Ihe emepụtara bụ Kinematic Konnection Uwe nke Anna Vescovi bụ onye meriri a na-asọpụrụ nke ukwuu nke 2022 Ihe Nrite A' Design Award nke Igwe na Udi Asọmpi Nhazi Ejiji, Uwe na Akwa Uwe.
IgweEjiji· 2022
Kinematic Konnection Uwe
nke Anna Vescovi
Onye Ahịa: Anna Vescovi
Onye Meriri Ihe Nrite A' Design Award nke Igwe na Udi Ejiji
Onye Meriri Onyinye A Kwadoro
Nyochaa Ọnọdụ Onyinye maka #133098Nhazi a
Maka Kinematic Konnection Uwe
Kinematic Konnection bụ uwe e ji iberibe acrylic e ji laser bee mee. Ọtụtụ narị mgbanaka ọla edo (gold jump rings) na-ejikọta obere okirikiri (roundels) nke dị otu inch site na otu inch, ndị e sitere na mpempe akwụkwọ acrylic nke agba anwụrụ ọkụ bee ha. E ji usoro mgbako mgbakọ na mwepụ (mathematical calculation) chọpụta ụdị a na-adepụta ya, e wee nwaa ọtụtụ ụdị dị iche iche ka ha ruo n'ụkpụrụ nha nke millimita iji họpụta obosara na oke ịba ibu kwesịrị ekwesị. Elu ihe na-egbuke egbuke a na-enye nnwapụta dị nro, dịka enyo. Njikọ ndị a na-eme ka mmegharị ahụ na oke ibu dịrị nha anya, na-egosipụta nrụgide nke ụkpụrụ ahụike na-ezighi ezi e ji ekpebi otú ahụ mmadụ kwesịrịịdị na balet (ballet). Usoro njikọ a nakwa na-enye ohere itinye ma ọ bụ wepụ iberibe iji hazie ka o kwesị ekwesị n'ahụ onye yiri ya.
Nkwanye Ugwu
Maka Ihe Nrite A' Design Award nke Igwe
Kinematic Konnection Uwe meriri A' Design Award nke Igwe, nnabata dị ugwu e nyere design ndị dị mma nke na-emezu ihe ndị a chọrọ n'ọrụ na ụlọ ọrụ nke a na-atụ anya n'ihe e kere eke ndị e mere nke ọma. Ndị meriri na Igwe na-egosi nka buru ibu, ọkachamara dị elu, nghọta ọkachamara na ikike imepụta nke ndị kere ha. A na-atụ anya na Kinematic Konnection Uwe ga-abụ ihe e kere eke a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya nke bụ ihe bara uru ma dị ọhụrụ. Design a meriri A' Design Award nke Igwe na-ejikọta ụzọ kacha mma nke ụlọ ọrụ ma nwee àgwà teknụzụ kwesịrị ekwesị jikọtara na ihe ọmụma na talent. A na-asọpụrụ Kinematic Konnection Uwe maka nlezianya ya ma e mere ya ka ọ nye mmeziwanye ndụ nke na-enyere aka ime ka ụwa bụrụ ebe ka mma.
N'azụ Nhazi a
Ngwugwu Mgbasa Ozi
Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.
- Àgwà Pụrụ Iche
- The Kinematic Konnection garment is comprised of laser cut acrylic pieces, deliberately designed to parallel the weighted nature of the ballet industry and the struggle of fitting unrealistic cosmetic standards of physical image. The garment pattern is constructed mathematically in the Adobe Creative Suite, meticulously comprised of intentional juxtaposition. Unlike the flow of fabricated textiles, this garment pushes technical boundaries through contrast of kinetic freedom and restriction.
- Nha & Mkpuchi
- Acrylic roundels measures 1"x1", cut from four 12"x18" sheets. I'd calculated 30 excess roundels in the event of additive alterations for length or width of the garment if necessary. Inclusivity is an underlying theme; with joinery, one size fits all with customized additions or reductions. With fabric, there is often little room for a one-size-fits-all ability when tailored for traditional measurements. This garment computes 3.5' in length & 2.8' in hip width, made specifically for our model.
- Mkpado
- kinetic, garment, structure, fashion, reflection, textile, acrylic, lasercut, material, innovation
- Teknụzụ Mmepụta
- Adobe Suite files were digitally arranged to include roundel shapes with interior hole dimensions. Sample variations were created in order to arrive at the ideal width, size and thickness for the garment pattern. Sample considerations were paired down to the millimeter with the best result selected for the final cut. The finalized template is then laser cut into individual pieces from a 12"x18" "smoke" colored acrylic sheet, prepared to be joined with hundreds of assembled gold jump rings.
- Ịma Aka Imepụta
- One of the greatest challenges were the mathematical calculations of this garment. Following several laser cut test prototypes, I'd noticed the heat of the laser beginning to warp the acrylic towards the end of the job. Calculating the distance of the joinery holes from the edge of the roundels, the ideal mm width of the jump rings, warping preventions, the exact amount of acrylic sheets needed with safety excess and the mathematical alterations for the model's dimensions was a tedious task.
- Nchọpụta
- A second career in design opened my eyes to the extent of traumas contingent on what psychologists call "mirror-gazing." Research on Body Dysmorphic Disorder (BDD) stems from studies with the British Journal of Clinical Psychology, medical podcasts and discussions with doctors at Boston Behavioral Medicine. Mirror-gazing is an almost unavoidable complication, ingrained as unrealistic standards of living. Social research includes interviews with Simon Biles, Laurie Hernandez and Kathryn Morgan.
- Mkpali
- This garment, part of my senior thesis, is inspired by the 15 years I'd spent dancing under international ballet companies. Dancers in training dedicate 75-80% of their waking lives to mirror-gazing. Over 28,000 hours of my own life have been spent analyzing my reflection. Textiles' reflective materiality conveys physical and emotional confinement. Scandinavian principles of minimalist craftsmanship lay the aesthetic ground-work for this garment, voiced through appreciation of textile design.
- Oge Ọrụ
- This project began in Georgia, USA in May of 2021 and was completed three months later at the end of the summer. It was then captured in-studio at Savannah College of Art & Design's Adler Hall.
- Usoro Ọrụ
- One of the most captivating elements of this garment is its play of light; the glossy surface returns subtle reflections, just as a mirror would. Kinematic Konnection balances fluidity with weighted restriction; joinery techniques serve as the metaphorical juxtaposition between freedom and confinement. The purpose of this garment is to provoke an awe-inspiring allure of constructed elegance imagined from heavier subject matter of mirror-gazing.
- Ndị Otu
- Garment/Art Direction: Anna Vescovi
Photography & Editing: Patrick Cox
Photography Assistant: Emerson Scheerer
Talent: Chloe Hill - Asụsụ Foto
- Image #1 : Patrick Cox
Optional Image #2: Patrick Cox
Optional Image #3: Patrick Cox
Optional Image #4: Patrick Cox
Optional Image #5: Patrick Cox
Film Credits: Patrick Cox
Nkwado
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