabilidade não é apenas sobre desempenho ambiental — é também sobre projetar lugares que as pessoas continuarão a valorizar por gerações.
Também acredito que nossa responsabilidade é criar arquitetura atemporal. Quanto mais tempo um projeto permanece relevante e amado, menos necessidade há de reformas, substituições e consumo desnecessário de recursos. Para mim, sustentabilidade não é apenas sobre desempenho ambiental — é também sobre projetar lugares que as pessoas continuarão a valorizar por gerações.
Acredito que o design está evoluindo para se tornar mais centrado no ser humano. A tecnologia continuará a transformar a forma como projetamos, mas nunca substituirá a sensibilidade, a experiência ou a capacidade de realmente entender as pessoas. Vejo um futuro onde arquitetura e design se tornam ainda mais responsáveis, com maior respeito pelo meio ambiente, materiais naturais e bem-estar humano. Tendências vão e vêm, mas o design autêntico, honesto e atemporal sempre vai perdurar.
Minha participação mais recente é na CASACOR Bahia, que está acontecendo atualmente e é a exposição de arquitetura e design mais importante e conhecida do Brasil. Neste projeto, tive a oportunidade de desenvolver todo o plano diretor do evento, o que foi um desafio muito especial na minha carreira.
Participo regularmente das edições CASACOR em diferentes cidades, como São Paulo, Rio de Janeiro e Salvador. No ano passado, por exemplo, projetei um restaurante dentro da exposição, que reflete a liberdade criativa que o evento oferece para explorar e desenvolver novas experiências espaciais. É uma plataforma que incentiva a experimentação e o diálogo com o público, algo que considero extremamente valioso.
Participo regularmente das edições CASACOR em diferentes cidades, como São Paulo, Rio de Janeiro e Salvador. No ano passado, por exemplo, projetei um restaurante dentro da exposição, que reflete a liberdade criativa que o evento oferece para explorar e desenvolver novas experiências espaciais. É uma plataforma que incentiva a experimentação e o diálogo com o público, algo que considero extremamente valioso.
Minha inspiração vem principalmente de observar pessoas e a vida real. Acredito que a arquitetura nasce da compreensão da vida cotidiana, dos hábitos e das emoções daqueles que habitarão esses espaços.
Também me inspiro profundamente ao trabalhar com uma equipe jovem, que traz novas referências, tecnologias e uma perspectiva constantemente renovada sobre o mundo. Isso mantém o estúdio dinâmico e em constante evolução.
Viajar é outra grande fonte de inspiração. Vivenciar diferentes culturas, materiais e modos de vida amplia minha perspectiva e me ajuda a abordar a arquitetura com mais liberdade. No fim das contas, minha criatividade vem desse equilíbrio entre experiência, troca e curiosidade constante.
Também me inspiro profundamente ao trabalhar com uma equipe jovem, que traz novas referências, tecnologias e uma perspectiva constantemente renovada sobre o mundo. Isso mantém o estúdio dinâmico e em constante evolução.
Viajar é outra grande fonte de inspiração. Vivenciar diferentes culturas, materiais e modos de vida amplia minha perspectiva e me ajuda a abordar a arquitetura com mais liberdade. No fim das contas, minha criatividade vem desse equilíbrio entre experiência, troca e curiosidade constante.
Eu descreveria meu estilo como atemporal, sensível e arquitetura essencial. Não acredito em uma linguagem fixa ou repetitiva, mas sim em uma abordagem que sempre começa com o cliente, o lugar e a forma como cada pessoa vive. Cada projeto é único, mas todos compartilham a busca por simplicidade, conforto e verdade.
Ao longo da minha carreira, essa abordagem naturalmente se tornou mais definida. A experiência me mostrou que os projetos mais duradouros são aqueles que evitam excessos, respeitam materiais e valorizam a relação com o ambiente e a luz natural.
