Kouunji Kyakuden Ụlọ Nnabata nke Ụlọ Nsọ nke Hiroaki Iwasa

Ihe emepụtara bụ Kouunji Kyakuden Ụlọ Nnabata nke Ụlọ Nsọ nke Hiroaki Iwasa bụ onye meriri a na-asọpụrụ nke ukwuu nke 2025 Ihe Nrite A' Design Award nke Bronz na Udi Asọmpi Nhazi Ụlọ Owu, Ụlọ na Ihe Owuwu.

BronzỤlọ Owu· 2025

Kouunji Kyakuden Ụlọ Nnabata nke Ụlọ Nsọ

nke Hiroaki Iwasa

Onye Ahịa: Hiroaki Iwasa Architects Workshop

Onye Meriri Ihe Nrite A' Design Award nke Bronz na Udi Ụlọ Owu

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #162806

Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Kouunji Kyakuden Ụlọ Nnabata nke Ụlọ Nsọ

Ọrụ a bụ nrụgharị nke ụlọ nnabata dị afọ 140, nke bụ otu n'ime akụrụngwa nke ụlọ nsọ Buddhist Kouunji. Ụlọ nnabata ochie ahụ nwere ịhụnanya nke obodo mpaghara ruo ogologo oge; otú ọ dị, n'ihi mmebi ya siri ike kemgbe ọtụtụ afọ, ọ dị mkpa ka e megharịa ya. Onye na-ese ụkpụrụ ụlọ ahụ doziri nsogbu ndị a site n'imelite na imekọrịta ihe, na-echepụtakwa usoro ụfọdụ iji nyefee ncheta nke obodo mpaghara n'aka ọgbọ na-esote. N'ihi nke a, ọ bụghị naanị na ụlọ nnabata ọhụrụ ahụ nwetara mmetụta nke ịtụgharị uche azụ kamakwa nnọchiteanya n'ọnọdụ akụkọ ihe mere eme.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Bronz

Kouunji Kyakuden Ụlọ Nnabata nke Ụlọ Nsọ meriri A' Design Award nke Bronz, nnabata dị oke ugwu e nyere design ndị pụtara ìhè nke a ma ama maka nzụlite ihe, ọgụgụ isi na nghọta. Ndị meriri na Bronz bụ ihe e mere nke ndị nwere nka nke ukwuu ma dị mma n'imepụta nke na-egosi ahụmahụ buru ibu, echiche na ọgụgụ isi nke ndị designer ha. A na-atụ anya na Kouunji Kyakuden Ụlọ Nnabata nke Ụlọ Nsọ ga-abụ ihe a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya, nke dị oke ọrụ ma dị ọhụrụ. Design a meriri A' Design Award nke Bronz na-agụnye ụzọ kacha mma n'ime nka, sayensị, design na teknụzụ, ma dị mma nke ukwuu maka nlebara anya ya n'obere ihe. Kouunji Kyakuden Ụlọ Nnabata nke Ụlọ Nsọ na-emezu mkpa nke ọma, na-emetụ ọchịchọ aka, na-adọrọ mmetụta obi ma na-adọta ọchịchọ ịmara.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: This project was the reconstruction of the reception hall of a Buddhist temple passed 140 years. The old reception hall had been loved by the local community for long time, but it was beyond the scope of repair. Therefore architect took on various creative challenges. He aimed to solve these issues by updating it to modern functions, harmonizing it with other facilities, and devising some mechanisms to pass on the memory of local society to the next generation. As a result, this architecture was able to achieve not a sense of nostalgia but also a presence for the future.
Nha & Mkpuchi: Specification,
Scale/ Wooden two-story building,
Structure/ Timber frame structure,
Site Area/ 3039.15 Square meter,
Building Area/ 277.26 Square meter,
Total Floor Area/ 323.77 Square meter,
Mkpado: temple, reception hall, reused, minimal philosophy, local landscape, passing on the memories, historical context, local community
Teknụzụ Mmepụta: This project had a clear floor plan with each function directly connected around the entrance hall, but there were many difficult construction tasks in some places. Ground reinforcement and strong foundation construction for soft ground, woodwork including special joints to structurally reuse old materials, fabrication of delicate and movable cedar lattices, and the revival of forgotten traditional natural paints "Kumezo". This project was realized through thoughtful design and exceptional craftsmanship.
Ịma Aka Imepụta: Various choices and challenges were made to pass on the memory of the local community. By choosing a common wooden house construction method rather than the traditional temple construction method, they were able to shorten the construction period, reduce construction costs, and as the result have time to repair and reuse old materials. The exterior has a roof shape unique to the region, and the walls and window lattices are finished with local cedar wood and with a revived traditional natural paint "Kumezo". As a result, this architecture achieved a special harmony and presence.
Nchọpụta: Type of Research: About the relationship between Kouunji and the local area.
Methodology: History, landscape and topography research, annual event research, monk behavior research, and interviews with local residents,
Conclusion: Kouunji is the core of the local community that people have visited since childhood for events and daily life. The architect concluded that in addition to modernizing the function of the ceremony hall and harmonizing it with other facilities, it was essential to create a mechanism to pass on the memory of the local community to the next generation.
Mkpali: Researching the old reception hall and the landscape and history of the area provided architect with important inspiration. In particular, the old reception hall was tilted due to the soft ground, but it was discovered that some of the main structures, such as beams and columns, were valuable materials that are currently unavailable, and could be reused if repaired. And new architecture was important not only for its shape in the landscape, but also for its presence within the historical context.
Oge Ọrụ: The project started in February 2002 and was completed in November 2004 in Tsukubamirai City, Ibaraki Prefecture.
Usoro Ọrụ: Kouunji is an essential presence for the region.
Because the parishioners of Kouunji are local residents and their relatives, and annual events and celebrations and condolences are mainly held for the parishioners. The reception hall, located to the side of the main hall, functions in conjunction with the main hall during events, and is used for religious ceremonies, waiting areas, dinners using the kitchen function, and a meeting place. It also functions as an emergency temporary evacuation center in the event of a disaster. There is also a temple office that oversees them.
Asụsụ Foto: Photographer Kozo Takayama