Aqua Continuum Set Ọla nke Anurag Sapkota

Ihe emepụtara bụ Aqua Continuum Set Ọla nke Anurag Sapkota bụ onye meriri a na-asọpụrụ nke ukwuu nke 2026 Ihe Nrite A' Design Award nke Bronz na Udi Asọmpi Nhazi Ọla Ịchọ Mma.

BronzỌla Ịchọ Mma· 2026

Aqua Continuum Set Ọla

nke Anurag Sapkota

Onye Ahịa: Elysign Digital LLP

Onye Meriri Ihe Nrite A' Design Award nke Bronz na Udi Ọla Ịchọ Mma

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #180109

Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Aqua Continuum Set Ọla

Aqua Continuum bụ set ọla nke nwere ihe nkwụgide olu, ụzọ ntị abụọ, na mgbanaka, nke e mepụtara site na iji elu na-asọ asọ, nke gbagọrọ ugboro abụọ ma pịaa apịa iji nyochaa ịdịgide na ngagharị nke a na-achịkwa na geometric nke akụkụ atọ. E jiri blue topaz nke e bipụrụ ka emerald n'ime ihe ọ bụla. A họọrọ nkume ahụ maka agba acha anụnụ anụnụ ya na njikọta anya ya na mmiri. Nkume ndị na-akwado dị iche iche n'ụhara ma e doziri ha site na iji ụkpụrụ nkwakọba okirikiri. Nhazi a na-emepụta usoro parametric nke na-emepụta ọhịa nke njụpụta na nguzozi anya na-eto eto n'akụkụ niile nke ọla ahụ.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Bronz

Aqua Continuum Set Ọla meriri A' Design Award nke Bronz, nnabata dị oke ugwu e nyere design ndị pụtara ìhè nke a ma ama maka nzụlite ihe, ọgụgụ isi na nghọta. Ndị meriri na Bronz bụ ihe e mere nke ndị nwere nka nke ukwuu ma dị mma n'imepụta nke na-egosi ahụmahụ buru ibu, echiche na ọgụgụ isi nke ndị designer ha. A na-atụ anya na Aqua Continuum Set Ọla ga-abụ ihe a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya, nke dị oke ọrụ ma dị ọhụrụ. Design a meriri A' Design Award nke Bronz na-agụnye ụzọ kacha mma n'ime nka, sayensị, design na teknụzụ, ma dị mma nke ukwuu maka nlebara anya ya n'obere ihe. Aqua Continuum Set Ọla na-emezu mkpa nke ọma, na-emetụ ọchịchọ aka, na-adọrọ mmetụta obi ma na-adọta ọchịchọ ịmara.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: Aqua Continuum is a jewellery set composed of a pendant, earrings and a ring, developed through fluid, doubly curved and seamlessly folded forms to express continuity and movement. Emerald-cut blue topaz is used to evoke the visual coolness and calm of water. Supporting gemstones vary significantly in size and are organized using circle-packing principles, creating an organic field of density and rhythm.
Nha & Mkpuchi: Jewellery set consisting of a ring od size US 6, the Earrings are 44mm in length and the Pendant is 50mm in length
Mkpado: Jewellery, Earrings, Pendant, Ring
Teknụzụ Mmepụta: The designs were developed using advanced surface modelling and parametric workflows to generate continuous doubly curved geometry and controlled folding. Circle-packing algorithms were applied to define gemstone positions and size variation. Final forms were refined for manufacturability with precise stone-setting tolerances and structural thickness control. The pieces are intended for production in precious metal alloys using high-resolution resin 3D printing for master patterns, followed by investment casting, precision pre-polishing and micro-pavé and prong setting for the blue topaz and supporting gemstones.
Ịma Aka Imepụta: The main challenge was translating the softness and continuity of fluid motion into stable, wearable jewellery without losing structural integrity or comfort. Balancing expressive doubly curved surfaces with real stone-setting constraints, minimum metal thickness and casting limitations required multiple design iterations. Another difficulty was achieving visually natural gemstone clustering while maintaining secure settings and clear assembly logic. Limited references for computational gemstone distribution in contemporary jewellery and the need to align advanced digital modelling with existing manufacturing processes further increased the complexity of development and validation.
Nchọpụta: This project is based on practice-led design research focused on translating the visual and sensory qualities of water into wearable jewellery. The study explored how doubly curved surfaces, seamless folding and controlled variation in gemstone size can communicate fluid movement and visual calm. Iterative digital modelling and parametric distribution tools were used to generate and evaluate multiple ring, pendant and earring prototypes. Circle-packing logic was applied to organise gemstones as a continuous spatial field rather than decorative placement. The results demonstrate improved visual rhythm, surface continuity and perceived lightness of form. The research shows how structured generative methods can support contemporary jewellery design, strengthen brand differentiation and enable more meaningful, experience-driven luxury products.
Mkpali: The project is inspired by the natural behavior of water and by design theories that describe form as a continuous and evolving system rather than a fixed composition. The primary motivation was to translate fluid motion, surface continuity and spatial balance into wearable objects using doubly curved geometry and folding logic. Research into visual perception of color and spatial distribution guided the use of blue topaz for its cooling sensory effect and circle packing principles.
Oge Ọrụ: The work for the project began in October 2025 and was finished in January of 2026 at Gangtok, Sikkim, India.
Usoro Ọrụ: The jewellery is worn and experienced through gentle movement and changing viewpoints. The pendant and earrings allow the gemstone to move freely, creating soft motion with the wearer’s natural gestures, while the ring holds the stone within a continuous flowing form. As the pieces move and catch light, the surfaces reveal different curves and reflections, enhancing the feeling of fluidity. The varied gemstone sizes create a natural visual rhythm that feels balanced from every angle. This interaction produces a calmer, more immersive visual experience than static or highly symmetrical jewellery designs.
Ndị Otu: Anurag Sapkota