Gosto especialmente de trabalhar com materiais como madeira e vidro, que trazem calor, transparência e leveza aos espaços. Também valorizo materiais naturais e honestos que envelhecem com dignidade e mantêm sua essência ao longo do tempo.
Minha abordagem é sempre a mesma: ouvir primeiro, entender profundamente o cliente e depois traduzir isso para arquitetura. Gosto de soluções simples, materiais autênticos e espaços que transmitam bem-estar. No final das contas, meu objetivo é sempre o mesmo: criar lugares onde as pessoas se sintam felizes.
Ao longo da minha carreira, essa abordagem naturalmente se tornou mais definida. A experiência me mostrou que os projetos mais duradouros são aqueles que evitam excessos, respeitam materiais e valorizam a relação com o ambiente e a luz natural.
Gosto especialmente de trabalhar com materiais como madeira e vidro, que trazem calor, transparência e leveza aos espaços. Também valorizo materiais naturais e honestos que envelhecem com dignidade e mantêm sua essência ao longo do tempo.
Minha abordagem é sempre a mesma: ouvir primeiro, entender profundamente o cliente e depois traduzir isso para arquitetura. Gosto de soluções simples, materiais autênticos e espaços que transmitam bem-estar. No final das contas, meu objetivo é sempre o mesmo: criar lugares onde as pessoas se sintam felizes.
Moro entre Salvador e São Paulo, e também tenho uma casa no Rio de Janeiro, onde passo os fins de semana sempre que possível. Essa rotina em três cidades muito diferentes amplia muito minha percepção do mundo e tem influência direta no meu trabalho como arquiteto.
Acredito que o patrimônio cultural brasileiro está profundamente presente em meus projetos, especialmente na valorização da vida ao ar livre, na relação com a natureza e na busca por espaços acolhedores e informais. O Brasil tem uma arquitetura fortemente conectada ao bem-estar e à interação social, que está sempre presente no meu processo criativo.
Por outro lado, o design no Brasil oferece grande liberdade criativa e uma riqueza cultural única. Por outro lado, os desafios estão relacionados a diferentes realidades da construção e econômicas, que exigem soluções cuidadosas e adaptáveis. Ainda assim, acredito que esses desafios também fortalecem a criatividade e tornam a arquitetura mais autêntica.
Acredito que o patrimônio cultural brasileiro está profundamente presente em meus projetos, especialmente na valorização da vida ao ar livre, na relação com a natureza e na busca por espaços acolhedores e informais. O Brasil tem uma arquitetura fortemente conectada ao bem-estar e à interação social, que está sempre presente no meu processo criativo.
Por outro lado, o design no Brasil oferece grande liberdade criativa e uma riqueza cultural única. Por outro lado, os desafios estão relacionados a diferentes realidades da construção e econômicas, que exigem soluções cuidadosas e adaptáveis. Ainda assim, acredito que esses desafios também fortalecem a criatividade e tornam a arquitetura mais autêntica.
Trabalhamos de forma muito próxima e colaborativa com as empresas, desenvolvendo uma compreensão profunda de suas necessidades, cultura e objetivos. Nosso trabalho abrange diferentes escalas, desde fachadas e áreas comuns até masterplans completos, especialmente em empreendimentos de condomínios à beira-mar e projetos para clientes de longa data.
Acreditamos que a arquitetura deve ir além da funcionalidade. Deve expressar a identidade de cada empreendimento e criar experiências significativas para as pessoas que vivem e utilizam esses espaços. Por isso, nosso processo é sempre baseado em um diálogo contínuo entre cliente, equipe e projeto, buscando soluções que combinem eficiência, estética e propósito.
Acreditamos que a arquitetura deve ir além da funcionalidade. Deve expressar a identidade de cada empreendimento e criar experiências significativas para as pessoas que vivem e utilizam esses espaços. Por isso, nosso processo é sempre baseado em um diálogo contínuo entre cliente, equipe e projeto, buscando soluções que combinem eficiência, estética e propósito.
