Device of Perception Ụlọ Omenala nke Yuting Zhang

Ihe emepụtara bụ Device of Perception Ụlọ Omenala nke Yuting Zhang bụ onye meriri a na-asọpụrụ nke ukwuu nke 2022 Ihe Nrite A' Design Award nke Bronz na Udi Asọmpi Nhazi Ụlọ Owu, Ụlọ na Ihe Owuwu.

BronzỤlọ Owu· 2022

Device of Perception Ụlọ Omenala

nke Yuting Zhang

Onye Ahịa: Yuting Zhang

Onye Meriri Ihe Nrite A' Design Award nke Bronz na Udi Ụlọ Owu

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #138650

Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Device of Perception Ụlọ Omenala

Ngwa nghọta bụ ụlọ omenala dị na Mexico City, nke dị n'etiti mpaghara akụkọ ihe mere eme dị ala na mmepe azụmahịa dị elu. Ụlọ a kpuchiri ihe dị ka 4500 mita kwuru, o nwere ụlọ nkuzi, obere ụlọ ihe nkiri, mpaghara ngosi, ọfịs, ebe nchekwa na kafe. Ogige mbata dị n'ala na-ekewapụta ụlọ ahụ na ụzọ ọsọ ọsọ ahụ, ma na-ejere ozi dịka mgbatị nke ụlọ ime. Kwa ala nke ụlọ elu dị mkpirikpi ahụ agbagọrọ ọkara ntụgharị, na-emepụta ụlọ ngosi ọha na eze dị n'ụdị spiral nke nwere ihe ngosi obodo etinyere n'ime frame. A na-eji ndị injinia kpọrọ concrete akwadoro na igwe agba ekpo ekpo rụọ ya.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Bronz

Device of Perception Ụlọ Omenala meriri A' Design Award nke Bronz, nnabata dị oke ugwu e nyere design ndị pụtara ìhè nke a ma ama maka nzụlite ihe, ọgụgụ isi na nghọta. Ndị meriri na Bronz bụ ihe e mere nke ndị nwere nka nke ukwuu ma dị mma n'imepụta nke na-egosi ahụmahụ buru ibu, echiche na ọgụgụ isi nke ndị designer ha. A na-atụ anya na Device of Perception Ụlọ Omenala ga-abụ ihe a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya, nke dị oke ọrụ ma dị ọhụrụ. Design a meriri A' Design Award nke Bronz na-agụnye ụzọ kacha mma n'ime nka, sayensị, design na teknụzụ, ma dị mma nke ukwuu maka nlebara anya ya n'obere ihe. Device of Perception Ụlọ Omenala na-emezu mkpa nke ọma, na-emetụ ọchịchọ aka, na-adọrọ mmetụta obi ma na-adọta ọchịchọ ịmara.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: The site is in between the low rise colonial historic quarter and the high rise commercial development, as an intersection node full of complexity in Mexico City. The cultural center is not only an exhibition space for Mexico City but could also be regarded as the device of perception. The perception is twofold in this project. One is that exterior plaza as the extension of the interior stage, the other is that a spiral path with various scenery frames as the narrative to understand the city.
Nha & Mkpuchi: Approximate total area 4500 square meters, with main conference/lecture hall, small theater hall, exhibition space, offices, storage, cafe.
Mkpado: cultural center, gallery, theater, exhibition
Teknụzụ Mmepụta: The cultural center is constructed using reinforced concrete. Informed by “stereotomic” architecture, the board-marked concrete walls of the center are treated as a found object. Corten is another material been introduced to the project. The use of the weathering steel creates an immediate visual link between past, present, and future.
Ịma Aka Imepụta: The selected site is adjacent to Zarco Plaza, public plaza alongside the Church of San Judeas Tadeo, near the convent of San Hipolito, located on Reforma Avenue at Avenida Hidalgo, which is an intersection node full of complexity in Mexico City. The design challenges are how to use space to fully interprete the surrounding urban context and the rich cultural and history narratices.
Nchọpụta: Explore how experimental miniature stage was used as a space in which objects, 2-‐dimensional drawings and 3-‐dimensional constructions of different scales could coexist in a seemingly unproblematic way, to see how the same spatial base was used to accommodate different scenarios and situations, just by moving props around, adding surfaces and changing backdrops.
Mkpali: Aldo Rossi's Project the Small Scientific Theatre from 1978 is taken as a starting point to reflect upon the relation between architecture and image, and between object/ prop and space/ stage. The theatrino models made for the project then have borrowed this primary idea from Aldo Rossi to explore how does the Zarco Plaza could be regarded as the extension of the stage of the auditorium. The definition of performers has been extended in the exploration.
Oge Ọrụ: 2017 in Mexico City
Usoro Ọrụ: The sunken entrance plaza of the cultural center creates a tranquil start of the narrative, separating the cultural center from the heavy traffic La Reforma Avenue. The lower ground floor surrounding the sunken plaza houses the art storage facilities and a cafe, maximizing publicly accessible space continues from the plaza into the lobby of the building.
Each floor of the short tower is twisted a quarter turn, which creates a large spiral public gallery as the extension of the interior exhibition space. The story of the city has been told through the switch-over between the interior gallery and different compositions of historical layers from the breaking points/openings in the cube of the spiral path. Two auditoriums have been embedded in this spiral discourse, with lectures, talks, debates, conferences, and film screenings conducted in front of the urban backdrop.
Ndị Otu: Yuting Zhang
Asụsụ Foto: Yuting Zhang