Embrace The Poetry Of Self Uwe nke Ji Yibo

Ihe emepụtara bụ Embrace The Poetry Of Self Uwe nke Ji Yibo bụ onye meriri a na-asọpụrụ nke ukwuu nke 2025 Ihe Nrite A' Design Award nke Igwe na Udi Asọmpi Nhazi Ejiji, Uwe na Akwa Uwe.

IgweEjiji· 2025

Embrace The Poetry Of Self Uwe

nke Ji Yibo

Onye Ahịa: Nanjing University of the Arts

Onye Meriri Ihe Nrite A' Design Award nke Igwe na Udi Ejiji

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Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Embrace The Poetry Of Self Uwe

Nabata Uri nke Onwe bụ mkpokọta uwe ụmụ nwanyị dabere na uwe elu (dress). Ọdịdị nke ihe mkpuchi ozugbo nke ụmụ nwoke ka etinyere n'ime uwe elu nwanyị, ejikwa igbupu ọdịdị atọ (three dimensional cutting) iji jikọta ụdị abụọ a ọnụ. Emebiri ọdịdị uwe ma gbanwoo ha iji mee ka oke dị n'etiti uwe ndị e kere maka nwoke na nwanyị ghara ịpụta ìhè. Nsonaazụ ya bụ otu uwe nke enwere ike iyi n'ọtụtụ ụzọ dị iche iche. Ọrụ ya na ọdịdị ya ejikọtara ọnụ n'ime otu akwa. Mkpokọta a na-echeturu banyere njirimara nwanyị na mmekọrịta ohere dị n'etiti uwe na ahụ mmadụ.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Igwe

Embrace The Poetry Of Self Uwe meriri A' Design Award nke Igwe, nnabata dị ugwu e nyere design ndị dị mma nke na-emezu ihe ndị a chọrọ n'ọrụ na ụlọ ọrụ nke a na-atụ anya n'ihe e kere eke ndị e mere nke ọma. Ndị meriri na Igwe na-egosi nka buru ibu, ọkachamara dị elu, nghọta ọkachamara na ikike imepụta nke ndị kere ha. A na-atụ anya na Embrace The Poetry Of Self Uwe ga-abụ ihe e kere eke a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya nke bụ ihe bara uru ma dị ọhụrụ. Design a meriri A' Design Award nke Igwe na-ejikọta ụzọ kacha mma nke ụlọ ọrụ ma nwee àgwà teknụzụ kwesịrị ekwesị jikọtara na ihe ọmụma na talent. A na-asọpụrụ Embrace The Poetry Of Self Uwe maka nlezianya ya ma e mere ya ka ọ nye mmeziwanye ndụ nke na-enyere aka ime ka ụwa bụrụ ebe ka mma.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: The delicate fabric subtly conveys the graceful curves of a woman while also carrying strong gender symbols. This collection deconstructs and reconstructs clothing structures, using three-dimensional cutting and deconstruction techniques to spatially reshape traditionally gendered garments such as men's shirts and suits, blurring the boundaries of gender and creating a limitless interactive space between clothing and the body.
Nha & Mkpuchi: 25cm*2cm*80cm
Mkpado: Apparel, Clothes, Fashion, Dress, Woman
Teknụzụ Mmepụta: In terms of structure design, the transformation and fusion of the garment's three-dimensional structure change its functionality. By embedding the structure of a traditional men's shirt into a feminine dress, the designer employed three-dimensional cutting to enhance its integration, making it versatile and practical, offering "one garment with multiple styles." At the same time, the functional and aesthetic qualities of the clothing merge seamlessly, providing women with a broader range of styling possibilities.
Ịma Aka Imepụta: Balancing fit and comfort can be challenging, as different body types have varying needs. Choosing fabrics that meet aesthetic, comfort, and functionality requirements is essential. Cost control is another difficulty, as high-quality materials and intricate craftsmanship can increase expenses. Additionally, the complexity of designs may affect production efficiency. Rapid changes in market trends require quick responses to keep up with fashion. Sustainability poses challenges as eco-friendly materials and processes often come with higher costs and limited technology. These difficulties demand that designers find the best balance between creativity, aesthetics, technology, and market demands.
Nchọpụta: Ergonomic analysis to optimize fit and comfort; material technology research to select breathable, waterproof, and antibacterial functional fabrics; fashion trend analysis to integrate market demands with stylish elements; craftsmanship and structural optimization to enhance tailoring techniques and durability; eco-friendly and sustainable design using recycled materials and environmentally friendly processes; and smart wearable technology with features such as temperature control and health monitoring. These research approaches ensure that clothing achieves the best balance of comfort, functionality, aesthetics, and sustainability.
Mkpali: The Embrace the Poetry of Self collection is inspired by a profound reflection on female identity and the spatial structure of the body. As a staple in women's daily wardrobes, the dress symbolizes both fashion and femininity.
Oge Ọrụ: The project started in September 2016 in Nanjing and finished in September 2017 in Nanjing, exhibiting in Nanjing University of the Arts.
Usoro Ọrụ: In terms of structure design, the transformation and fusion of the garment's three-dimensional structure change its functionality. By embedding the structure of a traditional men's shirt into a feminine dress, the designer employed three-dimensional cutting to enhance its integration, making it versatile and practical, offering "one garment with multiple styles." At the same time, the functional and aesthetic qualities of the clothing merge seamlessly, providing women with a broader range of styling possibilities.
Ndị Otu: Ji Yibo