Shanxiao Sales Pavilion Ụlọ Ọrụ Ire Ahịa nke Larry Wen

Ihe emepụtara bụ Shanxiao Sales Pavilion Ụlọ Ọrụ Ire Ahịa nke Larry Wen bụ onye meriri a na-asọpụrụ nke ukwuu nke 2020 Ihe Nrite A' Design Award nke Ọlaedo na Udi Asọmpi Nhazi Ụlọ Owu, Ụlọ na Ihe Owuwu.

ỌlaedoỤlọ Owu· 2020

Shanxiao Sales Pavilion Ụlọ Ọrụ Ire Ahịa

nke Larry Wen

Onye Ahịa: Aoe

Onye Meriri Ihe Nrite A' Design Award nke Ọlaedo na Udi Ụlọ Owu

60,582

Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #87169

Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Shanxiao Sales Pavilion Ụlọ Ọrụ Ire Ahịa

Onye na-ese ụkpụrụ ahụ chọrọ ka ndị ọbịa nwee ahụmahụ echiche nka nke 'ịzọbe n'okike.' Ọrụ a niile nwere akụkụ abụọ, ụlọ ọrụ ire ahịa na mpaghara azụmahịa. Ụlọ ọrụ ire ahịa bụ obere akụkụ nke ụlọ ahụ, mana e ji ụdị ịma mma dị oke mma na nke dị nro rụọ ya. E debere ya n'ụzọ okike ma zobe ya n'okike, si otú a gosipụta echiche nke 'ịnọpụ iche.'

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Ọlaedo

Shanxiao Sales Pavilion Ụlọ Ọrụ Ire Ahịa meriri A' Design Award nke Ọlaedo, nnabata dị oke ugwu e nyere design ndị dị n'ọkwa mbụ, dị ịtụnanya ma pụtara ìhè. Ndị meriri na Ọlaedo bụ ihe e kere eke dị oke ọhụrụ, nwere ọhụụ ma na-egbu maramara nke na-egosipụta ọgụgụ isi, amamihe na nka nke ndị designer ha. A na-atụ anya na Shanxiao Sales Pavilion Ụlọ Ọrụ Ire Ahịa ga-abụ ihe e mepụtara kacha enweta otuto, na-edu ọnọdụ ma bụrụ ihe ncheta nke na-enye uru na-adịbeghị mgbe ọ bụla. Design a meriri A' Design Award nke Ọlaedo bụ ọrụ dị ebube, a na-asọpụrụ nke na-erite uru buru ibu ma na-ebuga oke nka, sayensị, design na teknụzụ n'ihu. Shanxiao Sales Pavilion Ụlọ Ọrụ Ire Ahịa na-eweta mmetụta ọchịchọ siri ike, na-akpali agụụ, na-akwado nzụlite ihe ma na-adọrọ anyị adọrọ.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: The designer refined the traditional architectural culture and natural landscape of Nanshan as the main tempo, and used modern technical language and artistic creation techniques to transform it into our architectural language, so that visitors can experience the artistic conception of hidden in the nature.
Nha & Mkpuchi: Width 19800mm x Depth 19800mm x Height 12400mm
Mkpado: curtain wall, fog, poetry, lifestyle
Teknụzụ Mmepụta: The facade uses the perforated plate as the louver to protect the sunshine, and the shape of louver is inspired by the cloud of Nanshan. The perforated leaves float around the curtain wall. It resembles a long scroll landscape painting, and its changes show the shape of the clouds and fog that stretches in the Nanshan. The glass curtain walls with gradual mist and perforated louvers are integrated so that the whole building seems floating in the clouds.
Ịma Aka Imepụta: The project is located in Nanshan, Chongqing. Nanshan located on the south bank of the Yangtze River in Chongqing which has a wealth of tourism resources including natural scenery, cultural landscape and specialties. In recent years, Nanshan has successively appeared some commercial buildings with cultural connotations such as bookstores and homestays. These buildings are simple in design and distinctive in shape, which has made Nanshan gradually become a synonym for elegant and introverted. And its artistic conception is correspond to Tao's poetry.
Nchọpụta: At the same time, there are spraying device will create fog around the building everyday. It makes the natural fog become another layer facade for the building, creating a wonderland of Nanshan. The building is not only an architecture but a cultural event.
Mkpali: The entire project has two parts, the sales office and the commercial part. The sales office has small scale but exquisite and delicate. It is naturally engraved and hidden in nature, thus highlighting the concept of seclusion.
Oge Ọrụ: The project started in 2018 and finished in August 2019 in Chongqing, China.
Usoro Ọrụ: As a major theoretical perspective within sociology, symbolic interaction helps us understand how the designed physical environment and the self are intertwined, with one potentially influencing and finding expression in the other; how architecture contains and communicates our shared symbols; and how we assign agency to some of our designed physical environment, which then invites in a different kind of self-reflection.
Ndị Otu: Larry Wen, Liu Chen,Li Pengyong, Niu Zhuojun, Yang Kaiqi
Asụsụ Foto: Ligang Huang