Climbing Amphitheatre Ọrụ Bụ Isi: Ụlọ Ihe Nkiri Nwa Oge nke Yutao Chen and Yiwen Gu

Ihe emepụtara bụ Climbing Amphitheatre Ọrụ Bụ Isi: Ụlọ Ihe Nkiri Nwa Oge nke Yutao Chen and Yiwen Gu bụ onye meriri a na-asọpụrụ nke ukwuu nke 2026 Ihe Nrite A' Design Award nke Bronz na Udi Asọmpi Nhazi Mmemme na Ihe Omume.

BronzMmemme· 2026

Climbing Amphitheatre Ọrụ Bụ Isi: Ụlọ Ihe Nkiri Nwa Oge

nke Yutao Chen and Yiwen Gu

Onye Ahịa: Studio WE

Onye Meriri Ihe Nrite A' Design Award nke Bronz na Udi Mmemme

13,484

Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #176296

Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Climbing Amphitheatre Ọrụ Bụ Isi: Ụlọ Ihe Nkiri Nwa Oge

Ederede Akwụkwọ: "Ịrịgo Ubube, Ụlọ Ihe Nkiri Maka Ememe" dị n'obodo Aiyuan, Jiangsu, na-akọwaghachi ubube oru ugbo ọdịnala dị ka akara nke ndị obodo na njikọta omenala. Site na usoro modul nke etiti osisi, ubube, na eriri mgbati, ndị obodo na-arụkọta ma na-akwatu ụlọ ihe nkiri nwa oge ahụ na-ekwu okwu. Dị ka ebe ọzọ na-akpaghasị, nke ndị mmadụ na-eso onwe ha sonye maka ngosi, ihe nkiri, na nzukọ, ọ na-eme ka mmekọrịta mmadụ na ibe ya baa ụba, na-eweghachi ndụ ụbụrụ osisi mkpụrụ, ma na-ejikọ n'otu n'udo na ọdịdị ala ime obodo.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Bronz

Climbing Amphitheatre Ọrụ Bụ Isi: Ụlọ Ihe Nkiri Nwa Oge meriri A' Design Award nke Bronz, nnabata dị oke ugwu e nyere design ndị pụtara ìhè nke a ma ama maka nzụlite ihe, ọgụgụ isi na nghọta. Ndị meriri na Bronz bụ ihe e mere nke ndị nwere nka nke ukwuu ma dị mma n'imepụta nke na-egosi ahụmahụ buru ibu, echiche na ọgụgụ isi nke ndị designer ha. A na-atụ anya na Climbing Amphitheatre Ọrụ Bụ Isi: Ụlọ Ihe Nkiri Nwa Oge ga-abụ ihe a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya, nke dị oke ọrụ ma dị ọhụrụ. Design a meriri A' Design Award nke Bronz na-agụnye ụzọ kacha mma n'ime nka, sayensị, design na teknụzụ, ma dị mma nke ukwuu maka nlebara anya ya n'obere ihe. Climbing Amphitheatre Ọrụ Bụ Isi: Ụlọ Ihe Nkiri Nwa Oge na-emezu mkpa nke ọma, na-emetụ ọchịchọ aka, na-adọrọ mmetụta obi ma na-adọta ọchịchọ ịmara.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: Climbing the Ladder, Party Amphitheatre is a modular, community-assembled temporary theater made of timber frames, ladders, and tension straps. Designed for assembly by local villagers, it fosters participation as both audience and builders. The adaptable structure hosts performances and screenings, revitalizing the orchard into a social hub. This project merges architecture with rural life, turning tools into a spatial framework that strengthens community bonds.
Nha & Mkpuchi: The modular amphitheatre consists of timber frame units measuring 2,400 mm x 1,200 mm x 2,500 mm. Ladders function as adjustable seating risers ranging from 500 mm to 1,500 mm in height, enabling flexible audience arrangements. Fully assembled, the structure spans up to 12 m x 8 m x 4 m and adapts easily to uneven orchard terrain.
Mkpado: Community Architecture, Modular Design, Participatory Design, Rural Innovation, Timber Structure, Mobile Amphitheatre, Cultural Heritage, Interactive Space, Adaptive Reuse, Festival Pavilion
Teknụzụ Mmepụta: The structure employs a modular timber frame system combined with locally sourced ladders and tension straps, enabling rapid assembly and disassembly without heavy machinery. Structural stability is achieved through interlocking joints and adjustable tensioning, while the modular system allows scalability and adaptation to orchard topography. Timber surfaces are treated for durability, ensuring both functional performance and visual harmony with the rural landscape.
Ịma Aka Imepụta: This design explores how participatory architecture can activate rural spaces and strengthen social cohesion through simple, adaptable systems. By transforming ladders - an everyday rural object - into a spatial and cultural framework, the project demonstrates how design can elevate ordinary tools into platforms for interaction, performance, and collective experience. The amphitheatre reveals the potential of low-tech, community-driven construction to create meaningful public spaces that are flexible, inclusive, and deeply connected to local culture.
Nchọpụta: This field research investigated the integration of vernacular farming tools into participatory rural architecture. The objective was to create a low-cost, modular theater system. Using qualitative observation and structural prototyping, the study engaged local villagers as active participants in the assembly process. Results showed that utilizing familiar ladders as core components reduced construction barriers and costs. This research impacts rural social cohesion by proving that community-driven, low-tech frameworks can successfully revitalize orchard landscapes into interactive cultural venues.
Mkpali: Rooted in the centuries-old pear orchards of Aiyuan Town, Jiangsu, this project draws inspiration from the everyday ladder. Reimagined as a collective architectural element, the ladder, traditionally used for farming and labor, becomes a symbol of gathering and shared memory. By transforming this familiar object into a modular spatial system, the design celebrates local traditions while creating a contemporary platform for performance and communal life within the orchard landscape.
Oge Ọrụ: The project was developed and constructed between March and September 2024 in Aiyuan Town, Jiangsu, China. Installed within the town's pear orchards, the amphitheatre was activated during seasonal festivals and community gatherings, reinforcing local participation and cultural engagement.
Usoro Ọrụ: The amphitheatre is assembled collaboratively by villagers through a simple system of interlocking timber frames, ladders, and straps. Audiences move freely between levels, sit on ladders or platforms, and engage with performances from multiple perspectives. The open, reconfigurable layout encourages informal interaction, flexibility, and immersion, allowing the space to adapt to different events while fostering a shared sense of ownership and participation.
Ndị Otu: Yutao Chen and Yiwen Gu
Asụsụ Foto: Yutao Chen