Wrapped Volumes Ọfịs Ịre Ahịa nke Boney Keriwala and Alak Parmar

Ihe emepụtara bụ Wrapped Volumes Ọfịs Ịre Ahịa nke Boney Keriwala and Alak Parmar bụ onye meriri a na-asọpụrụ nke ukwuu nke 2020 Ihe Nrite A' Design Award nke Ọlaọcha na Udi Asọmpi Nhazi Ụlọ Owu, Ụlọ na Ihe Owuwu.

ỌlaọchaỤlọ Owu· 2020

Wrapped Volumes Ọfịs Ịre Ahịa

nke Boney Keriwala and Alak Parmar

Onye Ahịa: The BAD Studio

Onye Meriri Ihe Nrite A' Design Award nke Ọlaọcha na Udi Ụlọ Owu

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #98323

Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Wrapped Volumes Ọfịs Ịre Ahịa

Wrapped Volumes bụ ọfịs ịre ahịa nwa oge nke dị na mpụta obodo ụlọ ọrụ mmepụta ihe. Ebe a enweghị gburugburu siri ike dị nso, ya mere nhazi a na-esite n'ụzọ okporo ụzọ mmata ya na-enweta ntụziaka ya. A na-atụgharị mmegharị nke okporo ụzọ a n'ime ihu ụlọ na-agbanye agbanye nke na-ebuli akụkụ ụlọ site n'ala. Akụkụ ụfọdụ nke ihe agbanye ahụ na-etolite oyiyi ala, ebe akụkụ ndị ọzọ na-arụ ọrụ dị ka akpụkpọ nchebe nke na-ebelata inweta okpomọkụ site na ndịda. Ihu ụlọ ahụ bụ plasta nwere ọkpụkpụ, nke ndị ǹka obodo rụrụ. A na-asa ohere ime ụlọ ndị mkpirisi ahụ n'ìhè eke.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Ọlaọcha

Wrapped Volumes Ọfịs Ịre Ahịa meriri A' Design Award nke Ọlaọcha, nnabata dị oke ugwu e nyere design ndị dị n'ọkwa kachasị elu, mara mma ma na-eju anya. Ndị meriri na Ọlaọcha bụ ọrụ na-egbu maramara nke ukwuu ma dị oke nzụlite nke na-egosi ọmarịcha ihe ọmụma, talent na nghọta nke ndị designer ha. A na-atụ anya na Wrapped Volumes Ọfịs Ịre Ahịa ga-abụ ọrụ dị ịtụnanya, ihe nlereanya, nke dị oke ọrụ ma dị omimi n'ihe ọhụrụ. Design a meriri A' Design Award nke Ọlaọcha bụ ihe e mepụtara dị oke ịrịba ama, nke a na-eto nke na-erite uru ma na-ebuga oke nka, sayensị, design na teknụzụ n'ihu. Wrapped Volumes Ọfịs Ịre Ahịa bụ ihe e kere eke ọtụtụ ndị na-ekwo ekworo ya nke na-akpali ọchịchọ, na-eweta mmetụta ọma ma na-akpali ịtụnanya.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: Being a temporary structure, the idea was to reduce the cost and at the same time giving a visitor a sumptuous feel. Translating the movement of road and WRAPPING VOLUMES gives excellent vibrant spaces, where light and shadow play equally important roles in intensifying the geometry. The office weaves the landscape and structure by engaging visitor to transcend from exterior to interior spaces to experience a sumptuous character of compact interior spaces washed in natural light..
Nha & Mkpuchi: 15550mm x 10250mm x 4475 mm
Mkpado: Architecture, Commercial, Wrapped Volumnes, Design, Commercial Architecture,
Teknụzụ Mmepụta: The building is composite structure with partial metal columns and insulated corrugated sheet roofing along with partial R.C.C frame structure to support roof. Tinted Glass glazing enhances the floating mass levitated through metal columns. The facade is ribbed plaster manually crafted by local craftsman. The flooring is cement texture finished vitrified tiles, while landscape zone comprises of Kota Stone, along with paving blocks in the outdoor pathways and parking zone.
Ịma Aka Imepụta: It was difficult for local masons to understand and construct the structure with a complex geometrical form. To overcome this, we mapped the points on-site by erecting poles and tying a string to achieve the form. Secondly, the facade poses a ribbed plaster. Generally, plaster tends to fall off if hit hard. We tried to re-create the ratio of cement to sand until the plaster firmly adhered to the wall. A series of samples with different size and proportions were created as a part of the research.
Nchọpụta: We stared our initial research by understanding the immediate context and approach to the site to understand the flow of users . It was also important to keep in mind the typology of people visiting the building to retain hierarchy of public to private places. Analyzing the climatic factors to device the allocation of spaces to achieve diffused natural light into the interior spaces. It was very important to achieve a striking material aspects, responding to climate and local availability.
Mkpali: The site lacks specific context, at the same time the connecting approach road chops the site into a trapezoidal shape. We tried to transform this progressive movement of the road along the site into geometry by wrapping up the spaces into a continuous facade, With an intent where the structure lifts itself up from the ground and transforms itself into a dynamic geometry. Some parts of this wrap form a landscape layer, while others a protective skin, reducing the heat gain from the south.
Oge Ọrụ: The project started in November 2018 and got completed in February 2019, The Project is located in Bharuch, Gujarat, India
Usoro Ọrụ: As one enters, tones of grey on wall and floors are complemented by the outdoor greens of landscape, drawing an individual to a reception foyer. The sales area along the south side receives filtered light through the wrapped facade with minimal heating. Being a compact space, the passage along the north side with glass pane brings ample natural light giving a larger feel. The movement terminates at the director’s cabin, a lavish space with an outdoor deck and connecting green space.
Ndị Otu: Boney Keriwala, Alak Parmar, Taikhum Shaikh, Aadil Amla
Asụsụ Foto: Image courtesy : Panchkon Stills, Mr. Yash Parekh
Image #1 : Panchkon Stills
Image #2 : Panchkon Stills
Image #3 : Panchkon Stills
Image #4 : Panchkon Stills
Image #5 : Panchkon Stills