Matsu Biennial 2023 Mmemme Nka nke Chun Ming Wang, Hou ching Lee and Han Wu

Ihe emepụtara bụ Matsu Biennial 2023 Mmemme Nka nke Chun Ming Wang, Hou ching Lee and Han Wu bụ onye meriri a na-asọpụrụ nke ukwuu nke 2024 Ihe Nrite A' Design Award nke Igwe na Udi Asọmpi Nhazi Mmemme na Ihe Omume.

IgweMmemme· 2024

Matsu Biennial 2023 Mmemme Nka

nke Chun Ming Wang, Hou ching Lee and Han Wu

Onye Ahịa: Lienchiang County Government and The General Association of Chinese Culture

Onye Meriri Ihe Nrite A' Design Award nke Igwe na Udi Mmemme

43,208

Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #155697

Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Matsu Biennial 2023 Mmemme Nka

Matsu Biennial bụ atụmatụ nchegharị afọ 10, akụkụ 5 iji nye ntọala na-adịgide adịgide maka nhazi mmekọrịta ọha. Ọrụ nka 70 ya nke jikọtara mgbasa ozi dị iche iche na okike nke gafere ọmụmụ dị iche iche n'ofe ọrụ nlekọta 9 na-ebuso ihe ịma aka nke mmepe mpaghara na-adịgide adịgide. Ọwara oge Agha Oyi Matsu, ebe nchekwa ihe ndekọ mpaghara agha, omenala Eastern Min, ụkpụrụ ụlọ, na asụsụ na-ahụ ezinụlọ 200 na-eme ọdịnala imepụta mmanya vaịn, na-akpali isiokwu Ruby Red Mgbe Ọkọchị Gachara. Mmemme Biennial a na-agbanwe nka ka ọ bụrụ ihe na-eme ka ihe gbagọ iji mee ka olu ndị a kpọchiri akpọchi pụta ma gbanwee Matsu ka ọ bụrụ ntọala maka nka na nhazi.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Igwe

Matsu Biennial 2023 Mmemme Nka meriri A' Design Award nke Igwe, nnabata dị ugwu e nyere design ndị dị mma nke na-emezu ihe ndị a chọrọ n'ọrụ na ụlọ ọrụ nke a na-atụ anya n'ihe e kere eke ndị e mere nke ọma. Ndị meriri na Igwe na-egosi nka buru ibu, ọkachamara dị elu, nghọta ọkachamara na ikike imepụta nke ndị kere ha. A na-atụ anya na Matsu Biennial 2023 Mmemme Nka ga-abụ ihe e kere eke a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya nke bụ ihe bara uru ma dị ọhụrụ. Design a meriri A' Design Award nke Igwe na-ejikọta ụzọ kacha mma nke ụlọ ọrụ ma nwee àgwà teknụzụ kwesịrị ekwesị jikọtara na ihe ọmụma na talent. A na-asọpụrụ Matsu Biennial 2023 Mmemme Nka maka nlezianya ya ma e mere ya ka ọ nye mmeziwanye ndụ nke na-enyere aka ime ka ụwa bụrụ ebe ka mma.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: Matsu Biennial restores the suppressed voices and self-evident culture of Matsu's unique Cold-War heritage and war zone administration period. Unlike typical art festivals, the Biennial is a 10-year project across 5 planned biennials to involve experts and provide integrated design solutions.
Cultural governance and design thinking are made part of policymaking to advance art and education. The Biennial is a long-term cultural movement through site translation, cultural tours, and co-creation.
Nha & Mkpuchi: Exhibition grounds spanning the 4 townships and 5 islands of Matsu under a framework of 9 curatorial projects, comprised of 70 works spanning 4 areas of art design, landscape architecture, culinary art, and performance. Exhibition venues across a range of public spaces such as beaches, strategic intersections, plazas, military sites, private houses, cafes, and museums. 12 co-curators and 80 artist groups, including 13 local artists and 7 visiting artists from 5 countries.
Mkpado: Matsu Biennial, art festival, cultural heritage, Cold War, public branding, community design, social design, design education
Teknụzụ Mmepụta: Based on past studies of Matsu's military and cultural heritage, the Biennial invites locals and experts to co-create 70 works across 9 curation projects of architecture, art, food, and performance. Crossing contemporary mediums with traditional arts, it connects and revitalizes local traditions. Highlights include Underwater Lab and The Island Scene, featuring technology art, video, sculpture, traditional papercutting art, and military site installations, creating key landscapes on the island.
Ịma Aka Imepụta: The goal of the Biennial is to revive tangible/intangible heritage. Winemaking became the theme to resonate culturally and military sites have been revitalized. The challenge is to instill cultural identification locally, preserving and innovating with experts to increase local participation and communications by social design. As a cultural movement, the Biennial engages with residents, delivering posters to 3800 households and embedding its processes in art curriculums and development workshops.
Nchọpụta: The Matsu Biennial 2023 is based on past surveys of local heritage. Its theme Ruby Red After Summer honors the tradition of winemaking in Matsu to "ferment art". In 2007, a comprehensive survey of the islands recorded 146 military installations. In 2019, 13 military sites were selected for revitalization studies. Surveys on local contexts, archives, and interviews collected local issues and cultural highlights of Matsu’s sites including crafts, and food, forming the basis for the Biennial.
Mkpali: UNESCO Universal Declaration on Cultural Diversity considers cultural diversity as legacy, promoting peace through dialog. Villages and towns nowadays host large-scale art festivals to revitalize local industries and culture, driving local participation and bolstering the regional brand. Accordingly, Matsu Biennial adopts the core concept of "social design", creating public branding for sustainable governance and using art curation to highlight the significance of Matsu's Cold-War heritage.
Oge Ọrụ: The 2nd Matsu Biennial "Ruby Red After Summer" opens from Sept. 23 to Nov. 12,2023 at the 4 townships and 5 islands of Matsu. In 2007, a comprehensive survey of Matsu's local heritage and cultural landscape was initiated. In 2019, planning for the 1st Matsu Biennial started, and in 2020, a stronghold redesign campaign movement was launched, leading up to the opening of 2 military sites for the 2nd Matsu Biennial.
Usoro Ọrụ: Addressing issues through social design, the Biennial adopts 5 principal designs of engagement—creating dialogue with the community and developing local characteristics; sustainability—design with a 10-year vision; planning—continued concern for society through art practice; spatial governance—design on the scale of architectural contexts; and culture—design to transform organizational cultures and create an environment conducive to art and design.
Patentị: Copyrights belong to Matsu Biennial
Ndị Otu: Co-organizers: Chung-Ming Wang, Hou-ching Lee, Jing-hui Huang, Xiao-Yun Wu
Marketing Coordinator: Ayu Cheng
Chief of Operations: Hui-Ting Liu
Curatorial team: Lee Ro-Mei, Chao Kai-Chih, Eric Chen, Eva Lin, Chang Cheng-Yu, Chang Kuang-Yi, Nakaw Putun, Han Wu, Hung Yu-Cheng, Ella Jheng, Liu Mei-Yu, Tammy Yu-Ting Hsieh, Pilar Tsai, Li-Wei Hou, Liting Liu, Hsieh Shu-Ching, Wang Shih-Yu, Wilma Ku, Yu-Zheng Ye
Asụsụ Foto: Matsu Biennial