Bio Ọrụ Bụ Isi: Oche Aka nke Vladimir Zagorac

Ihe emepụtara bụ Bio Ọrụ Bụ Isi: Oche Aka nke Vladimir Zagorac bụ onye meriri a na-asọpụrụ nke ukwuu nke 2022 Ihe Nrite A' Design Award nke Bronz na Udi Asọmpi Nhazi Ngwá Ụlọ.

BronzNgwá Ụlọ· 2022

Bio Ọrụ Bụ Isi: Oche Aka

nke Vladimir Zagorac

Onye Ahịa: Vladimir Zagorac

Onye Meriri Ihe Nrite A' Design Award nke Bronz na Udi Ngwá Ụlọ

16,383

Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #140098

Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Bio Ọrụ Bụ Isi: Oche Aka

Ihe E Dere N'akwụkwọ: Bio bụ ihe nchịkọta oche aka dị ala nke e chepụtara maka ojiji n'ime ụlọ nke oge a. Oghere dị n'azụ oche na-echetara mmadụ akwụkwọ osisi ma ọ bụ shel, ma ọdịdị ya na-agbanwe nso n'ọnụ ala ya gaa n'ụdị yiri ifuru osisi Calla aethiopica. Ọnụ ala a na-agbagọ ntakịrị azụ ma bulie n'otu akụkụ, si otú a mepụta ọdịdị na-ekekọghị ọnụ. Enweghị nhata ọ bụghị n'akụkụ ndị dị n'ime ọdịdị ahụ, kama ọ dị naanị n'akụkụ mpụta ya, nke mere na ọdịmma na ndozi arụ ahụ (ergonomics) ka dịgide. Ihe ndị e ji rụọ ya gụnyere ihe thermoplastics a kpụziri akpụzi,ígwè, aluminum a wụsara awụsa, osisi oak na akpụkpọ anụ.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Bronz

Bio Ọrụ Bụ Isi: Oche Aka meriri A' Design Award nke Bronz, nnabata dị oke ugwu e nyere design ndị pụtara ìhè nke a ma ama maka nzụlite ihe, ọgụgụ isi na nghọta. Ndị meriri na Bronz bụ ihe e mere nke ndị nwere nka nke ukwuu ma dị mma n'imepụta nke na-egosi ahụmahụ buru ibu, echiche na ọgụgụ isi nke ndị designer ha. A na-atụ anya na Bio Ọrụ Bụ Isi: Oche Aka ga-abụ ihe a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya, nke dị oke ọrụ ma dị ọhụrụ. Design a meriri A' Design Award nke Bronz na-agụnye ụzọ kacha mma n'ime nka, sayensị, design na teknụzụ, ma dị mma nke ukwuu maka nlebara anya ya n'obere ihe. Bio Ọrụ Bụ Isi: Oche Aka na-emezu mkpa nke ọma, na-emetụ ọchịchọ aka, na-adọrọ mmetụta obi ma na-adọta ọchịchọ ịmara.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: The ambiguous shape of the opening on the seat's back, recognizable as a leaf or shell transforms into a more characteristic form similar to the flower of the Calla aethiopica plant on the edge of the backrest. This edge bends slightly backwards and rises on one side, creating a new visual effect as opposed to the other side. The asymmetry of the silhouette does not affect the functionality and ergonomics of the seat since changes in the shape occur only in the outer areas of the form.
Nha & Mkpuchi: Width / Depth: up to 680mm, Height: 849mm (medium)
Mkpado: Asymmetry, Natural, Bio-form, Growth, Stylization
Teknụzụ Mmepụta: Molded thermoplastics, Welded laser-cut and pressed steel, Cast aluminum, Oakwood, Leather
Ịma Aka Imepụta: The shape of the seat can be associated with a multitude of natural forms but also with the general characteristics of the living world. The silhouette of the seat is defined through two edge curves similar in shape but with subtle differences such as curvature, orientation, distortion, and depth. These gradual changes emphasize growth as a universally understandable natural pattern and accentuate the form through minimal spatial deformations associated with gravity and weight. A firm overall construct was kept whilst utilizing asymmetry as one of the main chosen attributes.
Nchọpụta: The research was performed by analyzing samples from flora and fauna and simplification and stylizing through drawings and 3D computer models. The result contains no unnecessary visual details, and was driven by the challenge of creating asymmetrical functional aesthetics within an ergonomic fresh design, universally understood as a bio-form. Different variants were developed depending on the purpose of the chair and type of legs, with metal and wood as starting materials. The organic lines of the seats are additionally emphasized in contrast with the materials of the legs.
Mkpali: Bio is a conceptual research project in the subject of stylistics created as a part of doctoral studies. The proposal of the chair collection was inspired by organic shapes and universal principals of nature.
Oge Ọrụ: The project lasted one semester at the Faculty of Applied Arts in Belgrade.
Usoro Ọrụ: Bio is a low armchair collection designed for various usages. It complements modern interiors with simplistic asymmetry and unobtrusive form open to interpretation.
Patentị: Copyrights belong to Vladimir Zagorac and the Faculty of Applied Arts in Belgrade
Ndị Otu: Designer: Vladimir Zagorac
Mentor: Marko Lukovic
Asụsụ Foto: Vladimir Zagorac, Faculty of Applied Arts in Belgrade