Changes Cycles and Shapes Nka Dijitalụ nke Yuko Suzuki

Ihe emepụtara bụ Changes Cycles and Shapes Nka Dijitalụ nke Yuko Suzuki bụ onye meriri a na-asọpụrụ nke ukwuu nke 2025 Ihe Nrite A' Design Award nke Ọlaedo na Udi Asọmpi Nhazi Mmeputaime, Algọridim, Paramịtrịk na Enyemaka AI.

ỌlaedoMmeputaime· 2025

Changes Cycles and Shapes Nka Dijitalụ

nke Yuko Suzuki

Onye Ahịa: Feral File

Onye Meriri Ihe Nrite A' Design Award nke Ọlaedo na Udi Mmeputaime

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Nyochaa Ọnọdụ Onyinye maka #170864

Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Changes Cycles and Shapes Nka Dijitalụ

Ọrụ a na-enyocha ajụjụ bụ, Gịnị bụ eserese? site n'igosipụta mgbasa nke ngosipụta a na-ahụ anya. Site n'ike mmụọ sitere na mgbanwe dị na eserese Mondrian, ọ dabere na eserese nhazi nke eserese, ebe ụdị na-agagharị n'etiti nke ngosipụta ihe na nke abtraktị, nakwa n'etiti mkpọtụ na usoro ahịrị - echiche a tinyere n'agba. Ọrụ a na-akpali ọnọdụ na-agbanwe nke ihe dijitalụ, na-emesi ike na ụdị ndị nọ n'etiti mgbanwe bụ isi ihe. Site n'itinye ederede ndị e ji baren bipụta, ọ na-egosipụta njirimara onye nka dị ka onye na-ebipụta ihe n'ụdị dijitalụ.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Ọlaedo

Changes Cycles and Shapes Nka Dijitalụ meriri A' Design Award nke Ọlaedo, nnabata dị oke ugwu e nyere design ndị dị n'ọkwa mbụ, dị ịtụnanya ma pụtara ìhè. Ndị meriri na Ọlaedo bụ ihe e kere eke dị oke ọhụrụ, nwere ọhụụ ma na-egbu maramara nke na-egosipụta ọgụgụ isi, amamihe na nka nke ndị designer ha. A na-atụ anya na Changes Cycles and Shapes Nka Dijitalụ ga-abụ ihe e mepụtara kacha enweta otuto, na-edu ọnọdụ ma bụrụ ihe ncheta nke na-enye uru na-adịbeghị mgbe ọ bụla. Design a meriri A' Design Award nke Ọlaedo bụ ọrụ dị ebube, a na-asọpụrụ nke na-erite uru buru ibu ma na-ebuga oke nka, sayensị, design na teknụzụ n'ihu. Changes Cycles and Shapes Nka Dijitalụ na-eweta mmetụta ọchịchọ siri ike, na-akpali agụụ, na-akwado nzụlite ihe ma na-adọrọ anyị adọrọ.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: Based on the question, What is painting?, this work expresses the circulation of multiple visual expressions, evoking the shifting state of digital materiality, oscillating between the concrete and the abstract. In it, it also expresses the idea that forms in between changes are the essence, and we live in a moment in change.
Furthermore, by incorporating textures printed with a baren, the artist's identity as a printmaker is incorporated in a digital form.
Nha & Mkpuchi: 1920×1080 px / 3840×2160 px, 25 seconds, 65 works
Mkpado: Generative Art, Coding
Teknụzụ Mmepụta: This work was created entirely in a programming language called Processing.
It is made up of animations that change from one shape to the next.
Ịma Aka Imepụta: The theme of the exhibition was the inheritance of the experimental aesthetics of Hiroshi Kawano, a pioneer of Japanese computer art, so I researched Hiroshi Kawano and the history of past computer art.
I had repeated conversations with this great artist of the past to find out how to connect Kawano's work with my own experiments, and it took me a long time to dig deep into my theme and digest it.
Nchọpụta: This design study aims to explore how print textures can be incorporated into paintings. The researcher delved into the historical background of Hiroshi Kawano and Mondrian to explore how their style and techniques can be reflected in his own work. In terms of methodology, he took an experimental approach and researched the archives of past painters to evolve the expression of his work by combining different materials and textures.
As a result, the work is a reflection of the history of painting, and the influences of Hiroshi Kawano and Mondrian are beautifully integrated. This study proposed a new way of expression that goes beyond the boundaries of print and painting, and offered a new perspective on contemporary art. In terms of business, it made us reconsider the commercial value of art and its potential as design, and in terms of society, it allowed us to delve deeper into the historical and cultural meaning of art.
Mkpali: In painting, shape has an axis of figurative - abstract and an axis of noise - linear, while color also has an axis of noise - linear. Based on the component diagram of painting constructed from this idea, I developed a means of cycling through multiple visual idioms at once, with the work expressing the cycle itself. This work was also inspired by the transitions in Mondrian's paintings.
Oge Ọrụ: This work was exhibited at Patterns of Flow held at NEORT++ in Tokyo from September 24th to October 6th, 2024.
This exhibition was a collaboration with Right Click Save and Massage Magazine, and the works were sold on Feral File, an NFT platform.
Usoro Ọrụ: In this animation, objects transform over time, oscillating between figurative and abstract, noise and linear. Designed to create a continuous flow of visual changes, the animation's timing and speed are adjusted to create a visually pleasing rhythm. By silently observing these changes, viewers can relate to their own lives and experiences, evoking deep empathy and emotional responses.
Asụsụ Foto: Image #3: NEORT++, Changes, Cycles, and Shapes in Between, 2024.