Ihe emepụtara bụ The Ab Ọla Ịchọ Mma nke Amirali Meysami bụ onye meriri a na-asọpụrụ nke ukwuu nke 2025 Ihe Nrite A' Design Award nke Bronz na Udi Asọmpi Nhazi Ọla Ịchọ Mma.

BronzỌla Ịchọ Mma· 2025

The Ab Ọla Ịchọ Mma

nke Amirali Meysami

Onye Ahịa: Seem By Sanjaaq

Onye Meriri Ihe Nrite A' Design Award nke Bronz na Udi Ọla Ịchọ Mma

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #168719

Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka The Ab Ọla Ịchọ Mma

E mere mgbaaka ahụ ka o nwee mmetụta omimi dị ukwuu site n'elu, nwee oghere dị n'etiti nke a hichara nke ukwuu ma na-enyo enyo nke na-eṅomi n'ụzọ mara mma ka ịgbanye mmiri na-adọrọ mmasị n'okpuru ìhè. N'otu aka ahụ, mgbaaka aka ahụ nwere ma omimi na ọdịdị ìhè pụrụ iche dị ka nke mmụọ, na-eme ka ọ dịkwuo mma n'anya. Iji mepụta ọdịiche doro anya ma mesie isi okwu ihe atụ nke imewe ahụ ike, e ji ụma kpachapụrụ anya mechaa elu mpụga nke ma mgbaaka na mgbaaka aka ahụ n'ụdị elu adịghị egbu maramara nke a nụchara nke ọma.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Bronz

The Ab Ọla Ịchọ Mma meriri A' Design Award nke Bronz, nnabata dị oke ugwu e nyere design ndị pụtara ìhè nke a ma ama maka nzụlite ihe, ọgụgụ isi na nghọta. Ndị meriri na Bronz bụ ihe e mere nke ndị nwere nka nke ukwuu ma dị mma n'imepụta nke na-egosi ahụmahụ buru ibu, echiche na ọgụgụ isi nke ndị designer ha. A na-atụ anya na The Ab Ọla Ịchọ Mma ga-abụ ihe a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya, nke dị oke ọrụ ma dị ọhụrụ. Design a meriri A' Design Award nke Bronz na-agụnye ụzọ kacha mma n'ime nka, sayensị, design na teknụzụ, ma dị mma nke ukwuu maka nlebara anya ya n'obere ihe. The Ab Ọla Ịchọ Mma na-emezu mkpa nke ọma, na-emetụ ọchịchọ aka, na-adọrọ mmetụta obi ma na-adọta ọchịchọ ịmara.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: The ring is crafted with a sense of depth from the top, featuring a polished, reflective hollow center that mimics the shimmering effect of water under light. Similarly, the bracelet possesses both depth and a luminous quality. To enhance contrast and reinforce the symbolism of the design, the outer surfaces of both the ring and bracelet have a matte finish.
Nha & Mkpuchi: Ring: Total height:29.40 mm / upper part height:7.67 mm / Length:21.97 mm
Bangle: Height:55.27 mm / Length:66.42 mm / Width:12.99 mm
Mkpado: #Bangle, #Ring, #Silver, #minimaldesign, #symbolicdesign
Teknụzụ Mmepụta: The process began with initial sketches, which were then digitally rendered using Matrix software. A tridimensional printer was used to create resin prototypes and prepare the mold. The next stage involved casting in 925 silver, a step that required high precision due to the substantial form of both pieces. Once cast, the finishing phase began; giving the outer surfaces a matte texture while polishing the inner sections and recesses to a glossy shine, enhancing their contrast and depth.
Ịma Aka Imepụta: After researching the main idea, the most challenging aspects of production were casting and finishing. Casting silver requires high precision, especially for volumetric forms, as they are prone to defects during the process. Additionally, achieving the dual finishes (matte and glossy) demanded meticulous attention to detail to ensure a clean and flawless final product.
Nchọpụta: Symbols play a crucial role in shaping beliefs and culture, as Carl Jung suggested, connecting the conscious and unconscious. Water, an alchemical element, universally represents life, purity, and spiritual renewal. In ancient Iranian and Avestan traditions, water (Ab) was revered as divine, with ponds symbolizing purification and a link to deities like Anahita. Zoroastrian texts such as the Yasna and Aban Yasht highlight the sacredness of water, purifying nature, and its cosmic role in maintaining order.
Mkpali: The Ab is inspired by ancient symbols, water, and ponds, rooted in Avestan spirituality and Persian tradition. While fire is a central element in Iranian culture, water holds equal sacredness. The Persians revered water for its ability to cleanse, heal, and sustain life. Ponds in Persian gardens were more than aesthetic; they symbolized divine harmony, renewal, and the eternal connection between humanity and the divine.
Oge Ọrụ: The main idea of the project appeared in January 2024 on a vacation to Yazd (the Zoroastrianism center in Iran). In the last week of February 2024, the designer started to sketch and research. The production process began in June 2024 and was completed by July 2024.
Usoro Ọrụ: Both the bangle and the ring have a minimalist design. They are lightweight and suitable for daily use and different outfits and styles. Also, the bangle is adjustable for different sizes depending on its design.
Asụsụ Foto: Photo: All images by Ghazale Salehi