Kyotology Hootelu nke Naoto Doi and Koji Yamanaka

Ihe emepụtara bụ Kyotology Hootelu nke Naoto Doi and Koji Yamanaka bụ onye meriri a na-asọpụrụ nke ukwuu nke 2021 Ihe Nrite A' Design Award nke Igwe na Udi Asọmpi Nhazi Ọbịa Ọma, Ezumike, Njem na Nleta Ebe.

IgweỌbịa Ọma· 2021

Kyotology Hootelu

nke Naoto Doi and Koji Yamanaka

Onye Ahịa: Cosmos More

Onye Meriri Ihe Nrite A' Design Award nke Igwe na Udi Ọbịa Ọma

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Onye Meriri Onyinye A Kwadoro

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Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Kyotology Hootelu

Akwụkwọ "In Praise of Shadows" nke Junichiro Tanizaki dere na nyocha e mere gbasara omume ndị njem na Kyoto tọrọ ntọala ọrụ a. Tanizaki kwuru na ndị Japan hụrụ onyinyo n'anya karịa ìhè n'akụkọ ihe mere eme ha niile, nke dugara n'ụdị ihe owuwu ọdịnala Japan dịka ijikọta mpụga na ime ụlọ. Nyocha ahụ gosiri na ndị njem na Kyoto nwere nnukwu mmasị n'omenala na akụkọ ihe mere eme ya, ya mere ndị otu ahụ họpụtara "Zuru ike ma Chọpụta" dịka echiche ha wee mepụta hootelu ebe a na-agba ndị ọbịa ume ka ha mụta ihe, nweta ahụmịhe ma zuru ike.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Igwe

Kyotology Hootelu meriri A' Design Award nke Igwe, nnabata dị ugwu e nyere design ndị dị mma nke na-emezu ihe ndị a chọrọ n'ọrụ na ụlọ ọrụ nke a na-atụ anya n'ihe e kere eke ndị e mere nke ọma. Ndị meriri na Igwe na-egosi nka buru ibu, ọkachamara dị elu, nghọta ọkachamara na ikike imepụta nke ndị kere ha. A na-atụ anya na Kyotology Hootelu ga-abụ ihe e kere eke a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya nke bụ ihe bara uru ma dị ọhụrụ. Design a meriri A' Design Award nke Igwe na-ejikọta ụzọ kacha mma nke ụlọ ọrụ ma nwee àgwà teknụzụ kwesịrị ekwesị jikọtara na ihe ọmụma na talent. A na-asọpụrụ Kyotology Hootelu maka nlezianya ya ma e mere ya ka ọ nye mmeziwanye ndụ nke na-enyere aka ime ka ụwa bụrụ ebe ka mma.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: As the number of hotel rooms had increased 400% since 2012, majorities are focused more on its capacity which did not have the local culture nor history. Therefore we felt an urge to create a place where tourists can experience traditional accommodation of Kyoto. The hotel initiates the local economic system by attracting curious users. Intertwining exterior and interior especially placing the inner garden in every room makes this brand established.
Nha & Mkpuchi: Width 24053mm x Depth 10090mm
Site area: 295.04sqm
Total floor space: 485.11sqm
Mkpado: Kyoto, garden, Shadow, architecture, heritage, local economy
Teknụzụ Mmepụta: Vertical lines that are created by standing seam roofs emphasize changing shadows during the day. High edge roof end is a symbol of Sukiyazukuri style which is a common style for a building exclusively used for a Japanese tea ceremony. We surveyed neighbors’ window levels to avoid direct eye contact between users and neighbors. By adjusting window placements from neighbors, users could feel secure and private while staying in the guest rooms.
Ịma Aka Imepụta: It is common for a government to set landscape regulations to maintain the historical view of the city, and Kyoto city also sets various and precise rules mainly for color of facade, height of the building and usage of the balcony/rooftop. Since Kyoto city added more rules to the regulations while we were planning, we were forced to be flexible and let go of some of the design details. Architectural regulation made it really difficult to place the inner garden; we had to think carefully about balancing between architectural structure, livable environment for plants in the garden, and comfort of the guests.
Nchọpụta: First of all, our R&D team researched about the history of the site and Kyoto. The area around the site was located close to Zen temple, and it has been left out from urban development of the city. Volume of travellers in Kyoto, popular tourist attractions, travelling patterns and many more elements were researched. Secondly, we visited the site and the former owner. The owner used to live at the site with his family for generations in a classical Japanese style house with a well-maintained garden. As soon as we saw the original site, we knew that we had to keep the original vibes. Thirdly, the team visited local shops and restaurants to look for potential partnerships. Since the hotel is not equipped with a kitchen, it was necessary to provide food for hotel guests from nearby restaurants.
Mkpali: In the book "In Praise of Shadows" Tanizaki stated the conceptual base of Japanese architectural beauty lies in shadows. Japanese cherish shadows over the history of its cultural development, and we translate its concept into modern architecture. By intertwining exterior and interior, and garden and concrete, shadows began to shine. Another inspiration was the local people who were eager to reactivate the local economy by collaborating with the local designers, constructors, and shop owners.
Oge Ọrụ: The project started in January 2018 in Kyoto and Tokyo Japan.
Usoro Ọrụ: As soon as the guest arrive, they go through Noren at the gate to enter the site before entering the building which used to mean that they are entring a commercial space. The guests walk through lobby/lounge area, then they proceed to the front desk to check in. After check in, they proceed to the corridor lightened up with dim traditional lantern shaped room signs.
Ndị Otu: Naoto Doi - Cosmos More
Koji Yamanaka - GENETO Architects Office
Mitsuteru Nakada - GENETO Architects Office
Asako Yamashita - GENETO Architects Office
Asụsụ Foto: Cosmos More