Orbit A Collection Nchịkọta Ihe Ịchọ Mma nke Suyu Chen

Ihe emepụtara bụ Orbit A Collection Nchịkọta Ihe Ịchọ Mma nke Suyu Chen bụ onye meriri a na-asọpụrụ nke ukwuu nke 2022 Ihe Nrite A' Design Award nke Igwe na Udi Asọmpi Nhazi Ọla Ịchọ Mma.

IgweỌla Ịchọ Mma· 2022

Orbit A Collection Nchịkọta Ihe Ịchọ Mma

nke Suyu Chen

Onye Ahịa: Suyu Chen

Onye Meriri Ihe Nrite A' Design Award nke Igwe na Udi Ọla Ịchọ Mma

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #131168

Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Orbit A Collection Nchịkọta Ihe Ịchọ Mma

Orbit A Collection bụ usoro ihe ịchọ mma e ji aka rụọ nke gụnyere brooch na necklace abụọ. Ihe ọ bụla dị iche na ya bụ nke naanị ya, ma jikọta sterling silver na tube rọba, resin clay na agba ese. E ji otu ngwa rọba ahụ mee ihe ọtụtụ oge dịka ntọala isi iji mepụta ọdịdị dị iche iche a na-eyi eyi ma bụrụkwa ihe ọkpụkpụ egwuregwu anya. E ji usoro nka ígwè ochie dịka soldering, forming na chain making, tinyere plastic welding, sanding na agba agba emejupụta ihe ndị a. Nchịkọta a na-egosipụta mmekọrịta dị n'etiti ọrụ aka ochie na mmepụta ihe nnukwu ọnụọgụgụ nke oge a.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Igwe

Orbit A Collection Nchịkọta Ihe Ịchọ Mma meriri A' Design Award nke Igwe, nnabata dị ugwu e nyere design ndị dị mma nke na-emezu ihe ndị a chọrọ n'ọrụ na ụlọ ọrụ nke a na-atụ anya n'ihe e kere eke ndị e mere nke ọma. Ndị meriri na Igwe na-egosi nka buru ibu, ọkachamara dị elu, nghọta ọkachamara na ikike imepụta nke ndị kere ha. A na-atụ anya na Orbit A Collection Nchịkọta Ihe Ịchọ Mma ga-abụ ihe e kere eke a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya nke bụ ihe bara uru ma dị ọhụrụ. Design a meriri A' Design Award nke Igwe na-ejikọta ụzọ kacha mma nke ụlọ ọrụ ma nwee àgwà teknụzụ kwesịrị ekwesị jikọtara na ihe ọmụma na talent. A na-asọpụrụ Orbit A Collection Nchịkọta Ihe Ịchọ Mma maka nlezianya ya ma e mere ya ka ọ nye mmeziwanye ndụ nke na-enyere aka ime ka ụwa bụrụ ebe ka mma.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: Each piece in this collection is handcrafted and one-of-a-kind, featuring a combination of precious metals and mixed materials, such as plastic tubes and resin. By composing jewelry works that relate to subtle forms and marks, the works embody the relationships between practices and artificial objects in traditional arts and modern mass production. Through random separating, texturing, and coloring the plastic tubes, the jewelry pieces present unique consequences with an emphasis on minimalism and elegant forms.
Nha & Mkpuchi: Brooch: 35*35*145mm
Double-tube necklace:127*40*50mm
Chain link statement necklace: 250*250*30mm
Mkpado: jewelry, necklace, brooch, craft, mixed material, art jewelry
Teknụzụ Mmepụta: The metal structure utilized traditional metalsmithing techniques, such as soldering, forming, and chain-making. For the alternative medium parts, plastic-welding and various paints combination were applied, including enamel paints, gesso, and acrylic.

Material: sterling silver(925 silver), plastic tube, resin clay, enamel paints, gesso, acrylic, stainless steel(for the brooch pin)
Ịma Aka Imepụta: Methods to assemble and secure the parts were the most essential and challenging throughout the whole process, while various experimentation had been performed in preparation. Although the tubes were manufactured within the same standard, they were however not entirely equivalent. The slight form difference requires a more precise structure design in order to assemble all parts together perfectly. Especially for the metal part, multiple models need to be done and tested before the final outcome.
Nchọpụta: By studying the history of craft-making, traditional apprenticeship culture both in China and western society, and the idea of modularity in the art fields through books, articles, and interviews, this project focuses on the repeated use of the same component, plastic electrical conduits, to create both wearable and sculptural objects. Making art using a certain strict component or principle is not uncommon in art history. The occurrence not only happened in the craft fields, but also in fine arts and even literary creation. The nature of human activities and artifacts becomes a part of the artwork concept.
Mkpali: By exploring the Chinese cultural background, and the idea of modularity in the traditional art fields, the project focuses on the repeated use of the same component, plastic electrical conduits, to create both wearable and sculptural objects. The aim of the work is not simply to compose forms or examine functions of jewelry within one simple material, but also to memorialize and symbolize mixed thoughts related to the experience of nostalgia and self-identity that arise from being away from home.
Oge Ọrụ: The project started in January 2019 in Rochester, New York, United States, and was completed in December 2020. The collection works had been exhibited internationally, including in New York City Jewelry Week 2019(NYC, US), JOYA 2020(Barcelona, Spain), Gioielli in Fermento 20|21(Milan, Italy), Art in Media 2021 (Burchfield Penny Art Center, Buffalo, US) and Beijing International Jewellery Exhibition(Beijing, China).
Usoro Ọrụ: This collection focused on the variation and transformation of endless forms by continued use of the same artifact as a basic module. Revealing subtle layers of imperfection through painting, sanding, separating, and combining.
Ndị Otu: Suyu Chen
Asụsụ Foto: Image #1, #2, #3 and #4 Photographer Suyu Chen, Orbit A Collection, 2019
Image #5, Photographer Jiageng Lin, Orbit A Collection, 2020