Ihe emepụtara bụ The House for Contemporary Art Ebe Obibi nke Ryumei Fujiki & Yukiko Sato bụ onye meriri a na-asọpụrụ nke ukwuu nke 2016 Ihe Nrite A' Design Award nke Ọlaedo na Udi Asọmpi Nhazi Ụlọ Owu, Ụlọ na Ihe Owuwu.
ỌlaedoỤlọ Owu· 2016
The House for Contemporary Art Ebe Obibi
nke Ryumei Fujiki & Yukiko Sato
Onye Ahịa: F.a.d.s
Onye Meriri Ihe Nrite A' Design Award nke Ọlaedo na Udi Ụlọ Owu
Onye Meriri Onyinye A Kwadoro
Nyochaa Ọnọdụ Onyinye maka #42791Nhazi a
Maka The House for Contemporary Art Ebe Obibi
Emebere ụlọ a maka onye na-ekele nka na onye na-ese ihe na-amu amu nke chọrọ "ụlọ dị ka ebe ngosi nka nka". N'ịbụ nke e mere atụmatụ iji nlezianya tụlee maka mgbasa ikuku yana maka ihu igwe siri ike na nke snow nke ụsọ oké osimiri Japan, ihe owuwu ahụ bụ igbe ọcha nke ọnụ ọgụgụ dịgasị iche iche nke na-eke oghere dị ka foto. Otu n'ime echiche ndị bụ isi bụ & # 039;Seamless Spatial Composition& #039 ;. Ị nwere ike ịgbasa n'ime oghere dị n'ụlọ a na-ele anya nchịkọta ihe osise nke onye nwe ya dị ka a ga-asị na ị na-agafe na veranda na ụlọ ngosi ihe mgbe ochie.
Nkwanye Ugwu
Maka Ihe Nrite A' Design Award nke Ọlaedo
The House for Contemporary Art Ebe Obibi meriri A' Design Award nke Ọlaedo, nnabata dị oke ugwu e nyere design ndị dị n'ọkwa mbụ, dị ịtụnanya ma pụtara ìhè. Ndị meriri na Ọlaedo bụ ihe e kere eke dị oke ọhụrụ, nwere ọhụụ ma na-egbu maramara nke na-egosipụta ọgụgụ isi, amamihe na nka nke ndị designer ha. A na-atụ anya na The House for Contemporary Art Ebe Obibi ga-abụ ihe e mepụtara kacha enweta otuto, na-edu ọnọdụ ma bụrụ ihe ncheta nke na-enye uru na-adịbeghị mgbe ọ bụla. Design a meriri A' Design Award nke Ọlaedo bụ ọrụ dị ebube, a na-asọpụrụ nke na-erite uru buru ibu ma na-ebuga oke nka, sayensị, design na teknụzụ n'ihu. The House for Contemporary Art Ebe Obibi na-eweta mmetụta ọchịchọ siri ike, na-akpali agụụ, na-akwado nzụlite ihe ma na-adọrọ anyị adọrọ.
N'azụ Nhazi a
Ngwugwu Mgbasa Ozi
Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.
- Àgwà Pụrụ Iche
- SEAMLESS SPATIAL COMPOSITION
You can circulate through the spaces in this home looking at the owner’s collection of artwork just as if you were passing through galleries in a museum.
RESPONSE TO THE ENVIRONMENT
The first was dealing with the snow. In regions with heavy snow, the shape of the roof is very important. Many homes are built on the assumption that someone will shovel the snow off the roof, but that’s a lot of heavy work, and dangerous. We decided on a flat roof with no parapet that would stay relatively snow-free because of wind action.
Our second thing was to create good airflow. - Nha & Mkpuchi
- Site Area 246.48 sqm / Building Area 137.10 sqm / Total Floor Area 135.56 sqm
- Mkpado
- House like an Art Museum, Seamless Spatial Composition, Response to the Environment (Nature), Dealing with the Snow, Natural Ventilation
- Teknụzụ Mmepụta
- Reinforced Concrete 1 Story
- Ịma Aka Imepụta
- To encourage natural ventilation, we created a temperature differential by designing two gardens, one on the south side that would warm up easily, and one on the north side that would remain cool. This is a traditional design method used in Kyoto townhouses.
- Nchọpụta
- It goes without saying that our top priority was fulfilling the client’s wishes. We began by measuring the many works of art that the client had created and collected over the years. Next, we held a number of planning meetings to discuss where to display each work of art, among other issues. For instance, we determined the height of the living room ceiling based on the wall size that could accommodate a painting measuring over 1.5 x 1 meter. In addition to the art collection, the client also has a large number of old records, mostly jazz. It was important for us to figure out a way to display them.
- Mkpali
- We designed this home for an art appreciator and amateur artist who wanted a house like an art museum. Planned with careful consideration for air circulation as well as for the harsh, snowy climate of the Japan Sea coast, the structure is composed of white boxes of varying scale that frame spaces like pictures.
- Oge Ọrụ
- Fukui Prefecture, JAPAN
- Usoro Ọrụ
- You can circulate through the spaces in this home looking at the owner’s collection of artwork just as if you were passing through galleries in a museum.
- Ndị Otu
- Ryumei Fujiki
Yukiko Sato
Yasutaka Konishi (Structural Engineer)
Osamitsu Kagenaga (MEP/FP Engineer)
Kazuo Shuto (Electrical Engineer)
Matsuta Koumuten Co., Ltd. (Contractor)
Kazunari Yamada (Constr. Manager)
Eijiro Yamagata (Constr. Manager)
Hiroshi Ueda (Photographer) - Asụsụ Foto
- Hiroshi Ueda, F.A.D.S
Nkwado
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