Ihe emepụtara bụ Kinuta Ụlọ Obibi nke Nobuaki Miyashita bụ onye meriri a na-asọpụrụ nke ukwuu nke 2026 Ihe Nrite A' Design Award nke Bronz na Udi Asọmpi Nhazi Ụlọ Owu, Ụlọ na Ihe Owuwu.

BronzỤlọ Owu· 2026

Kinuta Ụlọ Obibi

nke Nobuaki Miyashita

Onye Ahịa: AIDA SEKKEI Co., Ltd.

Onye Meriri Ihe Nrite A' Design Award nke Bronz na Udi Ụlọ Owu

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #181404

Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Kinuta Ụlọ Obibi

Kinuta bụ ụlọ obibi e wuru n'ala dị warara n'ime obodo mepere emepe na Tokyo, Japan. Saịtị ahụ dị mita 3.6 n'obosara, ma iwu ndịda azụ (setback) na-ebelata ihu ala a na-eji arụ ọrụ ka ọ dị n'okpuru mita 2.6. E debere ebe obibi, ebe iri nri na kichin n'elu ụlọ nke abụọ iji nweta nzuzo na ìhè anyanwụ si na ndịda. Ogige gbara mgbidi nke nwere elu osisi (timber deck) na mgbidi akwụkwọ ndụ ndụ a kụrụ akụ na-eme ka mpaghara ndịda azụ ahụ bụrụ ọnụ ụlọ dị n'èzí dị jụụ. Ọnụ ụzọ mbata, paseeji na steepụ na-emebe usoro kwụ ọtọ nke na-emesi omimi ike. Mgbochi ceramic gbara ọchịchịrị nwere usoro njikọ akọrọ (dry joint system) na-eme ka njikọ ndị dị n'ihu ụlọ gaa n'ihu na-akwụsịghị akwụsị, gụnyere na nkuku ya.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Bronz

Kinuta Ụlọ Obibi meriri A' Design Award nke Bronz, nnabata dị oke ugwu e nyere design ndị pụtara ìhè nke a ma ama maka nzụlite ihe, ọgụgụ isi na nghọta. Ndị meriri na Bronz bụ ihe e mere nke ndị nwere nka nke ukwuu ma dị mma n'imepụta nke na-egosi ahụmahụ buru ibu, echiche na ọgụgụ isi nke ndị designer ha. A na-atụ anya na Kinuta Ụlọ Obibi ga-abụ ihe a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya, nke dị oke ọrụ ma dị ọhụrụ. Design a meriri A' Design Award nke Bronz na-agụnye ụzọ kacha mma n'ime nka, sayensị, design na teknụzụ, ma dị mma nke ukwuu maka nlebara anya ya n'obere ihe. Kinuta Ụlọ Obibi na-emezu mkpa nke ọma, na-emetụ ọchịchọ aka, na-adọrọ mmetụta obi ma na-adọta ọchịchọ ịmara.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: A premium residence for a family of three on an "eel's bed" plot. Although the site is 3.6 m wide, setback rules reduce the effective frontage to under 2.6 m. The LDK is lifted to the second floor for privacy and southern daylight, while a walled courtyard with a timber deck and green walls turns the setback zone into a calm outdoor room. A continuous frame integrates the boundary wall, balcony, and eaves, giving a strong identity to a minimal frontage.
Nha & Mkpuchi: Site area 54.97 m2. Building area 27.48 m2. Total floor area 54.96 m2. Building frontage 2680 mm. Long narrow site approx. 3.6 m by 15 m. Eaves height from design GL 6.810 m. Main living, dining, and kitchen on the second floor. Courtyard and deck within the setback zone.
Mkpado: Narrow House, Urban Infill, Courtyard, Setback Strategy, Second Floor Living, Privacy and Daylight, Dry Joint Facade, Compact Residence, Tokyo Housing
Teknụzụ Mmepụta: The exterior uses dark ceramic siding designed for a dry joint system. The panel module and joint layout were coordinated from the early design stage to keep the joint rhythm continuous, including at corners. A white post and nameplate, together with dark metal fittings, are composed as sharp accents. Inside, the courtyard deck and planted green walls form a durable interface between interior life and an outdoor retreat.
Ịma Aka Imepụta: The hardest challenge was achieving comfort and dignity within severe statutory limits. Facing a 4 m wide road, the building was tightly controlled by slant plane and setback regulations, with no relaxation available and sky factor use not permitted. At the same time, close neighbors required strong privacy. The design responds by lifting the LDK, inserting a walled courtyard, and refining facade joints to maintain architectural tension at a very small scale.
Nchọpụta: ype of research: Applied design research for compact housing. Objective: Maximize daylight, privacy, and perceived spaciousness under strict setback rules. Methodology: Iterative massing studies, section checks, and module studies for dry joint cladding. Tools: Sketches, scaled models, and CAD. Results: A second floor LDK and a setback courtyard that add light and a private outdoor room, plus a facade with a continuous joint rhythm. Impacts: A transferable approach for premium living on narrow urban plots.
Mkpali: The project was driven by a question: how can a very narrow house feel generous without relying on tricks? In dense Tokyo neighborhoods, privacy and sunlight are often traded off. By moving the living spaces upward and carving a courtyard within the regulatory setback, the house gains light, air, and a personal exterior space. The facade detailing was inspired by product-like precision, with dry-joint planning from the earliest design stage to keep corners crisp.
Oge Ọrụ: Designed and completed in Setagaya (Kinuta), Tokyo, Japan.
Usoro Ọrụ: A linear sequence begins at the entrance and continues as a corridor and stair, emphasizing depth on the narrow plot. Arrival to the second floor LDK opens to southern light and a private courtyard. Daily living extends to the timber deck and green walls. The continuous frame unifies the balcony, eaves, and boundary wall, defining the home's compact yet premium character.
Patentị: All images and project content are Nobuaki Miyashita / MR STUDIO Co.,Ltd.
Asụsụ Foto: Image #1: Nobuaki Miyashita
Image #2: Nobuaki Miyashita
Image #3: Nobuaki Miyashita
Image #4: Nobuaki Miyashita
Image #5: Nobuaki Miyashita