The Pitched Roof Ọrụ Bụ Isi: Ụlọ nke Takaharu Tezuka and Yui Tezuka

Ihe emepụtara bụ The Pitched Roof Ọrụ Bụ Isi: Ụlọ nke Takaharu Tezuka and Yui Tezuka bụ onye meriri a na-asọpụrụ nke ukwuu nke 2021 Ihe Nrite A' Design Award nke Ọlaọcha na Udi Asọmpi Nhazi Ụlọ Owu, Ụlọ na Ihe Owuwu.

ỌlaọchaỤlọ Owu· 2021

The Pitched Roof Ọrụ Bụ Isi: Ụlọ

nke Takaharu Tezuka and Yui Tezuka

Onye Ahịa: Tezuka Architects

Onye Meriri Ihe Nrite A' Design Award nke Ọlaọcha na Udi Ụlọ Owu

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #117210

Gaa Saịtị Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka The Pitched Roof Ọrụ Bụ Isi: Ụlọ

Ụlọ nwere Elu Nkwụ bụ ụlọ otu ọkwa dị na Karuizawa, Japan, nke elu nkwụ dị mfe nnọọ kpuchiri. Naanị pasent iri anọ nke oghere dị n'okpuru elu ụlọ ka gbachiri agbachi, ya mere oke dị n'etiti ime na mpụga na-adịgide nwayọọ. Elu ụlọ nke gbatịpụrụ na-eru ihe karịrị mita isii site na ihe owuwu nke dị naanị milimita 200 n'ọtụtụ. Elu apịajiri apịaji, nke yiri mkpụrụedemede L na-arụ ọrụ dị ka akụkụ monocoque ma na-ebelata nkwado achọrọ. Ọnụ ụzọ mmịpụ na-enye ndị bi na ya ohere ịgbanwe àgwà nke oghere obibi. Ụlọ a na-akọwaghachi mgbidi ohu miri emi nke ọwuwu ụlọ ọdịnala Japan.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Ọlaọcha

The Pitched Roof Ọrụ Bụ Isi: Ụlọ meriri A' Design Award nke Ọlaọcha, nnabata dị oke ugwu e nyere design ndị dị n'ọkwa kachasị elu, mara mma ma na-eju anya. Ndị meriri na Ọlaọcha bụ ọrụ na-egbu maramara nke ukwuu ma dị oke nzụlite nke na-egosi ọmarịcha ihe ọmụma, talent na nghọta nke ndị designer ha. A na-atụ anya na The Pitched Roof Ọrụ Bụ Isi: Ụlọ ga-abụ ọrụ dị ịtụnanya, ihe nlereanya, nke dị oke ọrụ ma dị omimi n'ihe ọhụrụ. Design a meriri A' Design Award nke Ọlaọcha bụ ihe e mepụtara dị oke ịrịba ama, nke a na-eto nke na-erite uru ma na-ebuga oke nka, sayensị, design na teknụzụ n'ihu. The Pitched Roof Ọrụ Bụ Isi: Ụlọ bụ ihe e kere eke ọtụtụ ndị na-ekwo ekworo ya nke na-akpali ọchịchọ, na-eweta mmetụta ọma ma na-akpali ịtụnanya.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: This is a house located in Karuizawa, Japan with an extremely simple pitched roof. Traditional Japanese houses do not create enclosed environments but instead, form spaces that enable easy transition from the inside to the outside. By forming a blurred boundary, only forty percent of the space under the roof is enclosed within the interior. While the inside is being used primarily by the inhabitants as living spaces, it is the outside that defines it.
Nha & Mkpuchi: Floor: Single floor
Ceiling Height: 2,100 mm
Roof Height: 3.446 mm
Site Area: 1,059.18 m2
Floor Area: 208.56 m2
Mkpado: House, Pitched Roof, Cantilevered, Japanese, Deep eaves, Boundary, Wood structure,
Teknụzụ Mmepụta: The cantilevered roof of over 6 meters, pushes the limit of the 200mm thick roof structure. By adopting a folded shape as the main structural element, it minimizes the support needed as compared to having a flat roof, which would require three times more of the support utilized. Like the Japanese papercraft, Origami, the L-shaped surface acts as a monocoque element – not resisting stiff but drooping about 5 centimeters under snow pressure like tree branches in the forest.
Ịma Aka Imepụta: In Traditional Japanese Houses, the space under the eaves is often associated with columns. However, these columns serve purely as structural elements to support the cantilevered edges and are not crucial in enclosing the space. Had technology been much more advanced, we would have been able to design without columns years ago. We are now able to achieve the real intricate quality of open spaces in Japanese Architecture - a feat that was not possible for carpenters 400 years ago.
Nchọpụta: The pitched roof house is trying to reach a certain level of mutability by re-interpreting the traditional elements into modern context. In aiming to heighten qualities of architectural mutability, the work is tied into a long tradition of Japanese vernacular architecture known for its sliding doors, screens, and other boundary-modulating elements, such as deep eaves. These elements not only create the spatial fluidity, but also open the architecture to life-giving elements of sunlight, wind, and humidity, modestly scaled the ubiquitous digital lifestyle with a return of nature.
Mkpali: Deep eaves, as one of the most important Japanese traditional architecture elements in local monsoon climate, are almost extinct in modern houses. It is essential to comprehend the meaning of these traditional elements in the modern setting. With the latest technology, the house seek to reinterpret the deep eave in the context of a humid climate, retain and create more opportunities for these distinctive Japanese qualities to sprout forth in modern architecture.
Oge Ọrụ: The project started in July 2007 and finished in May 2009 in Karuizawa, Japan
Usoro Ọrụ: The house is designed for a well-known Japanese pop songwriter who wanted to create a place where he could disconnect from the pressures of daily life. The space enclosed enables the inhabitants to perform their basic living tasks while open space under the deep eaves allows them to connect to nature and the surroundings. The sliding doors which divide the inside from the outside can be used to realize the shift in ambiance within the living space.
Ndị Otu: Constructor: Niitsugumi Co., Ltd.
Structure: OHNO-JAPAN
Lighting: BONBOLI Lighting Architect & Associates
Landscape: GA Yamazaki
Asụsụ Foto: Image #1: Photographer Katsuhisa Kida, FOTOTECA, 2009.
Image #2: Photographer Katsuhisa Kida, FOTOTECA, 2009.
Image #3: Photographer Katsuhisa Kida, FOTOTECA, 2009.
Image #4: Photographer Katsuhisa Kida, FOTOTECA, 2009.
Image #5: Photographer Katsuhisa Kida, FOTOTECA, 2009.