2025 Kaohsiung XR Dreamland Nhazi Ngosipụta nke Fundesign.tv

Ihe emepụtara bụ 2025 Kaohsiung XR Dreamland Nhazi Ngosipụta nke Fundesign.tv bụ onye meriri a na-asọpụrụ nke ukwuu nke 2026 Ihe Nrite A' Design Award nke Igwe na Udi Asọmpi Nhazi Mmemme na Ihe Omume.

IgweMmemme· 2026

2025 Kaohsiung XR Dreamland Nhazi Ngosipụta

nke Fundesign.tv

Onye Ahịa: Kaohsiung film archive

Onye Meriri Ihe Nrite A' Design Award nke Igwe na Udi Mmemme

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Nyochaa Ọnọdụ Onyinye maka #180307

Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka 2025 Kaohsiung XR Dreamland Nhazi Ngosipụta

2025 Kaohsiung XR Dreamland bụ nhazi ngosipụta emere maka usoro ihe nkiri na-emikpu mmadụ na Kaohsiung, Taiwan. Nhazi ahụ kpuchiri ihe dị ka square mita 1,000 ma nwee ụlọ ntụrụndụ ahụmahụ 22 nke ọ bụla ha square mita 3 ruo 12. Ụlọ ntụrụndụ ọ bụla na-agbatị ọdịnaya mebere eke nke usoro nke ya n'ụdị anụ ahụ, ebe otu isiokwu ọdịnihu nwere ụdị ochie na-ejikọ ụlọ ntụrụndụ ndị ahụ dị ka ụlọ ihe nkiri dị iche iche. Akụkụ gbagọrọ agbagọ dị nro, acrylic na-egosipụta onyinyo na panel LED na-ahụ anya na-akpụ ọnụ ụzọ mbata na-enwu enwu na ụlọ ire tiketi ụdị ochie. Ụzọ ahụ na-eduzi ndị ọbịa nwayọọ nwayọọ site n'eziokwu banye n'ụwa ndị emebere eke.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Igwe

2025 Kaohsiung XR Dreamland Nhazi Ngosipụta meriri A' Design Award nke Igwe, nnabata dị ugwu e nyere design ndị dị mma nke na-emezu ihe ndị a chọrọ n'ọrụ na ụlọ ọrụ nke a na-atụ anya n'ihe e kere eke ndị e mere nke ọma. Ndị meriri na Igwe na-egosi nka buru ibu, ọkachamara dị elu, nghọta ọkachamara na ikike imepụta nke ndị kere ha. A na-atụ anya na 2025 Kaohsiung XR Dreamland Nhazi Ngosipụta ga-abụ ihe e kere eke a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya nke bụ ihe bara uru ma dị ọhụrụ. Design a meriri A' Design Award nke Igwe na-ejikọta ụzọ kacha mma nke ụlọ ọrụ ma nwee àgwà teknụzụ kwesịrị ekwesị jikọtara na ihe ọmụma na talent. A na-asọpụrụ 2025 Kaohsiung XR Dreamland Nhazi Ngosipụta maka nlezianya ya ma e mere ya ka ọ nye mmeziwanye ndụ nke na-enyere aka ime ka ụwa bụrụ ebe ka mma.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: Kaohsiung’s remarkable journey from a heavy-industry port city to Asia’s XR innovation hub is the core inspiration behind XR DREAMLAND. Since 2017, when the Kaohsiung Film Festival launched Taiwan’s first VR program, the city has embraced immersive storytelling with bold vision and passion. At the Pier-2 Art Center, it established the permanent VR FILM LAB, which has grown into one of the largest XR immersive platforms in Asia, shaping Kaohsiung’s cultural identity around creative technology.
Nha & Mkpuchi: Within an approximately 1,000-square-meter space, the exhibition features 22 XR experience booths, ranging from 3 to 12 square meters. Each booth is independently designed by physically extending its specific virtual XR content into the real world. Unified under a central Future Retro theater framework, these varied spatial installations are cohesively presented as individual cinema halls.
Mkpado: XR, DREAMLAND, Film Festival, Kaohsiung, Pier 2 Art Zone, VR, MR, AR, fundesign
Teknụzụ Mmepụta: The design team employs immersive narrative to bring the Crossborder Reincarnation concept to life. Utilizing a Future Retro aesthetic, the spatial execution contrasts a nostalgic exterior—such as the vintage ticket booth—with avant-garde, high-tech exhibition interiors. By juxtaposing these distinct temporal elements, the architecture functions as a dimensional portal. This curated pacing guides visitors from reality into the XR realm, establishing design as a language of the future.
Ịma Aka Imepụta: The primary internal challenge was synthesizing diverse cultural perspectives into a unified Future Retro narrative. They addressed this through deep interviews, digital collaboration tools, and frequent meetings, ensuring local creative concepts were respected. Externally, technical hardware constraints were significant. They utilized 16-panel transparent LED arrays to create a ship bridge entrance. This achieved spatial permeability, allowing visitors to glimpse the XR realm while maintaining a high-tech aesthetic that balanced production limitations with immersive design.
Nchọpụta: Our research profiled Pier2 visitors and XR enthusiasts to design a seamless transition between realities. They employed trend analysis, benchmarking Tesla’s unique coffee shop for its blend of futuristic aesthetics and functionality. By observing visitor flows and preferences, They identified that a future retro style effectively lowers technological barriers. Results proved this design language invites exploration, turning space into a communal interface. This directly contributed to record-breaking attendance, validating that intuitive design makes complex tech accessible.
Mkpali: Inspired by the concept of Future Vintage, the design reinterprets the romantic futurism of the 1950s to 1970s: streamlined curves, metallic gleam, and cosmic aspirations. From the glowing entrance to the dramatic ticket booth and screening area, nostalgia and avant-garde aesthetics intertwine. Grand light gates, retro sci-fi details, transparent LEDs, and mirrored acrylic create a theatrical atmosphere, while flowing pathways gradually blur the line between physical and virtual realms.
Oge Ọrụ: The Kaohsiung film festival xr dreamland exhibition was held at Warehouse P3 of the Pier-2 Art Center in Kaohsiung, Taiwan, from October 10 to October 26, 2025.
Usoro Ọrụ: To maximize physical presence, the design focused on creating a visually striking entrance and ticket booth. This strategic architectural attraction served as a high-conversion funnel, guiding visitors from curiosity to entry. As the primary touchpoint, the Future Retro facade’s captivating aesthetic drove foot traffic and directly translated visitor engagement into a record-breaking box office performance of over one million dollars, surpassing all previous festival records.
Ndị Otu: GM: Carrie Chang
Project Director: SK Chen
3D Designer: Peijou Wu
Coordinator: Esther Chen