Minha principal sugestão para as empresas é escolher um designer baseado na confiança e alinhamento de valores, e não apenas no estilo ou portfólio. A relação entre cliente e arquiteto deve ser construída sobre o diálogo, transparência e compreensão mútua.
Um bom designer é alguém que sabe ouvir, interpretar necessidades e traduzi-las em soluções consistentes, funcionais e duradouras. Por esse motivo, as empresas devem avaliar não apenas o resultado final dos projetos, mas também o processo: como o designer pensa, como resolve problemas e como responde a diferentes desafios.
Outro aspecto importante é a consistência ao longo do tempo. Um design forte não é criado isoladamente, mas por meio de uma forma clara e coerente de pensar e trabalhar. No fim das contas, a escolha certa é aquela que equilibra sensibilidade, habilidade técnica e uma compreensão profunda do propósito por trás de cada projeto.
Um bom designer é alguém que sabe ouvir, interpretar necessidades e traduzi-las em soluções consistentes, funcionais e duradouras. Por esse motivo, as empresas devem avaliar não apenas o resultado final dos projetos, mas também o processo: como o designer pensa, como resolve problemas e como responde a diferentes desafios.
Outro aspecto importante é a consistência ao longo do tempo. Um design forte não é criado isoladamente, mas por meio de uma forma clara e coerente de pensar e trabalhar. No fim das contas, a escolha certa é aquela que equilibra sensibilidade, habilidade técnica e uma compreensão profunda do propósito por trás de cada projeto.
Meu processo de design sempre começa com a escuta. Antes de qualquer desenho, busco entender profundamente o cliente, sua rotina, seus desejos e como deseja viver no espaço. Acredito que a arquitetura nasce dessa compreensão humana.
Durante todo o desenvolvimento, realizamos reuniões frequentes com clientes, além de visitas a showrooms e fornecedores para selecionar materiais, acabamentos e soluções. Nosso estúdio também guarda uma ampla variedade de amostras de materiais, o que torna a tomada de decisão mais tangível e aproxima o projeto da realidade.
Depois passo para o esboço manual, onde as ideias começam a tomar forma de forma livre e intuitiva. É nesse momento que o projeto ganha sua essência. Depois disso, minha equipe desenvolve os desenhos tecnicamente e os aprimora até a execução.
Durante todo o processo, gosto de manter o projeto em constante evolução, sempre equilibrando funcionalidade, estética e emoção. Para mim, o mais importante é que cada decisão tenha um propósito claro e contribua para o bem-estar das pessoas que vão morar naquele espaço.
Durante todo o desenvolvimento, realizamos reuniões frequentes com clientes, além de visitas a showrooms e fornecedores para selecionar materiais, acabamentos e soluções. Nosso estúdio também guarda uma ampla variedade de amostras de materiais, o que torna a tomada de decisão mais tangível e aproxima o projeto da realidade.
Depois passo para o esboço manual, onde as ideias começam a tomar forma de forma livre e intuitiva. É nesse momento que o projeto ganha sua essência. Depois disso, minha equipe desenvolve os desenhos tecnicamente e os aprimora até a execução.
Durante todo o processo, gosto de manter o projeto em constante evolução, sempre equilibrando funcionalidade, estética e emoção. Para mim, o mais importante é que cada decisão tenha um propósito claro e contribua para o bem-estar das pessoas que vão morar naquele espaço.
Mais do que objetos específicos, valorizo elementos que trazem conforto, naturalidade e autenticidade para um lar. Gosto especialmente de madeira, que traz calor e sensação de aconchego aos espaços, e de vidro, que permite vistas abertas e uma forte conexão com o exterior.
Também aprecio muito o uso de texturas de tecido nas paredes, que adicionam conforto acústico e sensorial, além da iluminação indireta, que cria ambientes mais suaves e acolhedores. Pedra natural completa esse conjunto, trazendo solidez, autenticidade e uma conexão direta com a natureza.
