It's a Metaphor Tebụl nke Emanuele Di Bacco

Ihe emepụtara bụ It's a Metaphor Tebụl nke Emanuele Di Bacco bụ onye meriri a na-asọpụrụ nke ukwuu nke 2020 Ihe Nrite A' Design Award nke Bronz na Udi Asọmpi Nhazi Ngwá Ụlọ.

BronzNgwá Ụlọ· 2020

It's a Metaphor Tebụl

nke Emanuele Di Bacco

Onye Ahịa: Gladstone London

Onye Meriri Ihe Nrite A' Design Award nke Bronz na Udi Ngwá Ụlọ

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #96553

Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka It's a Metaphor Tebụl

Ihe oru ngo a na - ekpori onwe ya aka ebe o na - eme ka ndi mmadu mara banyere nha anya nwoke na nwanyi. Kpamkpam, ọ na-eji ụdị ntanetị nke na-esite na sumo, otu egwuregwu kachasị nke ụmụ nwoke na-eme na obodo Japan. Anaghị enye ụmụ nwanyị ike ịsọ asọmpi n'egwuregwu a nyere ụmụ nwoke na ụmụ nwanyị iwu metụtara mmekọrịta nwoke na nwanyị, nke na-egbochi ha n'azụ mgba mgba n'ihi adịghị ọcha ha n'ihi ọbara nwoke. Ibechapu dike agha n’ala, n’ite nke ifuru ahihia ma obu ihe ndi ozo choro ndi mmadu nwere, nwere ihe ojoo ma obu ihe ichoro.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Bronz

It's a Metaphor Tebụl meriri A' Design Award nke Bronz, nnabata dị oke ugwu e nyere design ndị pụtara ìhè nke a ma ama maka nzụlite ihe, ọgụgụ isi na nghọta. Ndị meriri na Bronz bụ ihe e mere nke ndị nwere nka nke ukwuu ma dị mma n'imepụta nke na-egosi ahụmahụ buru ibu, echiche na ọgụgụ isi nke ndị designer ha. A na-atụ anya na It's a Metaphor Tebụl ga-abụ ihe a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya, nke dị oke ọrụ ma dị ọhụrụ. Design a meriri A' Design Award nke Bronz na-agụnye ụzọ kacha mma n'ime nka, sayensị, design na teknụzụ, ma dị mma nke ukwuu maka nlebara anya ya n'obere ihe. It's a Metaphor Tebụl na-emezu mkpa nke ọma, na-emetụ ọchịchọ aka, na-adọrọ mmetụta obi ma na-adọta ọchịchọ ịmara.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: This is a furniture product able to speak and provoke, challenging with irony and a clumsy smile unethical behaviors of our times.
Nha & Mkpuchi: Measures are in mm.

Glass platform ø: 1800 / Glass platform thickness: 10 / Body with: 850 / Body height: 750 / Body depth: 1000
Mkpado: table, social design, equality of the sexes, Japan, sumo
Teknụzụ Mmepụta: 3D-printed assembled object. It can be produced either way with Eco-friendly 3D-printed Poly Lactic Acid filaments or carbon fibers. The structure is divided in multiparts, hand refined and assembled. Successively the whole body is glazed by immersion and finished with a vitreous enamel coating.
A round tempered glass is based on the structure and secured using discreet clear glass high-grip bumpers, specifically designed for the purpose.

The structural analysis take into consideration the chosen materials and the multipart splitting process, where every cut and internal printed reinforcements are made to dump and sustain the weight the structure will go through.
Ịma Aka Imepụta: The creative challenge of this project is to combine the practical function of a furniture piece and communication contents as a means of social commitment. Sumo wrestlers are so well regarded and revered in society to be almost considered as macho semi-gods in their country; placing one of them in a conscious submissive position -grateful and happy to help others- wishes to rebalance a more male-dominated thinking to a non-discriminatory one.
Nchọpụta: The main focus of this project -together with many pieces produced by our design studio- is to raise awareness about social rights and equal opportunity. Specifically, the target of our research was speaking about the equality of the sexes without being moralistic or patronising; in order to do this we chose to use irony and humour, two powerful rhetorical devices to convey a disputed concept without too much bloodshed.
Mkpali: "The piece of wood came alive and it was able to speak". That's pretty much what happened to Carlo Collodi's Pinocchio; likewise, adding communication contents to a product, gives this object an identity and the ability to speak to people.
This project is poking fun at itself while aim to raise social awareness on equality of the sexes. Specifically, it uses a metaphor which springs from sumo, one of the most male dominated sport in the Japanese society. Women are not allowed to compete professionally in this sport given sexist rules, which by tradition border them outside the wrestling ring as a result of their "impurity" by reason of the menstrual blood.
Knocking a sumo warrior to the ground at the service of a flower pot -or any other need people may require from a table- ironically desecrates this macho dominance still present in some traditions.
Oge Ọrụ: The project has started in December 2019 in London and finished, as it is shown, in February 2020. Currently, the table has a unique prototype and will be ready to be produced and launched serially in May 2020.
Usoro Ọrụ: A table which can hosts up to 10 seaters. Ideal to be placed wherever an open minded spirit is at home.
Patentị: Copyrights belong to Emanuele Di Bacco
Ndị Otu: Emanuele Di Bacco