Wụga na ọdịnaya
Zig Stool nke Jules S. Jaffe

Ihe emepụtara bụ Zig Stool nke Jules S. Jaffe bụ onye meriri a na-asọpụrụ nke ukwuu nke 2020 Ihe Nrite A' Design Award nke Igwe na Udi Asọmpi Nhazi Ngwá Ụlọ.


IgweNgwá Ụlọ· 2020

Zig Stool

nke Jules S. Jaffe

Onye Ahịa: Jules S. Jaffe

Onye Meriri Ihe Nrite A' Design Award nke Igwe na Udi Ngwá Ụlọ

11,839

Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #89459

Agba

Nhazi a

Maka Zig Stool

Nhazi ahụ sitere n'ike mmụọ nsọ site n'ọchịchọ igosi ihe ndị pụrụ iche nke osisi na ihe mgbagwoju anya nke teknụzụ chọrọ ma ịma mma na ịrụ ọrụ. Nye Jules S. Jaffe, nke a bụ ihe ịma aka nke imepụta ngwá ụlọ. Ihe ịma aka ebe a bụ inye nkwụsi ike na ike iji nabata mmetụta nke ịdị mfe na esemokwu na nhazi ikpeazụ. Ihe stool na-esi na ya pụta nwere ike ihe atụ mana ọ nwekwara mmetụta nke ịdị nro na ịdị jụụ nke geometry, malitere na Pythagoreans nke onye nrụpụta sitere na ya.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Igwe

Zig Stool meriri A' Design Award nke Igwe, nnabata dị ugwu e nyere design ndị dị mma nke na-emezu ihe ndị a chọrọ n'ọrụ na ụlọ ọrụ nke a na-atụ anya n'ihe e kere eke ndị e mere nke ọma. Ndị meriri na Igwe na-egosi nka buru ibu, ọkachamara dị elu, nghọta ọkachamara na ikike imepụta nke ndị kere ha. A na-atụ anya na Zig Stool ga-abụ ihe e kere eke a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya nke bụ ihe bara uru ma dị ọhụrụ. Design a meriri A' Design Award nke Igwe na-ejikọta ụzọ kacha mma nke ụlọ ọrụ ma nwee àgwà teknụzụ kwesịrị ekwesị jikọtara na ihe ọmụma na talent. A na-asọpụrụ Zig Stool maka nlezianya ya ma e mere ya ka ọ nye mmeziwanye ndụ nke na-enyere aka ime ka ụwa bụrụ ebe ka mma.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche
The stool employs a unique triple mitered joint that did not exist before. The challenge here was to provide enough stability and strength to accommodate a feeling of lightness and tension in the final design.
Nha & Mkpuchi
505 x 185 x 180
Mkpado
stool, chair, sitting device
Teknụzụ Mmepụta
The design was realized in maple because it has the requisite capability to be accurately cut without worrying about splintering. This is actually version 4.2 that took place over 2 years with a variety of materials (oak) and a variety of machining techniques. Ultimately, a set of table saw fixtures that were precisely measured and inclined were used to have the surface meet with extremely high accuracy. The challenge with any cantilever is strength and stability. Hence the large mating surfaces. There are no screws or any other metal parts used in construction. Only wood. Purity of materials was a prime consideration.
Ịma Aka Imepụta
The continuous challenge of creating functional items that are also aesthetically pleasing is a constant challenge. Research in form, function and the engineering needed to accomplish the mutual goals of fulfilling those aspirations is a constant pursuit. Ancient concepts related to the golden triangle and its harmony with human perception is related to the construction of this stool as it incorporates a triangular structure that also needs to be extremely stable. The final realization was an exercise in precise and multi-dimensional angles.
Nchọpụta
As with all projects the tension between good design and stability and strength in construction is paramount. In this case, many of the preliminary designs, when constructed cracked under the weight of the sitter. In addition, since the surface between the base and the supporting rod and the supporting rod and the seat are not orthogonal, it took a great deal of geometric reasoning to make those top and bottom surfaces parallel, as in any design close to this.
Mkpali
Overall the stool is an homage to Gerrit Rietveld. However it incorporates a Zen-like feeling of peacefulness and rest but with the tension of a cantilever. Hence, it uses contrasting elements to achieve its unique design. The stool inspires sitting upright in a meditative position and is also excellent for artists such as guitarists and cellists to use as it has no protruding parts and the base retracts from the seat edge. It is very stable but allows freedom of movement.
Oge Ọrụ
The project took 2 years to execute in a workshop in La Jolla, CA, USA.
Usoro Ọrụ
Simply sit on it.
Patentị
None
Ndị Otu
Jules S. Jaffe (only)
Asụsụ Foto
Image # 1: Jules S. Jaffe, 2019.
Optional image #2 Jules S. Jaffe, 2019.

Nkwado

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