No fim das contas, meus "itens favoritos" são aqueles que ajudam a criar uma atmosfera leve, confortável e atemporal, onde a vida se desenrola naturalmente e em equilíbrio.
Também aprecio muito o uso de texturas de tecido nas paredes, que adicionam conforto acústico e sensorial, além da iluminação indireta, que cria ambientes mais suaves e acolhedores. Pedra natural completa esse conjunto, trazendo solidez, autenticidade e uma conexão direta com a natureza.
No fim das contas, meus "itens favoritos" são aqueles que ajudam a criar uma atmosfera leve, confortável e atemporal, onde a vida se desenrola naturalmente e em equilíbrio.
Meu dia começa cedo, por volta das 5 da manhã. Normalmente vou à esteira que tenho em casa e caminho por cerca de uma hora. Depois, tomo um café da manhã calmo e organizo o início do dia.
Por volta das 11h, vou ao escritório, onde participo de reuniões, acompanho o desenvolvimento dos projetos com minha equipe e recebo clientes. É uma rotina intensa, com muitas decisões ao longo do dia, alternando constantemente entre conversas, visitas ao local e o processo criativo.
No final da tarde, geralmente treino novamente, o que me ajuda a manter o equilíbrio na rotina. À noite, volto para casa e desacelero.
Nos fins de semana, gosto de passar tempo com amigos, seja em casa ou viajando. São momentos de relaxamento e prazer, frequentemente acompanhados por uma boa taça de champanhe.
Por volta das 11h, vou ao escritório, onde participo de reuniões, acompanho o desenvolvimento dos projetos com minha equipe e recebo clientes. É uma rotina intensa, com muitas decisões ao longo do dia, alternando constantemente entre conversas, visitas ao local e o processo criativo.
No final da tarde, geralmente treino novamente, o que me ajuda a manter o equilíbrio na rotina. À noite, volto para casa e desacelero.
Nos fins de semana, gosto de passar tempo com amigos, seja em casa ou viajando. São momentos de relaxamento e prazer, frequentemente acompanhados por uma boa taça de champanhe.
Meu principal conselho para jovens designers é: ouça mais do que fala. Um bom projeto vem da capacidade de entender profundamente as pessoas, não de impor um estilo ou linguagem pessoal.
Também acredito que é essencial desenhar à mão o máximo possível. Desenhar é a forma mais direta de pensar e ajuda a desenvolver sensibilidade, proporção e intuição.
Outro ponto importante é não ter medo de cometer erros. A experiência vem com o tempo, a prática e a coragem para testar ideias. E, acima de tudo, nunca se esqueça de que arquitetura não é sobre o arquiteto — é sobre as pessoas que vão viver no espaço. Se um projeto faz alguém mais feliz, então ele já cumpriu seu propósito.
Também acredito que é essencial desenhar à mão o máximo possível. Desenhar é a forma mais direta de pensar e ajuda a desenvolver sensibilidade, proporção e intuição.
Outro ponto importante é não ter medo de cometer erros. A experiência vem com o tempo, a prática e a coragem para testar ideias. E, acima de tudo, nunca se esqueça de que arquitetura não é sobre o arquiteto — é sobre as pessoas que vão viver no espaço. Se um projeto faz alguém mais feliz, então ele já cumpriu seu propósito.
Ser designer, para mim, é uma profissão extremamente gratificante porque nos permite transformar a vida das pessoas. O maior aspecto positivo é justamente esse: ver um projeto ganhar vida e perceber que ele melhora a experiência diária daqueles que o utilizam, trazendo bem-estar e felicidade.
Outro aspecto positivo é a renovação constante. Cada projeto é um novo desafio, uma nova história e uma nova oportunidade de aprender.
Por outro lado, um dos maiores desafios da profissão é lidar com a complexidade humana. Muito frequentemente, um designer precisa agir quase como um psicólogo, tentando entender desejos que nem sempre são claros ou explicitamente expressos. É um exercício contínuo de interpretação, escuta e sensibilidade para traduzir o que os clientes sentem, mas nem sempre conseguem articular.
