Ihe emepụtara bụ Balhae Nhazi Odide nke Ziwan Li bụ onye meriri a na-asọpụrụ nke ukwuu nke 2024 Ihe Nrite A' Design Award nke Igwe na Udi Asọmpi Nkà Dijitalụ.

IgweNkà Dijitalụ· 2024

Balhae Nhazi Odide

nke Ziwan Li

Onye Ahịa: Ziwan Li

Onye Meriri Ihe Nrite A' Design Award nke Igwe na Udi Nkà Dijitalụ

54,434

Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #158219

Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Balhae Nhazi Odide

Ndabere nke ọrụ a na-eso Junghyae onye na-amụ ọrụ na onye nkuzi ya, Ọkachamara Yoo, ndị a kpọrọ ka ha bịa n'obodo Gyeru iji chụpụ mmụọ si n'oké osimiri. Njem ha mere kpughere omenala na omume mmụọ nke Balhae. Ọrụ nhazi odide a na-asọpụrụ mmepeanya Balhae, na-ejikọta akụkọ ihe mere eme na akụkọ ifo. Mmasị onye nka n'akụkọ ihe mere eme, omenala, na ejiji emeghị naanị ka ọrụ nhazi a maa mma ma nwekwa ike ịkọ akụkọ nke ọma, kamakwa o tinyekwara ịdị ukwuu nke akụkọ ihe mere eme na mmetụta uri n'ime ya.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Igwe

Balhae Nhazi Odide meriri A' Design Award nke Igwe, nnabata dị ugwu e nyere design ndị dị mma nke na-emezu ihe ndị a chọrọ n'ọrụ na ụlọ ọrụ nke a na-atụ anya n'ihe e kere eke ndị e mere nke ọma. Ndị meriri na Igwe na-egosi nka buru ibu, ọkachamara dị elu, nghọta ọkachamara na ikike imepụta nke ndị kere ha. A na-atụ anya na Balhae Nhazi Odide ga-abụ ihe e kere eke a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya nke bụ ihe bara uru ma dị ọhụrụ. Design a meriri A' Design Award nke Igwe na-ejikọta ụzọ kacha mma nke ụlọ ọrụ ma nwee àgwà teknụzụ kwesịrị ekwesị jikọtara na ihe ọmụma na talent. A na-asọpụrụ Balhae Nhazi Odide maka nlezianya ya ma e mere ya ka ọ nye mmeziwanye ndụ nke na-enyere aka ime ka ụwa bụrụ ebe ka mma.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: Set in the flourishing ancient kingdom of Balhae, 926 CE, this story follows apprentice Junghyae and her mentor, Master Yoo, called to Gyeru village. Tasked with banishing spirits from the shallow seas to ensure safe mermaid hunting for the locals, their journey illuminates the era's rich culture and mystical practices. This character design project is a visual homage to Balhae's lost civilization, blending history and fantasy through art.
Nha & Mkpuchi: size: 127 cm * 127 cm, 300 dpi
Mkpado: 2D, Character Design, Digital Arts, Fantasy, History
Teknụzụ Mmepụta: Character designs in this series are designed with pencil and rendered in Procreate software and Photoshop CC software.
Ịma Aka Imepụta: Balhae was a historical kingdom that was conquered by the Khitans in 926 CE. Its legacy is somewhat enigmatic due to the scarcity of surviving artifacts, artworks, or detailed contemporary accounts about its culture, as it faded from history centuries ago. Undertaking a project to resurrect Balhae's rich cultural tapestry without abundant reference material was a formidable challenge.
Nchọpụta: To reconstruct the lost civilization of Balhae authentically, I extensively researched historical descriptions, geographical studies, and neighboring societies. This included delving into customs, religious practices, military strength, and climate conditions of nearby regions like the Tang Dynasty, Khitans, Koguryo, Paekche, and Silla. Synthesizing this data, I engaged in speculation to envision Balhae's unique cultural identity, creating a credible representation of its vibrant society. This project aimed to honor Balhae's historical significance and imagine the daily lives of its people.
Mkpali: The artist is deeply fascinated by the nuances of history, culture, and historical fashion. They delved into the history of the lost kingdom of Balhae, marveling at the richness and vibrancy of a culture that thrived thousands of years ago. They felt a profound sense of loss for such cultures that have vanished in the tides of history. Inspired by Balhae's legacy, they embarked on a creative journey to resurrect this long-forgotten culture through a fantasy narrative.
Oge Ọrụ: 2 months, Los Angeles, January 2022
Usoro Ọrụ: The key of this design lies in reviving lost cultures through a meticulous fusion of imagination and the scant textual references sourced by the artist from academic literature, paintings, and sculptures of neighboring countries associated with the lost culture. By imaginatively blending these elements, the artist breathes life into the forgotten cultural narratives.
Patentị: Image #1: Image Ziwan Li, Master Yoo Traveling Outfit, 2022.
Image #2: Image Ziwan Li, Apprentice Junghyae, 2022.
Image #3: Image Ziwan Li, Apprentice Junghyae Ritual Outfit, 2022. 2022.
Image #4: Image Ziwan Li, Mermaid, 2022.
Asụsụ Foto: Image #1: Image Ziwan Li, Master Yoo Traveling Outfit, 2022.
Image #2: Image Ziwan Li, Apprentice Junghyae, 2022.
Image #3: Image Ziwan Li, Apprentice Junghyae Ritual Outfit, 2022. 2022.
Image #4: Image Ziwan Li, Mermaid, 2022.