Villa Gilbam Ụlọ Obibi nke Davood Boroojeni

Ihe emepụtara bụ Villa Gilbam Ụlọ Obibi nke Davood Boroojeni bụ onye meriri a na-asọpụrụ nke ukwuu nke 2022 Ihe Nrite A' Design Award nke Bronz na Udi Asọmpi Nhazi Ụlọ Owu, Ụlọ na Ihe Owuwu.

BronzỤlọ Owu· 2022

Villa Gilbam Ụlọ Obibi

nke Davood Boroojeni

Onye Ahịa: Davood Boroojeni Office

Onye Meriri Ihe Nrite A' Design Award nke Bronz na Udi Ụlọ Owu

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Onye Meriri Onyinye A Kwadoro

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Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Villa Gilbam Ụlọ Obibi

Villa Gilbam bụ ụlọ obibi dabere n'ugwu dị na mpaghara Siahkal nke ugwu Iran. Saịtị ahụ kpuchiri ihe dịka mita kwabiri 750, wee daa ihe dịka pasent iri site n'ọwụwa anyanwụ ruo n'ọdịda anyanwụ. Ụlọ ahụ guzo n'akụkụ ọwụwa anyanwụ nke ala ahụ, n'otu ihe onyụnyụ ahịrịnhọrọ mita 8 site na 15 ebe ụlọ mbụ dịbu na ya, nke mere na nkwụkọ ya na ala adịghị ukwuu. Ogbunigwe abụọ na-esighị n'ala apụta site n'ime obi ya n'ọkwa ala na nke mbụ n'elu ala ma-esighị ala aka. A na-atụgharị ogbunigwe atọ ndị ahụ ka ha mepụta oghere etiti ha jikọtara ọnụ nke nwere ọhụụ nke ugwu ndị gbara ha gburugburu.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Bronz

Villa Gilbam Ụlọ Obibi meriri A' Design Award nke Bronz, nnabata dị oke ugwu e nyere design ndị pụtara ìhè nke a ma ama maka nzụlite ihe, ọgụgụ isi na nghọta. Ndị meriri na Bronz bụ ihe e mere nke ndị nwere nka nke ukwuu ma dị mma n'imepụta nke na-egosi ahụmahụ buru ibu, echiche na ọgụgụ isi nke ndị designer ha. A na-atụ anya na Villa Gilbam Ụlọ Obibi ga-abụ ihe a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya, nke dị oke ọrụ ma dị ọhụrụ. Design a meriri A' Design Award nke Bronz na-agụnye ụzọ kacha mma n'ime nka, sayensị, design na teknụzụ, ma dị mma nke ukwuu maka nlebara anya ya n'obere ihe. Villa Gilbam Ụlọ Obibi na-emezu mkpa nke ọma, na-emetụ ọchịchọ aka, na-adọrọ mmetụta obi ma na-adọta ọchịchọ ịmara.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: In the plan of Villa Gilbam, solutions have been found for issues, including the location that the villa should be established there, the impacts of climate and neighborhood on its design, and the desired quality of the shared space.
Nha & Mkpuchi: Due to the fact that climate and neighborhood were not the limiting factors for the location of the villa, the east of the land, which used to be a place of another building in the past, was allocated for this purpose. With the aim of minimizing intrusion and seizure of the area, the connection surface of the villa to the land was limited to the same rectangle of the old building with dimensions of about 8 × 15 meters. To meet the demands of the employer, which required 350 square meters, two console volumes were added to the initial core of the project at ground level and the first floor without connecting to the ground.
Teknụzụ Mmepụta: The project land with an approximate area of 750 square meters is located on the slopes of one of the mountains in northern Iran in the Siahkal region. The land with an unknown geometry has a slope of about 10% from east to west. In the east of the land, and in a rectangle section measuring 8 × 15 meters, intrusion and seizure were seen; as if this rectangle had been a place of a building in the past. The project’s employer has needed a place with an area of 350 square meters.
Ịma Aka Imepụta: The two console volumes at the height have slid over each other in such a way that neither of them obstructs the proper light of the south and the proper view of the north and south for each other. The console volume located on the ground floor level is in the south and the first level console volume is located in the north. Suitable light from the south passes over the southern volume and reaches the northern volume. Also, the northern volume has a good view of the southern mountains. Below the northern volume is empty and the southern volume overlooks the northern landscape.
The angle of the three volumes of the villa relative to each other was adjusted in a way to create a shared space in the heart of the building. This space has a perfect and extraordinary view of the surrounding mountains.
Nchọpụta: The current project design is a quantitative and qualitative one. The most important goals are achieving proper functioning, creating the desired spatial quality, resuscitation of the middle courtyard as patterns of indigenous architecture, and reducing energy and construction material consumption. To achieve the goals of the project Field observation, study of the needs of the client, study of historical texts, the study of architectural standards, technical characteristic observation Of materials, the study of regional climate have been considered.
Mkpali: Factors such as the desired spatial quality, local architecture, climate, and exposed usage of materials have been considered in the project design. We believe that the beautiful innovative useful architecture of Villa Gilbam is the result of using the above-mentioned factors in the project simultaneously.
The angle of the three volumes of the villa relative to each other was adjusted in a way to create a shared space in the heart of the building. This space has a perfect and extraordinary view of the surrounding mountains.
Oge Ọrụ: The design of the project started in June 2016 and finished in December 2016 in Tehran.
Usoro Ọrụ: One of our primary design goals was material disclosure. We believe that the use of exposed materials not only creates an indigenous feeling in the spaces but also causes less damage to the environment.
Ndị Otu: Principal Architects: Davood Boroojeni - Saba Ammari
CG Artist: Peyman Nozari
Asụsụ Foto: Image #1: Illustrator Peyman Nozari, 2021.
Image #2: Illustrator Peyman Nozari, 2021.
Image #3: Illustrator Peyman Nozari, 2021.
Image #4: Illustrator Peyman Nozari, 2021.
Image #5: Illustrator Peyman Nozari, 2021.