Ihe emepụtara bụ House In Mise Ụlọ nke Tomomi Omachi bụ onye meriri a na-asọpụrụ nke ukwuu nke 2026 Ihe Nrite A' Design Award nke Bronz na Udi Asọmpi Nhazi Ụlọ Owu, Ụlọ na Ihe Owuwu.

BronzỤlọ Owu· 2026

House In Mise Ụlọ

nke Tomomi Omachi

Onye Meriri Ihe Nrite A' Design Award nke Bronz na Udi Ụlọ Owu

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #182293

Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka House In Mise Ụlọ

House In Mise bụ mmezigharị nke ụlọ obibi ime obodo Japan ọdịnala nke dị na ndagwurugwu osimiri na Mitsuse, Saga Prefecture. Ọrụ a na-eweghachi ịdị ọcha nke oghere nke usoro osisi mbụ ahụ ma na-ejikọghachi ndụ kwa ụbọchị na oke ọhịa gbara ya gburugburu na mmiri na-asọ asọ. Oghere ndị e debere nke ọma, elu ụlọ miri emi na-agbatị apụ, na oghere mgbanwe ndị e doziri n'ọkwa n'ọkwa na-enye ohere ka ìhè, onyinyo, na mgbanwe oge dị iche iche kpụzie gburugburu ime ụlọ ahụ. Ihe ndị e si n'ógbè ahụ nweta gụnyere osisi cedar, hinoki cypress, ahịhịa riidi, nkume granite, na shoji e ji aka mepụta na-eme ka ndakọrịta na ihu igwe na ezi eziokwu nke ihe eji arụ ọrụ sikwuo ike.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Bronz

House In Mise Ụlọ meriri A' Design Award nke Bronz, nnabata dị oke ugwu e nyere design ndị pụtara ìhè nke a ma ama maka nzụlite ihe, ọgụgụ isi na nghọta. Ndị meriri na Bronz bụ ihe e mere nke ndị nwere nka nke ukwuu ma dị mma n'imepụta nke na-egosi ahụmahụ buru ibu, echiche na ọgụgụ isi nke ndị designer ha. A na-atụ anya na House In Mise Ụlọ ga-abụ ihe a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya, nke dị oke ọrụ ma dị ọhụrụ. Design a meriri A' Design Award nke Bronz na-agụnye ụzọ kacha mma n'ime nka, sayensị, design na teknụzụ, ma dị mma nke ukwuu maka nlebara anya ya n'obere ihe. House In Mise Ụlọ na-emezu mkpa nke ọma, na-emetụ ọchịchọ aka, na-adọrọ mmetụta obi ma na-adọta ọchịchọ ịmara.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: This project is a renovation of a traditional Japanese rural house that reorients daily living toward forest and river through spatial layering, light modulation, and material authenticity. By retaining the existing timber structure and integrating engawa-like thresholds with locally sourced materials, it achieves environmental continuity, sensory depth, and long-term sustainability.
Nha & Mkpuchi: Renovation of an existing traditional Japanese timber residence located in Mitsuse, Saga Prefecture, Japan. The project preserves the original wooden structural frame while introducing new timber openings, shoji-lined windows, and expanded terraces. Materials include local cedar columns, knot-free hinoki flooring, reed ceilings, and granite paving. Passive environmental strategies include cross-ventilation, deep eaves, and interior–exterior continuity to moderate seasonal climate conditions.
Mkpado: Architectural renovation, Residential architecture, Adaptive reuse, Japanese architecture, Engawa reinterpretation, Landscape-integrated design, Climate-responsive architecture, Material authenticity
Teknụzụ Mmepụta: The project was realized through adaptive reuse of an existing post-and-beam timber structure, retaining approximately 80% of the original frame. Traditional Japanese carpentry and joinery were combined with precise contemporary detailing to recalibrate openings, deep eaves, and spatial thresholds. Locally sourced cedar, hinoki cypress, reed, granite, and handcrafted shoji paper were integrated to ensure climatic compatibility, material longevity, and seamless interior–exterior continuity.
Ịma Aka Imepụta: The primary challenge was reconciling contemporary living requirements with the preservation of a deteriorated traditional timber structure whose original spatial coherence had been lost through incremental alterations. Structural limitations, regulatory constraints on renovation, and climatic demands of a humid mountain valley required precise intervention. The project demanded selective demolition, careful structural repair, and the reinterpretation of traditional spatial principles to restore environmental continuity without erasing historical character.
Nchọpụta: Type of Research: Contextual architectural design research.
Research Objectives: To explore how traditional Japanese architecture can reconnect daily life with nature.
Methodology: Long-term site observation and iterative renovation design.
Data Collection and Tools: Climate analysis, spatial studies, material testing, and architectural drawings.
Participants: Architect and client collaboration over five years.
Results: A restored house integrating light, river, forest, and seasonal change.
Insights and Impact: Demonstrates how culturally rooted renovation can improve well-being and sustainable living.
Mkpali: The project was inspired by traditional Japanese residential architecture, where light, shadow, and seasonal change shape daily life, and by the site’s forested river landscape in Mitsuse, Saga Prefecture. The client’s desire for refuge from urban intensity prompted a research-based approach to spatial layering, engawa reinterpretation, and material authenticity, integrating climate-responsive design and local craftsmanship to restore continuity between dwelling and nature.
Oge Ọrụ: The project is located in Mitsuse, Saga Prefecture, Japan, within a mountainous river valley in northern Kyushu. Design development and construction were carried out as a comprehensive renovation process, with the project completed in 2025 following an extended period of site analysis, design coordination, and on-site craftsmanship.
Usoro Ọrụ: The house is experienced through a gradual sequence between interior and nature. Large sliding openings connect the lounge, dining area, and guest spaces to terraces facing the river and surrounding forest. Light, wind, and seasonal landscape continuously transform the atmosphere throughout the day. The design encourages slow movement and quiet observation, allowing daily life to unfold in direct relationship with natural sound, light, and climate.
Patentị: Architectural design copyright: Tomomi Omachi / tou., 2026. Photographs copyright: Tatsuya Tabii, 2026.
Ndị Otu: Tomomi Omachi
Asụsụ Foto: Image #1: Photographer Tatsuya Tabii, House in Mise, 2025.
Image #2: Photographer Tatsuya Tabii, House in Mise, 2025.
Image #3: Photographer Tatsuya Tabii, House in Mise, 2025.
Image #4: Photographer Tatsuya Tabii, House in Mise, 2025.
Image #5: Photographer Tatsuya Tabii, House in Mise, 2025.