Digital Taihu Arịa Ụlọ E Bipụtara Site na 3D nke Yang Pu and Ding Wen Nic Bao

Ihe emepụtara bụ Digital Taihu Arịa Ụlọ E Bipụtara Site na 3D nke Yang Pu and Ding Wen Nic Bao bụ onye meriri a na-asọpụrụ nke ukwuu nke 2023 Ihe Nrite A' Design Award nke Igwe na Udi Asọmpi Nhazi Ụdị Ebipụtara na 3D na Ngwaahịa.

IgweMbipụta 3D· 2023

Digital Taihu Arịa Ụlọ E Bipụtara Site na 3D

nke Yang Pu and Ding Wen Nic Bao

Onye Ahịa: Nanjing University of the Arts and RMIT University

Onye Meriri Ihe Nrite A' Design Award nke Igwe na Udi Mbipụta 3D

43,526

Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #147462

Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Digital Taihu Arịa Ụlọ E Bipụtara Site na 3D

Digital Taihu na-eji teknụzụ ebipụta 3D kpalite iji omenala China oge ochie mee ihe n'oge dijitalụ, na-ejikọta nkume Taihu na algọridim njikarịcha nhazi evolushọn nwere ụzọ abụọ iji nyochaa ụzọ e si emepụta ihe nhazi site na usoro okike, nke na-ebute ihe nhazi dijitalụ nwere ike ịdịgide nke nwere nhazi ekwalitere nke ọma.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Igwe

Digital Taihu Arịa Ụlọ E Bipụtara Site na 3D meriri A' Design Award nke Igwe, nnabata dị ugwu e nyere design ndị dị mma nke na-emezu ihe ndị a chọrọ n'ọrụ na ụlọ ọrụ nke a na-atụ anya n'ihe e kere eke ndị e mere nke ọma. Ndị meriri na Igwe na-egosi nka buru ibu, ọkachamara dị elu, nghọta ọkachamara na ikike imepụta nke ndị kere ha. A na-atụ anya na Digital Taihu Arịa Ụlọ E Bipụtara Site na 3D ga-abụ ihe e kere eke a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya nke bụ ihe bara uru ma dị ọhụrụ. Design a meriri A' Design Award nke Igwe na-ejikọta ụzọ kacha mma nke ụlọ ọrụ ma nwee àgwà teknụzụ kwesịrị ekwesị jikọtara na ihe ọmụma na talent. A na-asọpụrụ Digital Taihu Arịa Ụlọ E Bipụtara Site na 3D maka nlezianya ya ma e mere ya ka ọ nye mmeziwanye ndụ nke na-enyere aka ime ka ụwa bụrụ ebe ka mma.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: The work uses 3D printing to activate traditional Chinese culture to realize the synergistic design of structural properties generated by the 'Taihu Stone' and bi-directional evolutionary structural optimization algorithms, focusing on the complexity of virtual birth forms into the rationality of physical forms. This digital design practice learns from nature and derives its design biomorphic approach from natural systems to achieve the sustainable goal of living in symbiosis with nature.
Nha & Mkpuchi: Length 915mm, width 1125mm, height 1052mm
Mkpado: Bi-directional evolutionary structural optimization, 3D Printing, Conceptual Design, Furniture Design
Teknụzụ Mmepụta: A bi-directional evolutionary structural optimization method was used to optimize the furniture structure and to obtain a simulated natural form of Taihu stone. The furniture model is constructed from liquid photosensitive resin material by integrated 3D printing. The actual construction was carried out using metal 3D printing.
Ịma Aka Imepụta: The most difficult part of the project development process is the topology optimization phase, including the application of relevant mechanics methods and the testing of data iterations. Secondly, it was also a challenge to verify the feasibility of the structural materials, which needed to be considered in terms of production difficulties and the extent to which people would use them.
Nchọpụta: Research objectives: 1. The digital expression of traditional Chinese cultures. 2. furniture structures optimization and 3D printing technology combined to achieve sustainability goals. Research methods: 1. Structural data collection and analysis. 2. Algorithmic data iteration to generate forms. Research findings: 1. 3D printing technology allows for rapid lightweight design, moving away from traditional production models. 2. Furniture structures and materials are cutting-edge. Research Impact: Provides the possibility of diverse design for the future digital design industry.
Mkpali: In the long history of furniture design, traditional culture has given furniture shapes a richer morphological language, and 3D printing as a new design culture can bring more surprises to furniture design. From a design perspective, we hope that the combination of the natural form of the traditional Chinese stone "Taihu Stone" and digital design will result in a more vivid shape through 3D printing, activating a new way of communicating Chinese traditional culture in the digital age.
Oge Ọrụ: The project started in July 2022 and ended in September 2022. Project duration: 2 months. Location: Wuhan City, Hubei Province, China.
Usoro Ọrụ: Firstly, the furniture is designed using a bi-directional evolutionary structural optimization algorithm and the prototype is iterated according to the corresponding optimization results. Secondly, the furniture is constructed by 3D printing. The topologically optimized furniture not only has reasonable structural properties, reduces the amount of material used, and shortens the construction production cycle, but also results in a better quality customized lightweight designs.
Ndị Otu: Yang Pu
Ding Wen Bao
Asụsụ Foto: Yang Pu and Ding Wen‘Nic’Bao，2022.