Além disso, o processo criativo pode ser intenso e exigente, com muitas etapas e revisões até chegar ao resultado final. Ainda assim, acredito que as recompensas emocionais e profissionais superam em muito qualquer dificuldade. No fim das contas, o que nos impulsiona é a capacidade de criar algo significativo que tenha um impacto positivo na vida das pessoas.
Outro aspecto positivo é a renovação constante. Cada projeto é um novo desafio, uma nova história e uma nova oportunidade de aprender.
Por outro lado, um dos maiores desafios da profissão é lidar com a complexidade humana. Muito frequentemente, um designer precisa agir quase como um psicólogo, tentando entender desejos que nem sempre são claros ou explicitamente expressos. É um exercício contínuo de interpretação, escuta e sensibilidade para traduzir o que os clientes sentem, mas nem sempre conseguem articular.
Além disso, o processo criativo pode ser intenso e exigente, com muitas etapas e revisões até chegar ao resultado final. Ainda assim, acredito que as recompensas emocionais e profissionais superam em muito qualquer dificuldade. No fim das contas, o que nos impulsiona é a capacidade de criar algo significativo que tenha um impacto positivo na vida das pessoas.
Minha regra de ouro no design é simples: o projeto deve deixar as pessoas felizes. Se a arquitetura não melhorar a vida daqueles que habitam o espaço, então ela não cumpriu seu propósito.
Independentemente do tamanho do imóvel, cada espaço deve sempre parecer um lar e transmitir uma sensação de conforto e pertencimento. Para mim, isso é essencial em qualquer projeto.
Tudo o que faço é baseado nessa ideia: ouvir profundamente o cliente, respeitar o lugar, usar materiais honestos e criar espaços que carreguem verdade e emoção. A estética é uma consequência desse processo, nunca um ponto de partida isolado.
No fim das contas, um bom projeto é aquele que funciona, emociona as pessoas emocionalmente e permanece relevante ao longo do tempo.
Independentemente do tamanho do imóvel, cada espaço deve sempre parecer um lar e transmitir uma sensação de conforto e pertencimento. Para mim, isso é essencial em qualquer projeto.
Tudo o que faço é baseado nessa ideia: ouvir profundamente o cliente, respeitar o lugar, usar materiais honestos e criar espaços que carreguem verdade e emoção. A estética é uma consequência desse processo, nunca um ponto de partida isolado.
No fim das contas, um bom projeto é aquele que funciona, emociona as pessoas emocionalmente e permanece relevante ao longo do tempo.
Leia o cliente
Faço tudo à mão — até as coisas que vejo enquanto viajo. Embora minha empresa tenha AutoCAD, Archicad, 3ds Max, V-Ray, Office e vários aplicativos para facilitar as coisas, eu fico com papel e lápis.
Às vezes nem eu sei. Eu faço milagres — mais de 80 projetos rodando simultaneamente.
Apartamento: 8 meses; Casa: 1 ano. O tempo de construção, no entanto, depende do cliente.
O que *eu* gosto, em vez do que o cliente gosta — as pessoas perguntam sobre isso.
O restaurante Trapiche Adelaide me trouxe muitos clientes, já que meu escritório ficava logo acima.
Não posso mencionar, mas nosso escritório é do mais alto padrão.
Não tenho um favorito — como disse, é sempre o mais recente. Mas meu apartamento em Copacabana guarda um pouco de quem eu sou, refletindo esses 409 anos da minha carreira.
Expandindo além do Brasil sem aumentar o número de funcionários de escritórios, garantindo maior qualidade e uma equipe de profissionais dedicados.
Eu desenho à mão, mas preciso de um time.
Taípe Trancoso, as áreas comuns desse empreendimento e
www.davidbastos.com
Não. Acho que eles passaram a me conhecer bem.
Interview about Condominio Cascais Residential Building Grand Interview