2022 Phantasm Nchịkọta Ịchafụ Ajị Anụ nke Yen-Ting Cho

Ihe emepụtara bụ 2022 Phantasm Nchịkọta Ịchafụ Ajị Anụ nke Yen-Ting Cho bụ onye meriri a na-asọpụrụ nke ukwuu nke 2022 Ihe Nrite A' Design Award nke Ọlaọcha na Udi Asọmpi Nhazi Ihe Mgbakwunye Ejiji na Njem.

ỌlaọchaIhe Mgbakwunye· 2022

2022 Phantasm Nchịkọta Ịchafụ Ajị Anụ

nke Yen-Ting Cho

Onye Ahịa: YEN TING CHO Studio

Onye Meriri Ihe Nrite A' Design Award nke Ọlaọcha na Udi Ihe Mgbakwunye

683,648

Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #136065

Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka 2022 Phantasm Nchịkọta Ịchafụ Ajị Anụ

Ajị anụ dị ọcha na-anọpụ iche nke nwoke na nwanyị nwere ụkpụrụ ọhụụ nke ebipụtara dijitalụ pụrụ iche emepụtara site na iji sọftụwia bespoke emebere akpọrọ Mov.i.see nke na-eji mmegharị ahụ gbanwee data dijitalụ wee kpughee nkọwa organic agaghị ekwe omume naanị site na mmemme kọmputa. Mov.i.see na-enyere onye nrụpụta aka imepụta ụkpụrụ asymmetrical na nke anaghị emegharị ọzọ, na-ebute ịchafụ dị iche iche na nke nwere ike iyi n'ụzọ dị iche iche dabere na ọnọdụ ma ọ bụ oge, na-adịghịkwa ka ngwaahịa ọ bụla ọzọ na ahịa akwa akwa ma ọ bụ ngwa ejiji. .

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Ọlaọcha

2022 Phantasm Nchịkọta Ịchafụ Ajị Anụ meriri A' Design Award nke Ọlaọcha, nnabata dị oke ugwu e nyere design ndị dị n'ọkwa kachasị elu, mara mma ma na-eju anya. Ndị meriri na Ọlaọcha bụ ọrụ na-egbu maramara nke ukwuu ma dị oke nzụlite nke na-egosi ọmarịcha ihe ọmụma, talent na nghọta nke ndị designer ha. A na-atụ anya na 2022 Phantasm Nchịkọta Ịchafụ Ajị Anụ ga-abụ ọrụ dị ịtụnanya, ihe nlereanya, nke dị oke ọrụ ma dị omimi n'ihe ọhụrụ. Design a meriri A' Design Award nke Ọlaọcha bụ ihe e mepụtara dị oke ịrịba ama, nke a na-eto nke na-erite uru ma na-ebuga oke nka, sayensị, design na teknụzụ n'ihu. 2022 Phantasm Nchịkọta Ịchafụ Ajị Anụ bụ ihe e kere eke ọtụtụ ndị na-ekwo ekworo ya nke na-akpali ọchịchọ, na-eweta mmetụta ọma ma na-akpali ịtụnanya.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: The patterns are unique because they are created with the studio's digital software, mov.i.see, which uses body movement to reconstruct digital data and reveal organic details not possible solely by programming. This enables he design team to create asymmetrical, non-repeat patterns that are very different from those made using traditional methods eg. mirroring or repetition. Finished by hand, the patterns are digitally-printed onto natural fabric which enables the design team to reproduce the fine detail of the designs.
Nha & Mkpuchi: Each scarf: pure wool fibre, 100cm wide x 200cm long, 0.4 kg weight. Pattern digitally-printed with ink free of heavy metals.
Mkpado: Digital design, digital print, wool, scarf, textile design, pattern, contemporary, new aesthetic, COVID-19, pandemic
Teknụzụ Mmepụta: The design team uses a bespoke interactive software, mov.i.see, to create digital patterns. Mov.i.see uses body movement to reconstruct digital data and reveal organic details not possible solely by programming. For this Collection, the team used, for the first time, layered design to bridge the gap between the figurative and the abstract to represent the complexity of the COVID-19 virus. Digital printing techniques reproduce the fine detail of the original designs whilst retaining the special colour-pattern combinations. Pure fine-combed wool holds the ink and reveals the detail of the pattern.
Ịma Aka Imepụta: The challenge was to create patterns inspired by the difficult circumstances of the COVID-19 pandemic that were colourful, optimistic and playful. The team researched thematic concepts and colour-ways, and experimented with mov.i.see to create the new patterns. The designers used, for the first time, layered design to integrate distinctive abstract patterns with figurative symbols (eg. houndstooth). The patterns were modified whilst they were being created, rather than allow the software to wholly dictate the design; consequently, the patterns reveal the authorship of the designer.
Nchọpụta: The design team creates unique patterns using a bespoke digital software programme (mov.i.see), which uses body movement to reconstruct digital data and reveal organic details not possible solely by programming. Inspired by the COVID-19 pandemic, the team aimed to apply the designs to a saleable commodity - pure wool scarves - that are colourful, optimistic and playful. Through trial and error, the team found digital printing techniques that reproduce the fine detail of the original digital designs whilst retaining the special colour combinations. The scarves are retailed and exhibited internationally.
Mkpali: The 2022 patterns represent a personal creative response to the COVID-19 pandemic. Physically stranded between studios in two countries during national lockdowns, the design team looked inwards for inspiration. Longing to escape to a utopian paradise, the team envisaged a journey to a fantastical world. The response was fantastical, ethereal and playful patterns based on the imagined journey, incorporating radically new pattern structures and colour combinations.
Oge Ọrụ: This Collection was inspired by the peculiar circumstances of the COVID-19 pandemic. The design team started designing the patterns in September 2020 and completed the project in February 2022 when the patterns were launched in New York City.
Usoro Ọrụ: A pure wool scarf with a digitally-printed pattern which can be worn as a gender-neutral fashion accessory. The studio produces unique and dynamic patterns that can be applied to playful, aesthetically-pleasing and desirable products. With asymmetrical and unique colour combinations, the scarf can be worn in different ways and to reflect individual expression, and fit changing fashion needs and occasions. Patterns are printed through the wool, so each pattern is double-sided. The wool is specially treated so that it is very comfortable and non-abrasive to the touch.
Ndị Otu: Director: Yen-Ting Cho
Co-Director: Jamie Gilham
Software Developer: Yen-Ling Kuo
Software Developer: Yen-Ting Yeh
Brand Assistant: Cheng-Lin Lee
Design Assistant: Yu-Ting Li
Video Editor: Kai Ting Chan