Ihe emepụtara bụ Haleiwa Oche nke Melissa Mae Tan bụ onye meriri a na-asọpụrụ nke ukwuu nke 2020 Ihe Nrite A' Design Award nke Ọlaọcha na Udi Asọmpi Nhazi Ngwá Ụlọ.

ỌlaọchaNgwá Ụlọ· 2020

Haleiwa Oche

nke Melissa Mae Tan

Onye Ahịa: Beyond Function

Onye Meriri Ihe Nrite A' Design Award nke Ọlaọcha na Udi Ngwá Ụlọ

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #99707

Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Haleiwa Oche

Haleiwa na-akwa akwa rattan na -eme ka ọ bụrụ nke na-ekpocha ma na-etinye silhouette dị iche. Ngwa ihe eji eme ihe na-asọpụrụ ọdịnala nka na Filipaị, na-emezigharị ugbu a. Ejikọtara, ma ọ bụ jiri ya dị ka mpempe nkwupụta, ọdịdị nke ọdịdị ahụ na-eme ka oche a kwekọọ n'ụdị dị iche iche. Creatmepụta nguzozi n'etiti ụdị na ọrụ, amara na ike, ije na imewe, Haleiwa dị mma dịka ọ mara mma.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Ọlaọcha

Haleiwa Oche meriri A' Design Award nke Ọlaọcha, nnabata dị oke ugwu e nyere design ndị dị n'ọkwa kachasị elu, mara mma ma na-eju anya. Ndị meriri na Ọlaọcha bụ ọrụ na-egbu maramara nke ukwuu ma dị oke nzụlite nke na-egosi ọmarịcha ihe ọmụma, talent na nghọta nke ndị designer ha. A na-atụ anya na Haleiwa Oche ga-abụ ọrụ dị ịtụnanya, ihe nlereanya, nke dị oke ọrụ ma dị omimi n'ihe ọhụrụ. Design a meriri A' Design Award nke Ọlaọcha bụ ihe e mepụtara dị oke ịrịba ama, nke a na-eto nke na-erite uru ma na-ebuga oke nka, sayensị, design na teknụzụ n'ihu. Haleiwa Oche bụ ihe e kere eke ọtụtụ ndị na-ekwo ekworo ya nke na-akpali ọchịchọ, na-eweta mmetụta ọma ma na-akpali ịtụnanya.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: Legacy meets contemporary. Grace meets strength. Sweeping curves seamlessly merge with striking lines. Rattan, a pliant material commonly used in indigenous Philippine furniture, gets a modern upgrade when paired with a solid metal frame. This chair's form and weave pay tribute to the rich history of the material and the artisans that have crafted pieces from it, while breaking away from tradition just enough to create a statement.
Nha & Mkpuchi: 640mm width x 850mm depth x 830mm height
Mkpado: haleiwa, chair, rattan, woven, handmade, indigenous
Teknụzụ Mmepụta: Rattan is a sustainable material commonly used for weaving due to its durability. A cantilever design would not have been practical, and thus metal framing was used to add stability. As a nod to the handwoven rattan, the metal was manually bent to shape.
Ịma Aka Imepụta: Stability was a key concern. The width of the legs that connect the base to the seat posed a challenge. The design of a triangular base was the solution that balanced the structural and aesthetic. Internal support placement also posed a challenge since the design shows all of its skeletal composition. The supports had to be created and then strategically located in order to maximize stability, while being as inconspicuous as possible.
Nchọpụta: The research focus for the Haleiwa was on the balance and stability based on its unconventional form. The optimum placements of supports and dimensions of elements were studied and tested throughout the prototyping period.
Mkpali: This piece was inspired by the concept of balance. The balance between strength and fluidity, modern and traditional, complexity and simplicity.
Oge Ọrụ: The chair was conceptualized in August 2019 and prototype finished October 2019. Designed and manufactured in Manila, Philippines
Usoro Ọrụ: The chair is wide enough for the user to sit comfortably in any position. Cushions are also provided for additional ease and comfort without distracting from the visual impact.
Ndị Otu: Melissa Mae Tan
Asụsụ Foto: All images: Photographer Berwin Coroza, 2020