Ihe emepụtara bụ Crevice Ụlọ Ngosi Nka nke Socal V bụ onye meriri a na-asọpụrụ nke ukwuu nke 2025 Ihe Nrite A' Design Award nke Ọlaọcha na Udi Asọmpi Nhazi Ụlọ Owu, Ụlọ na Ihe Owuwu.

ỌlaọchaỤlọ Owu· 2025

Crevice Ụlọ Ngosi Nka

nke Socal V

Onye Ahịa: Socal V

Onye Meriri Ihe Nrite A' Design Award nke Ọlaọcha na Udi Ụlọ Owu

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Onye Meriri Onyinye A Kwadoro

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Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Crevice Ụlọ Ngosi Nka

Crevice bụ ụlọ ngosi nka dị na Weihai, China. Nhazi ya sitere n'ekele maka ugwu na mmiri dị na nkuzi Confucius. Ụdị nnukwu triangụlụ na-echetara ala nzọ nzọ nke Shandong, ebe ụzọ ndị na-asọ asọ na-echetara ụzọ mmiri ya. Ụlọ ngosi ahụ guzo na saịtị ruru square metre 6,000 ma nwee mpaghara ụlọ zuru ezu nke square metre 10,000. E ji ngwá ọrụ parametric mee ka nhazi elu ụlọ ka mma ma belata mmefu ihe eji arụ ọrụ. Mpaghara ngosi nwere ike ịgbanwe agbanwe ma na-eji ìhè okike na echiche nke odida obodo eme ihe. Ebumnobi ya bụ igosipụta omenala obodo n'ụzọ ọgbara ọhụrụ.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Ọlaọcha

Crevice Ụlọ Ngosi Nka meriri A' Design Award nke Ọlaọcha, nnabata dị oke ugwu e nyere design ndị dị n'ọkwa kachasị elu, mara mma ma na-eju anya. Ndị meriri na Ọlaọcha bụ ọrụ na-egbu maramara nke ukwuu ma dị oke nzụlite nke na-egosi ọmarịcha ihe ọmụma, talent na nghọta nke ndị designer ha. A na-atụ anya na Crevice Ụlọ Ngosi Nka ga-abụ ọrụ dị ịtụnanya, ihe nlereanya, nke dị oke ọrụ ma dị omimi n'ihe ọhụrụ. Design a meriri A' Design Award nke Ọlaọcha bụ ihe e mepụtara dị oke ịrịba ama, nke a na-eto nke na-erite uru ma na-ebuga oke nka, sayensị, design na teknụzụ n'ihu. Crevice Ụlọ Ngosi Nka bụ ihe e kere eke ọtụtụ ndị na-ekwo ekworo ya nke na-akpali ọchịchọ, na-eweta mmetụta ọma ma na-akpali ịtụnanya.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: This design, inspired by Confucius' appreciation of mountains and water, merges with Shandong's terraced landscapes and waterways. The "Crevice" concept, embodying mountainous terrain with giant triangles and fluid waterways, harmonizes with the environment as a natural earth extension. It reinterprets ancient culture contemporarily. This approach shapes visitor experiences, encouraging a dialogue with the space and guiding them towards a culture of inner peace.
Nha & Mkpuchi: This art museum is situated on a 6,000 square meter site, with a total building area of 10,000 square meters. The design efficiently maximizes the use of space, ensuring a harmonious blend of form and function. Its spatial layout and structure have been meticulously planned to complement the surrounding landscape, while providing ample area for exhibitions and cultural activities. The technical specifications of the project have been carefully considered to align with both aesthetic and functional requirements, making it an exemplary model for contemporary museum architecture.
Mkpado: Art Museum, Folk Art, Wood Structure,
Teknụzụ Mmepụta: Our design leveraged parametric tools to refine the roof structure, optimizing form and performance while maintaining aesthetic harmony. Computational modeling enabled iterative exploration, ensuring structural efficiency and material economy. We utilized Rhinoceros and Grasshopper for advanced 3D modeling, combined with environmental analysis tools to integrate sustainable strategies. This approach allowed us to align design intent with functionality, creating a cohesive and innovative outcome.
Ịma Aka Imepụta: The main challenge was distilling vernacular architectural features, integrating folk culture with space, and blending into the site while fostering local development. Research on Shandong’s intangible cultural heritage, such as Rushan Qinshu, Shandong yangko, teahouses, and silk production, informed the design. By studying exhibition spaces, the project creates tailored stages for each cultural element, inviting visitors to immerse themselves in traditional Chinese culture.
Nchọpụta: Our research, an applied design study, aimed to integrate a museum within Shandong's landscape, reflecting local culture. We combined qualitative and quantitative methods, analyzing site characteristics, cultural history, and architectural styles. Utilizing Rhinoceros, Adobe Suite, Miro, and Discord, our team, including architects and historians, developed a design harmonizing with the natural environment. The results demonstrate the significance of cultural and environmental sensitivity in design, impacting sustainable architecture, cultural preservation, and enhancing visitor experiences in business and society.
Mkpali: It drew inspiration from Confucius' wisdom, harmonizing mountains and water. It symbolizes the local topography through the "Crevice" concept, blending complexity, and water's transformative essence. It reflects tradition and innovation, fostering a dialogue with nature. The project's technical foundation lies in intricate terrain, pagoda roofs, and cultivated land, with spaces promoting cultural expression. The waterway represents change, offering unplanned discoveries and inner tranquility.
Oge Ọrụ: 2023 in Weihai, China
Usoro Ọrụ: The art museum operates interactively, with adaptable exhibition areas and installations that engage visitors. Its design guides a journey through art and culture, with key features like natural lighting and scenic views. The layout transforms with time and season, offering unique experiences on each visit. This integration of art, nature, and architecture enhances the visitor experience, making the museum a superior cultural destination.
Patentị: Copyrights belong to SOCAL V
Ndị Otu: Yanci Chen, Jing Chen, Guanyu Tao, Zhiqian Xu
Asụsụ Foto: Image 01: Creator SOCAL V
Image 02: Creator SOCAL V
Image 03: Creator SOCAL V
Image 04: Creator SOCAL V
Image 05: Creator SOCAL V