Museum Hanmi Exhibition Nhazi Akwụkwọ nke Sunghoon Kim

Ihe emepụtara bụ Museum Hanmi Exhibition Nhazi Akwụkwọ nke Sunghoon Kim bụ onye meriri a na-asọpụrụ nke ukwuu nke 2023 Ihe Nrite A' Design Award nke Bronz na Udi Asọmpi Nhazi Mbipụta na Mgbasa Ozi Ebipụtara.

BronzMbipụta· 2023

Museum Hanmi Exhibition Nhazi Akwụkwọ

nke Sunghoon Kim

Onye Ahịa: Museum Hanmi

Onye Meriri Ihe Nrite A' Design Award nke Bronz na Udi Mbipụta

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #147990

Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Museum Hanmi Exhibition Nhazi Akwụkwọ

O mere nhazi mkpokọta foto nke "Inside Out, A History of Korean Photography 1929-1982", nke bụ ihe ngosi mmalite nke Ihe Ngosi Museum Hanmi. Dịka ihe ngosi akụkọ ihe mere eme nke na-elegharị anya n'azụ n'afọ 50 gara aga nke foto Korea, ọ na-eso ụzọ ọnọdụ ụlọ ọrụ nke foto Korea mere akụkọ ihe mere eme site na 1929 ruo 1982. Tinyere ihe ngosi ahụ, akwụkwọ a ga-enyere aka ịsọ ụzọ foto Korea n'okpuru ọnọdụ ụlọ ọrụ o mere akụkọ ihe mere eme ma bụrụkwa ohere bara uru iji guzobe akụkọ ihe mere eme foto Korea.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Bronz

Museum Hanmi Exhibition Nhazi Akwụkwọ meriri A' Design Award nke Bronz, nnabata dị oke ugwu e nyere design ndị pụtara ìhè nke a ma ama maka nzụlite ihe, ọgụgụ isi na nghọta. Ndị meriri na Bronz bụ ihe e mere nke ndị nwere nka nke ukwuu ma dị mma n'imepụta nke na-egosi ahụmahụ buru ibu, echiche na ọgụgụ isi nke ndị designer ha. A na-atụ anya na Museum Hanmi Exhibition Nhazi Akwụkwọ ga-abụ ihe a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya, nke dị oke ọrụ ma dị ọhụrụ. Design a meriri A' Design Award nke Bronz na-agụnye ụzọ kacha mma n'ime nka, sayensị, design na teknụzụ, ma dị mma nke ukwuu maka nlebara anya ya n'obere ihe. Museum Hanmi Exhibition Nhazi Akwụkwọ na-emezu mkpa nke ọma, na-emetụ ọchịchọ aka, na-adọrọ mmetụta obi ma na-adọta ọchịchọ ịmara.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: He were directly inspired by the word photo because it is an exhibition photo book that looks back on Korea’s photography history over the past 50 years. Black and white were actively used as design elements on the cover and interior of the book, using photographic techniques that are printed in the way of light and darkness. The exhibition title is Inside Out, so he used intuitive parentheses as graphic elements.
Nha & Mkpuchi: Softcover book, 170mm x 240mm x 38mm, 512 pages, the cover of two versions black and white, black cover is glossy black and glossy red hot foil stamping, white cover is pearl and glossy red hot foil stamping, bookbinding fully unfolded
Mkpado: MUSEUM HANMI, Photo Book, Book, Photography, Design, Editorial, Graphic, Typography
Teknụzụ Mmepụta: To express light and darkness, the paper on the cover was made in two versions: black and white. The black version is hot foil stamping with glossy black and glossy red, and the white version is hot foil stamping with pearl and glossy red. He printed it on matte paper so that the pictures of the past could be realized well. The book was tied with thread so that it could be fully unfolded and the back of the book has not adhered to.
Ịma Aka Imepụta: The biggest goal is to understand the purpose of the exhibition while following in the footsteps of the institutional conditions in which Korean photography has made history and to convey its meaning well in the photo book. Also, since it is a photo book, He wanted to find a design methodology so that the techniques and elements of photography could be expressed in the book, and the two elements of light and darkness presented a great direction.
Nchọpụta: Over the years, he reviewed and organized the LIMB Eungsik’s Scrapbook, the largest archive of Korean photographers owned by MUSEUM HANMI. Based on this, he collected and organized photo materials with the help of various related organizations, bereaved families, and writers. Through this, he found the lost link in Korean photography history and filled the gap in the scrapbook. These efforts will serve as a foundation for academic attempts to establish the history of Korean photography.
Mkpali: He designed a photo collection of , which is the opening exhibition of the MUSEUM HANMI SAMCHEONG. As a historical exhibition that looks back on the past 50 years of Korean photography, he follow in the footsteps of what institutional conditions Korean photography made history from 1929 to 1982.
Oge Ọrụ: The project began in Seoul, South Korea in August 2022 and ended in January 2023. In Korea, books have been distributed to customers since January 2023.
Usoro Ọrụ: He designed this book hoping that it will be a memorable book so that visitors to the exhibition can feel their feelings and thoughts about Korea’s photo history even after the exhibition. Along with the exhibition, the book will help follow the footsteps of Korean photography under what institutional conditions it has made history and will be a valuable opportunity to establish Korea’s photography history.
Ndị Otu: Creative Directed & Designed by Kim Sunghoon
Asụsụ Foto: Kim Sunghoon