Ihe emepụtara bụ New Year Eserese nke Jui-Ping Lee bụ onye meriri a na-asọpụrụ nke ukwuu nke 2024 Ihe Nrite A' Design Award nke Igwe na Udi Asọmpi Nkà Dijitalụ.

IgweNkà Dijitalụ· 2024

New Year Eserese

nke Jui-Ping Lee

Onye Meriri Ihe Nrite A' Design Award nke Igwe na Udi Nkà Dijitalụ

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #158137

Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka New Year Eserese

N'ime ogige dị jụụ, n'etiti ọfụfụ nwayọọ nke snoo oge oyi na agba ndị na-egbuke egbuke nke akwụkwọ osisi oge mgbụsị akwụkwọ, ka onye mara mma yi uwe Kimono mara oke mma nọdụrụ ala. Ihe ahụ na-egosi isi ihe nke Wabisabi, na-egosipụta ịma mma nke ịnọpụ iche na udo. Usoro ndị dị nro chọrọ akwa ahụ mma, nke ka ukwuu bụ osisi Pine, na-anọchite anya ịdị nsọ; yana Seigaiha nke nwere usoro ọma, na-anọchite anya udo nke oké osimiri. Ịbanye n'ime ya na-egosi nkọwa ndị ọzọ dị mgbagwoju anya, efere nkume nke nwere aha-mpanaka nke onye nka dị n'aka ekpe; n'elu uwe Kimono, usoro oke na-anọchite anya afọ ọhụrụ 2020, afọ nke oke.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Igwe

New Year Eserese meriri A' Design Award nke Igwe, nnabata dị ugwu e nyere design ndị dị mma nke na-emezu ihe ndị a chọrọ n'ọrụ na ụlọ ọrụ nke a na-atụ anya n'ihe e kere eke ndị e mere nke ọma. Ndị meriri na Igwe na-egosi nka buru ibu, ọkachamara dị elu, nghọta ọkachamara na ikike imepụta nke ndị kere ha. A na-atụ anya na New Year Eserese ga-abụ ihe e kere eke a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya nke bụ ihe bara uru ma dị ọhụrụ. Design a meriri A' Design Award nke Igwe na-ejikọta ụzọ kacha mma nke ụlọ ọrụ ma nwee àgwà teknụzụ kwesịrị ekwesị jikọtara na ihe ọmụma na talent. A na-asọpụrụ New Year Eserese maka nlezianya ya ma e mere ya ka ọ nye mmeziwanye ndụ nke na-enyere aka ime ka ụwa bụrụ ebe ka mma.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: An elegant figure with splendid Kimono, serenely sitting in a yard on a cold winter's day at new year, with colourful leaves and slowly showering snow around her that represents the traditional artistic term, Wabisabi (beauty of solitude and tranquility).

If we zoom in, it can be seen that the Patterns are mainly Pines, which is used in the most formal kimono, to be worn only on ceremonious occasions; and also "Seigaiha (sea waves)", which represents tranquility.

Aside from that, the stone plate on the left reads the pen-name of the artist; and on the kimono, there are patterns depicting mice, to celebrate 2020, the year of mouse.
Nha & Mkpuchi: Original dimensions at 5600*3150 px, with 935 canvas layers
Mkpado: Illustration, Kimono, Furisode, Kouyou, Karesansui
Teknụzụ Mmepụta: Drawn using a Wacom Cintiq Pro 32, with software Easy Paint Tool SAI 2.0
Ịma Aka Imepụta: The key challenge is to make a painting while keep the authenticity of the elements - the kimono, the karesansui ("dry yard") and the red leaves. While many other illustrators prefer drawing kimono-like outfits, this work must be authentic on the kimono design so it can fit the theme properly; under such condition, the creating process became much more difficult due to the fact that it can not be a free-form creation, but a restricted one that the combination of all the elements in the painting must be meticulously designed and crafted.
Nchọpụta: Research especially on the meaning of the kimono patterns was conducted, to better represent kimono while avoid improper designs. Books and documents are examined, and different combinations of patterns are tried in the painting, and the one with best both cultural and visual effect was determined, resulting in a design which is both having superb color representation and cultural meaning that befit the theme of the work (new year).
Mkpali: When I was sitting alone in my home watching a video about how Kimono's (traditional Japanese dress) are made, I suddenly imagined a figure in Karesansui (Japanese stone yards), surrounded by maples and wearing the most fine, magnificent Kimono; and I, a "photographer", would quietly approach, crouching on the ground and capture the evanescent moment with a single-lens-reflex camera (which is my canvas and pen)
Oge Ọrụ: The vague inspiration of it formed since 2017-2018, and the actual drawing started in December 2019, finished & published in January 2020.
Usoro Ọrụ: At first sight, you will immediately focus on the figure in the middle, in spite of the fact that the saturation level of the background is much higher. This is called the "blurring perspectives" technic that by burring out items whilst no obvious perspective cues, it creates a huge sense of space, and can lead the beholder to focus their sight at once at the non-blurred items, namely the figure in this painting, sitting in the middle, creating a "photo-like" effect.