Fragments Ihe Ịchọ Mma Na-adịgide Adịgide nke Ariane Rosa

Ihe emepụtara bụ Fragments Ihe Ịchọ Mma Na-adịgide Adịgide nke Ariane Rosa bụ onye meriri a na-asọpụrụ nke ukwuu nke 2025 Ihe Nrite A' Design Award nke Igwe na Udi Asọmpi Nhazi Ngwaahịa Na-adịgide, Ọrụ na Nhazi Akwụkwọ Ndụ.

IgweNgwaahịa Na-adịgide· 2025

Fragments Ihe Ịchọ Mma Na-adịgide Adịgide

nke Ariane Rosa

Onye Ahịa: Ariane Rosa Arquitetura e Design

Onye Meriri Ihe Nrite A' Design Award nke Igwe na Udi Ngwaahịa Na-adịgide

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #168949

Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Fragments Ihe Ịchọ Mma Na-adịgide Adịgide

Fragmentos bụ mkpokọta ihe ịchọ mma na-adịgide adịgide nke e ji mabụl e megharịrị mee, mabụl ndị a ga-atụfu ma ọ bụghị ya. Akụkụ ọ bụla (ite ịchọ mma, ihe idobe kandụl, na tebụl dị n'akụkụ) na-eso usoro nhazi okirikiri, ebe isi nke otu akụkụ na-aghọ ihe eji arụ ọrụ maka nke ọzọ. Usoro ọhụrụ a na-eme ka ihe eji arụ ọrụ baa uru nke ukwuu ma na-echekwa ịma mma eke nke mabụl. Nsonaazụ ya bụ mkpokọta na-adịghị agabiga oge nke na-ejikọta ịma mma nke oge a na aka ọrụ ziri ezi, na-agbanwe iberibe ka ha bụrụ ọrụ nka a pịrị apị.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Igwe

Fragments Ihe Ịchọ Mma Na-adịgide Adịgide meriri A' Design Award nke Igwe, nnabata dị ugwu e nyere design ndị dị mma nke na-emezu ihe ndị a chọrọ n'ọrụ na ụlọ ọrụ nke a na-atụ anya n'ihe e kere eke ndị e mere nke ọma. Ndị meriri na Igwe na-egosi nka buru ibu, ọkachamara dị elu, nghọta ọkachamara na ikike imepụta nke ndị kere ha. A na-atụ anya na Fragments Ihe Ịchọ Mma Na-adịgide Adịgide ga-abụ ihe e kere eke a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya nke bụ ihe bara uru ma dị ọhụrụ. Design a meriri A' Design Award nke Igwe na-ejikọta ụzọ kacha mma nke ụlọ ọrụ ma nwee àgwà teknụzụ kwesịrị ekwesị jikọtara na ihe ọmụma na talent. A na-asọpụrụ Fragments Ihe Ịchọ Mma Na-adịgide Adịgide maka nlezianya ya ma e mere ya ka ọ nye mmeziwanye ndụ nke na-enyere aka ime ka ụwa bụrụ ebe ka mma.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: Fragments is a collection of decorative objects crafted from discarded marble, transforming waste into timeless design pieces. Each object, tables, vases, and candle holders, is carved from the core of another, ensuring zero material waste. The collection embodies sustainability, craftsmanship, and contemporary aesthetics, making each piece a unique work of art that merges innovation with environmental consciousness.
Nha & Mkpuchi: The Fragments collection includes:

Vases: 500 x 100 mm, 400 x 100 mm, 300 x 100 mm
Candle holders: 400 x 50 mm, 350 x 50 mm, 300 x 50 mm
Side table: 300 mm diameter tabletop, 450 mm height

All pieces are crafted from solid marble, ensuring durability and a timeless aesthetic. The collection follows a zero-waste production approach, where each object is carved from the core of another.
Mkpado: Sustainable design, circular economy, upcycled marble, luxury decor, eco-friendly furniture, zero waste, contemporary design, high-end craftsmanship, material innovation, timeless aesthetics
Teknụzụ Mmepụta: Fragments is crafted using advanced stone-cutting techniques combined with traditional craftsmanship. Each piece is extracted from the core of another, utilizing precision CNC machining to maximize material efficiency. The finishing process includes hand-polishing and sealing to enhance durability while preserving the natural beauty of the marble. This innovative method ensures zero waste, transforming discarded stone into elegant, sustainable design objects.
Ịma Aka Imepụta: The biggest challenge was transforming discarded marble into a cohesive collection without generating additional waste. The nested design required precise CNC cutting to ensure each piece emerged from the core of another, demanding extensive material studies and prototyping. Balancing sustainability with high-end aesthetics was also crucial, proving that circular design can align with luxury without compromising quality or visual appeal.
Nchọpụta: The research explored circular design in furniture and decor, focusing on repurposing discarded marble. Using CNC cutting techniques, we developed a modular, nested approach that minimizes waste, achieving nearly zero material loss. This innovation merges sustainability with luxury, proving that high-end design can be both responsible and beautiful. The study promotes a shift in the industry, encouraging more conscious material use and sustainable product development.
Mkpali: Fragments was born from the desire to give new life to discarded marble, transforming waste into timeless design. Inspired by nature's ability to reshape materials over time, the collection follows an organic process: each piece emerging from the core of another. This approach not only minimizes waste but also highlights the beauty of imperfection, embracing sustainability as both a concept and an aesthetic principle.
Oge Ọrụ: The project started with an idea in March 2023 in Itajai, Santa Catarina, and was completed in September 2024 in Itapema, Santa Catarina, where it was launched to the public in a signature showcase at Araucaria Moveis.
Usoro Ọrụ: Fragments invites interaction through its sculptural presence and modular concept. The pieces can be displayed individually or as a set, creating a harmonious composition. The vases, candle holders, and table share a design language that emphasizes continuity, as each emerges from the core of another. This approach not only enhances visual cohesion but also reinforces sustainability, offering a conscious and elegant way to incorporate natural materials into everyday spaces.
Asụsụ Foto: Photos by Alisson Lima Morais