Before the Midnight Hour Ihe Atụ Arịa Ụlọ nke Martin Reznik

Ihe emepụtara bụ Before the Midnight Hour Ihe Atụ Arịa Ụlọ nke Martin Reznik bụ onye meriri a na-asọpụrụ nke ukwuu nke 2022 Ihe Nrite A' Design Award nke Ọlaedo na Udi Asọmpi Nhazi Eserese, Ịse Ihe na Nkwurịta Anya.

ỌlaedoEserese· 2022

Before the Midnight Hour Ihe Atụ Arịa Ụlọ

nke Martin Reznik

Onye Ahịa: Martin Reznik Illustration

Onye Meriri Ihe Nrite A' Design Award nke Ọlaedo na Udi Eserese

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #133798

Mụtakwuo Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Before the Midnight Hour Ihe Atụ Arịa Ụlọ

Usoro ihe atụ ojii na ọcha nke Marc Krusin nyere ya ma gosipụta atụmatụ arịa ụlọ ya kachasị ama maka Knoll na Desalto. N'ịbụ nke sitere na ihe nkiri na ihe nkiri noir na-akpali akpali, oru ngo a na-emebi mgbakọ nke ihe atụ ngwá ụlọ site n'iweta akụkọ na ihe nkiri, iji echiche ikwubiga okwu ókè na ihe ịchọ mma noir dị nro. Enweghị ọnụnọ mmadụ na ihe ndị gbasasịrị agbasa na-agbakwunye akụkụ nke ihe omimi na enweghị nchekwube na akụkọ ahụ, ebe onye na-eme ihe nkiri na-ekpughe na njedebe dị ịtụnanya. Edere onyonyo niile n'ụdị dijitalụ na Adobe Photoshop site na iji mbadamba Wacom Cintiq.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Ọlaedo

Before the Midnight Hour Ihe Atụ Arịa Ụlọ meriri A' Design Award nke Ọlaedo, nnabata dị oke ugwu e nyere design ndị dị n'ọkwa mbụ, dị ịtụnanya ma pụtara ìhè. Ndị meriri na Ọlaedo bụ ihe e kere eke dị oke ọhụrụ, nwere ọhụụ ma na-egbu maramara nke na-egosipụta ọgụgụ isi, amamihe na nka nke ndị designer ha. A na-atụ anya na Before the Midnight Hour Ihe Atụ Arịa Ụlọ ga-abụ ihe e mepụtara kacha enweta otuto, na-edu ọnọdụ ma bụrụ ihe ncheta nke na-enye uru na-adịbeghị mgbe ọ bụla. Design a meriri A' Design Award nke Ọlaedo bụ ọrụ dị ebube, a na-asọpụrụ nke na-erite uru buru ibu ma na-ebuga oke nka, sayensị, design na teknụzụ n'ihu. Before the Midnight Hour Ihe Atụ Arịa Ụlọ na-eweta mmetụta ọchịchọ siri ike, na-akpali agụụ, na-akwado nzụlite ihe ma na-adọrọ anyị adọrọ.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: Series of illustrations commissioned by furniture designer Marc Krusin for the promotional use on his website and across social media channels and featuring his most prominent furniture designs for Knoll and Desalto. The project brakes the conventions of furniture illustration by bringing a narrative to the scenes, use of exaggerated perspective and a film noir aesthetic. The lack of human presence and scattered objects add an element of mystery. The protagonist is revealed in a surprise ending.
Nha & Mkpuchi: The illustrations are mainly used in a digital format online, but they were also designed with art print production in mind. Each square illustration is drawn on 500 x 500mm digital canvas.
The images were later combined into a large poster (500 x 700mm) and reproduced as a limited edition screen print.
Mkpado: illustration, furniture, noir, interior design, comics, digital art, black and white, drawing, architecture, graphic
Teknụzụ Mmepụta: Each illustration was drawn in pen and ink on paper and once approved by the client it was redrawn digitally. I used Adobe Illustrator to construct the furniture and interiors accurately and then Photoshop to apply textures, light and draw other elements using Wacom Cintiq tablet. The images were rendered using black only to recreate film noir aesthetic.
Ịma Aka Imepụta: The client was against any human figures in the scenes, but I could not help but wonder about the smoker missing from the first image. I felt his appearance was important to the story. His silhouette is revealed in an extended version of the 4th illustration, but only as a scroll option on an Instagram post. The client thought this elegant solution added an element of surprise and closure to the story.
Each image needed different cropping options to accommodate various socials and screen formats.
Nchọpụta: Since I have never illustrated furniture before I made few initial sketches based on an online research of the industry trends, but these came out quite dull and rigid. I was not happy with them at all. I decided to go a different way and focus on style and narrative instead. From then on the research involved my favourite films and comic books, noir genre in particular. I decided to recreate its moody atmosphere in my series. The style also justifies unconventional framing of the furniture.
Mkpali: Main inspiration for this project were comics and classic French noir cinema. The concept for the first illustration came from a reference photo I received from the client, which was a shot of a chair from behind and at a very low angle. It was very unusual and sparked loads of questions in my head. Being a fan of detective stories I decided to follow this approach in the layout of the image. The first image was crucial in setting the tone for the whole series.
Oge Ọrụ: The series was posted on Instagram and LinkedIn starting February 2021 and these posts are still active. The hero banners on client's website run for about 8 months, nearly till the end of 2021.
Usoro Ọrụ: The project was initially published on Instagram. The illustrations were posted in regular time intervals. Main interaction with the story comes with the 4th and last illustration, where the viewer is encouraged to reveal the protagonist (the smoker) by using the scroll option on the Instagram post.
The unusual approach to furniture illustration in these series ensures the greater impact on the viewers arousing their curiosity about the products and the brand itself.
Asụsụ Foto: All illustrations: Martin Reznik, 2021