Random Puff Uwe Akwa 4D nke Rosalie Hsin-Ju Lin

Ihe emepụtara bụ Random Puff Uwe Akwa 4D nke Rosalie Hsin-Ju Lin bụ onye meriri a na-asọpụrụ nke ukwuu nke 2023 Ihe Nrite A' Design Award nke Igwe na Udi Asọmpi Nhazi Akwa, Ụdị Akwa, Ụdị Elu, Ụkpụrụ na Akwa Uwe.

IgweAkwa· 2023

Random Puff Uwe Akwa 4D

nke Rosalie Hsin-Ju Lin

Onye Ahịa: MIT Media Lab

Onye Meriri Ihe Nrite A' Design Award nke Igwe na Udi Akwa

41,675

Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #145286

Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Random Puff Uwe Akwa 4D

RandomPuff bụ puffer akwụkwọ akụkọ na-eji 4D embroidery puffs maka mkpuchi uwe. A na-ebu ụzọ kpụpụta puffs dị larịị ma na-agbago n'ime ụlọ mgbe ikpo ọkụ na-ekpo ọkụ. Ihe na-afụ ụfụ na-arụ ọrụ na-ejide ikuku n'etiti ebe dị n'èzí na onye na-ekpuchi ya iji mee ka ahụ dị ọkụ. Mmepe a gụnyere imepụta ọbá akwụkwọ nke mmekọrịta ihe embroidery 4D n'etiti 'fiber na-arụ ọrụ' na 'akwa static'. Ndị na-emepụta ihe na ndị na-emepụta ihe nwere ike iji ngwá ọrụ nhazi mgbakọ na mwepụ na-arụkọ ọrụ ọnụ na ndị ọrụ njedebe, na-emepụta akwa akwa na softgood nke bụ ejiji nkà na ụzụ dị elu, ahaziri onwe ya na nkwado.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Igwe

Random Puff Uwe Akwa 4D meriri A' Design Award nke Igwe, nnabata dị ugwu e nyere design ndị dị mma nke na-emezu ihe ndị a chọrọ n'ọrụ na ụlọ ọrụ nke a na-atụ anya n'ihe e kere eke ndị e mere nke ọma. Ndị meriri na Igwe na-egosi nka buru ibu, ọkachamara dị elu, nghọta ọkachamara na ikike imepụta nke ndị kere ha. A na-atụ anya na Random Puff Uwe Akwa 4D ga-abụ ihe e kere eke a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya nke bụ ihe bara uru ma dị ọhụrụ. Design a meriri A' Design Award nke Igwe na-ejikọta ụzọ kacha mma nke ụlọ ọrụ ma nwee àgwà teknụzụ kwesịrị ekwesị jikọtara na ihe ọmụma na talent. A na-asọpụrụ Random Puff Uwe Akwa 4D maka nlezianya ya ma e mere ya ka ọ nye mmeziwanye ndụ nke na-enyere aka ime ka ụwa bụrụ ebe ka mma.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: Random Puff is a garment application leveraging the puffy transformation that traps air within the dome pocket to keep the body warm. The double curvature geometry becomes easily fabricated, and personalizable styling is available through the computational design process, which opens up a new design/manufacturing space for a puffy garment.
Nha & Mkpuchi: 500mm x 30mm x 700mm. However, since it's a garment, it can be fold into the size of 300mm x 20mm x 200mm.
Mkpado: 4D embroidery
Teknụzụ Mmepụta: Heat-shrink thread. Neoprene. Machine embroidery. Processing visualizer.
Ịma Aka Imepụta: First, the force balance between active thread and static fabric is a fundamental challenge. There is too much fabric out there with labeled information that does not necessarily lead to our purpose. Second, tension issues happen when new threads or fabric are introduced to the machine. It takes a while to calibrate, and sometimes break the machine if the thread is too thick/thin, or the fabric is too thick/slippery/crispy. Third, to achieve the maximized bi-layer bending, we want to vary the force on both sides so that the inner side does not constraint the outer side.
Nchọpụta: Research background:
This research demonstrates how machine embroidery with heat-shrinking fibers enables existing fabrics to be augmented with morphing fibers.

Methods/Tools:
Similar to sewing, embroidery is a technique of interlacing upper and bottom threads with the substrate in between, but digitally. For the hardware, a desktop, hobbyist embroidery machine can easily execute wanted samples. For the software, I mainly explored PEmbroidery and Inkstitch for different purposes. PEmbroider is an open-source library housed in Processing that offers a procedural coding environment to generate detailed embroidered files at point and line levels. Inkstitch is also an open-source plug-in embedded in Inkscape that provides a graphical user interface, which is more friendly for primary users.

Results/Insight:
I started off the material characterization by testing different substrates with the same embroidery parameters. Out of 10+ fabrics, fabrics that are lightweight with high springness can hold the morphed structure better. A series of embroidery parameters were also tested systematically with stroke width, density, peak-to-peak distance, stitch spacing, and threading material. The fiber actuator can be tuned from crease(low res) to bend(high res) in a linear pattern. The fiber can be arranged in curves, origami creases, or arbitrary shapes to form more complex pop-up geometry.
Mkpali: Working at a NIKE shoe industry, I realized the challenge of transformation between 3D to 2D or vice versa. There's still no clear solution for the tedious, laborious, wasteful process from prototyping to production.

Working as a R&D at a carbon fiber company, I got to witness the power of machine embroidery, where it can digitally place fibers. This way, it can reinforce the artifact in any direction, replace the lamination thus reducing the material waste, and digitalize the process from start to end.
Oge Ọrụ: The project started in September 2021 and finished in December 2021 in Cambridge, MA, United States.
Usoro Ọrụ: First, a closed-curve set of circles, squares, or other arbitrary shapes is generated within the area of a 2D clothing. Second, the design file will be translated to an embroidery file via Processing, a visual output, and procedural coding environment. Third, upload the file to a desktop hobbyist embroidery machine and start embroidery. Lastly, the garment comes out flat from the machine and users can customize where to activate the puffs by heating the embroidery pattern with a steamer or iron.
Ndị Otu: Rosalie Hsin-Ju Lin
Skylar Tibbits
Jack Forman
Hiroshi Ishii
Asụsụ Foto: All IP, copyright, images, video credits belong to Rosalie Hsin-Ju Lin.