Ihe emepụtara bụ Turandot Armor Ejiji nke Cynthia Gomez bụ onye meriri a na-asọpụrụ nke ukwuu nke 2024 Ihe Nrite A' Design Award nke Ọlaọcha na Udi Asọmpi Nhazi Uwe Omenala na Ihe Nketa Uwe.

ỌlaọchaNhazi Uwe Omenala· 2024

Turandot Armor Ejiji

nke Cynthia Gomez

Onye Ahịa: Cynthia Gomez

Onye Meriri Ihe Nrite A' Design Award nke Ọlaọcha na Udi Nhazi Uwe Omenala

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Onye Meriri Onyinye A Kwadoro

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Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Turandot Armor Ejiji

Ụlọ ọrụ ejiji na-emepụta ihe ndị na-akwụsị ịba uru mgbe oge ahụ gwụchara, n'ihi na enweghi ike iji ha mee ihe ọzọ. N'ihi nsogbu a, e tụrụ aro ọrụ ejiji na-adigide, nke na-egosi atụmatụ maka uwe opera site n'iji usoro na-adigide dị ka ịmegharị ihe site n'iji akwa ịkpa nke fọdụrụ na ịmepụta biomaterial sitere na mkpofu oroma dabere na akụ na ụba na-agbagharị. Ọrụ a na-achọ iji ihe ndị dị adị mee ihe ọzọ ma mepụta ihe ọhụrụ iji gbochie mmetọ n'ime ụlọ ọrụ ejiji.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Ọlaọcha

Turandot Armor Ejiji meriri A' Design Award nke Ọlaọcha, nnabata dị oke ugwu e nyere design ndị dị n'ọkwa kachasị elu, mara mma ma na-eju anya. Ndị meriri na Ọlaọcha bụ ọrụ na-egbu maramara nke ukwuu ma dị oke nzụlite nke na-egosi ọmarịcha ihe ọmụma, talent na nghọta nke ndị designer ha. A na-atụ anya na Turandot Armor Ejiji ga-abụ ọrụ dị ịtụnanya, ihe nlereanya, nke dị oke ọrụ ma dị omimi n'ihe ọhụrụ. Design a meriri A' Design Award nke Ọlaọcha bụ ihe e mepụtara dị oke ịrịba ama, nke a na-eto nke na-erite uru ma na-ebuga oke nka, sayensị, design na teknụzụ n'ihu. Turandot Armor Ejiji bụ ihe e kere eke ọtụtụ ndị na-ekwo ekworo ya nke na-akpali ọchịchọ, na-eweta mmetụta ọma ma na-akpali ịtụnanya.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: In each production the costume industry generates pieces for each character and at the end these become obsolete because they can rarely be used again

It was from this problem that this sustainable costume project emerged, which proposes the design of an operatic outfit using sustainable techniques such as upcycling and the creation of biomaterials made from orange waste

The project seeks to reuse existing materials and develop new materials in order to counteract pollution in fashion
Nha & Mkpuchi: the dress knitting mesure 80mm x 10mm x 180mm
the armor biomaterial mesure 60 mm x 5mm x 50mm
Mkpado: biomaterial, upcycling, deadstock, sustainability, costume design
Teknụzụ Mmepụta: For the armor, the circular economy theory was used, taking advantage of orange peel waste for the production of biomaterials, made with gelatin, glycerin and the orange substrate.
The dress was made from reusing deadstock knitted fabric, using the quilting technique to generate the patches and color gradient in the piece, everything was handmade.
Ịma Aka Imepụta: the hardest part of the design was the funcionality of the project, with the upcycling tecnique using knitting deadstock, and the elaboration of the formula with the orange sustrat in the biomaterial.
Nchọpụta: We sought to impact the costume industry through sustainability and innovation, the piece was for an opera singer which implied movement and comfort. We use design thinking for our research, doing interviews, searching for sustainable materials and technology that would help us
Regarding biomaterials we experimented with many fruit substrates up to orange peel, which has the best properties.
As for the dress, we had many fittings to see the feasibility in terms of weight, structure and comfort so that she could perform.
Mkpali: The costume is inspired by Giacomo Puccini's Turandot opera, which symbolizes the princess's self-confinement in the face of interpersonal relationships, which is why her face is covered with an immense neck that protects her from love. An Upcycling tecnique was used with the patch-working, reusing textile waste to give it a second life.

In the same way, an armor made with substrate biomaterials from the orange waste, represents the sentimental barriers of Princess Turandot.
Oge Ọrụ: started en january 2022 in Mexico City and finished in july 2022
Usoro Ọrụ: is a costume so it can be exhibit in a display maniqui.
Asụsụ Foto: Image #1: Opcional Image #1: Opcional Image #2: Opcional Image #3: Opcional Image #4: photographer Silvetre García, hairdesigner Ignazio Muñoz, makeup artist Enrique Santana
Video Credits: Cynthia Gómez