Mei Tao Wan Njirimara Anya, Usoro Nduzi Ụzọ nke Zilong Chen

Ihe emepụtara bụ Mei Tao Wan Njirimara Anya, Usoro Nduzi Ụzọ nke Zilong Chen bụ onye meriri a na-asọpụrụ nke ukwuu nke 2026 Ihe Nrite A' Design Award nke Bronz na Udi Asọmpi Nhazi Eserese, Ịse Ihe na Nkwurịta Anya.

BronzEserese· 2026

Mei Tao Wan Njirimara Anya, Usoro Nduzi Ụzọ

nke Zilong Chen

Onye Ahịa: City University of Macau

Onye Meriri Ihe Nrite A' Design Award nke Bronz na Udi Eserese

8,052

Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #180006

Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Mei Tao Wan Njirimara Anya, Usoro Nduzi Ụzọ

Mei Tao Wan bụ njirimara anya na usoro nduzi ụzọ maka ogige omenala nke dị n'ebe akụkọ ihe mere eme nke ịkpụ ite dị na Foshan, China. Nhazi a na-esite n'ahịrị nhazi nke mpaghara Nanfeng Ancient Kiln wepụta ọkpụkpụ jiometrị. Ọkpụkpụ a na-emepụta ụdị mkpụrụedemede pụrụ iche nwere mkpụrụedemede 26 na ọnụọgụ 0 ruo 9, yana akara ngosi jiometrị. E ji acrylic nwere nnukwu nghọta anya na ígwè na-adịghị agba nchara nwere njedebe ọla kọpa ojii mee akara ngosi ndị ahụ. Ọkụ LED etinyere na ntọala na-eme ka edemede ahụ na-agụ n'abalị. Usoro a na-ejikọta akụkọ ihe mere eme nke ebe ahụ na ọrụ omenala ọhụrụ ya.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Bronz

Mei Tao Wan Njirimara Anya, Usoro Nduzi Ụzọ meriri A' Design Award nke Bronz, nnabata dị oke ugwu e nyere design ndị pụtara ìhè nke a ma ama maka nzụlite ihe, ọgụgụ isi na nghọta. Ndị meriri na Bronz bụ ihe e mere nke ndị nwere nka nke ukwuu ma dị mma n'imepụta nke na-egosi ahụmahụ buru ibu, echiche na ọgụgụ isi nke ndị designer ha. A na-atụ anya na Mei Tao Wan Njirimara Anya, Usoro Nduzi Ụzọ ga-abụ ihe a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya, nke dị oke ọrụ ma dị ọhụrụ. Design a meriri A' Design Award nke Bronz na-agụnye ụzọ kacha mma n'ime nka, sayensị, design na teknụzụ, ma dị mma nke ukwuu maka nlebara anya ya n'obere ihe. Mei Tao Wan Njirimara Anya, Usoro Nduzi Ụzọ na-emezu mkpa nke ọma, na-emetụ ọchịchọ aka, na-adọrọ mmetụta obi ma na-adọta ọchịchọ ịmara.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: MEITAOWAN transforms the historic ceramic site in Foshan into a cultural hub. The design extracts the architectural structure of the Nanfeng Ancient Kiln historic district. This architectural DNA is rigorously applied to the wayfinding system evolving into a custom 3D typeface comprising 26 English letters and numbers 0 to 9. Distinct from traditional signage the implementation uses black glazed ceramics fired at 1800 degrees Celsius. This approach integrates the material soul of the site into the visual identity creating a system where every character is not just a sign but a durable eco friendly piece of ceramic art.
Nha & Mkpuchi: Primary Physical Application Banners and Posters 600mm x 900mm. Wayfinding Totem 600mm x 1800mm x 150mm. Wall Signage 400mm x 400mm. Main Logo Application Variable sizes adapted to building facades. Materials Acrylic Stainless Steel with Black Copper Finish LED components.
Mkpado: Visual Identity, Wayfinding System, Foshan Shiwan, Ceramic Culture, Architectural Typography, Urban Renewal, Industrial Heritage, Branding.
Teknụzụ Mmepụta: To contrast with the rough texture of the historic red brick buildings the signage system employs modern industrial materials high transparency acrylic and stainless steel with a black copper finish. A key technical innovation is the integrated LED lighting at the base which allows the text and icons to appear as if floating in the dark. This ensures maximum legibility for night time navigation while minimizing light pollution achieving a balance between safety guidance and artistic atmosphere.
Ịma Aka Imepụta: The main challenge was to modernize traditional cultural symbols without losing their historical gravity. We needed to avoid cliché representations of ceramics while ensuring the wayfinding was functional. The solution lay in the strict geometric abstraction of the architecture converting physical building forms into a flexible typographic system that works across various scales and materials.
Nchọpụta: The project addresses the challenge of revitalizing an industrial ruin into a modern cultural landmark. Research focused on the visual semantics of Shiwans ceramic history. By analyzing the structural lines of local heritage buildings the team developed a visual grammar that unifies the disparate spaces of the park. This approach ensures the brand identity is not just a label but a continuation of the site historical narrative providing a platform for artists to create and exhibit.
Mkpali: The inspiration is deeply rooted in the Nanfeng Ancient Kiln a living fossil of Foshan ceramic history. We analyzed the structural logic of the kiln sloping roofs and the surrounding historic brick buildings. By extracting these architectural lines we designed a geometric skeleton that forms the basis of the 26 letters and 0 to 9 digits. The choice of black glaze ceramic as the medium is a direct tribute to the site production heritage symbolizing the transformation of mud into eternal art through fire.
Oge Ọrụ: The project started in December 2023 in Foshan, China and finished in August 2024. The project is located in Shiwan, Foshan, Guangdong Province, China.
Usoro Ọrụ: Visitors navigate the park using intuitive geometric icons derived from the brand architectural logic. The signage acts as a silent guide linear patterns on glass surfaces create a rhythmic visual play between transparency and privacy mimicking the stacking of ceramic tiles. This immerses visitors in the ceramic culture atmosphere immediately upon entry making wayfinding an integral part of the artistic experience rather than just a functional necessity.
Ndị Otu: Designer：CHEN ZILONG
Asụsụ Foto: Image #1-5 : CHEN ZILONG