Ike Ọrụ Bụ́ Isi: Ụlọ nke Hatsuo Morimoto

Ihe emepụtara bụ Ike Ọrụ Bụ́ Isi: Ụlọ nke Hatsuo Morimoto bụ onye meriri a na-asọpụrụ nke ukwuu nke 2021 Ihe Nrite A' Design Award nke Bronz na Udi Asọmpi Nhazi Ụlọ Owu, Ụlọ na Ihe Owuwu.

BronzỤlọ Owu· 2021

Ike Ọrụ Bụ́ Isi: Ụlọ

nke Hatsuo Morimoto

Onye Ahịa: moKA architectural design office

Onye Meriri Ihe Nrite A' Design Award nke Bronz na Udi Ụlọ Owu

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Onye Meriri Onyinye A Kwadoro

Nyochaa Ọnọdụ Onyinye maka #110168

Lee na A' Design Award Akụkọ Mgbasa Ozi Akara Onyinye

Agba

Nhazi a

Maka Ike Ọrụ Bụ́ Isi: Ụlọ

Ederede Akwụkwọ: Ike bụ ụlọ nwere ogbunigwe atọ na penthouse, e wuru ya n'ime obodo Nagoya, Japan, bụ́ ebe mmadụ jupụtara nke ukwuu. Ụlọ e ji ndozi kọnkịtị wuo nwere mpaghara ihe owuwu nke dị mita kwụ ọtọ 365 na mpaghara ala niile dị mita kwụ ọtọ 602. E jiri kọnkịtị nwere àgwà osisi mechie mgbidi ndị dị n'èzí, nke e mere site na ịkọwa ogidi osisi cedar tupu ewupụ kọnkịtị. Ọnụ ụzọ garaji e ji osisi mee, iko windo curtain wall, na oke nkume mejupụtara ihe ndị dị n'èzí ụlọ. Ubi nta atọ dị iche iche na-eweta ìhè na-abịaghị ozugbo, ikuku na akwụkwọ ndụ n'ime ime ụlọ. E kewapụrụ oghere n'etiti ogbunigwe ndị dị n'elu ka anwụ nwee ike ịba ruo n'ụlọ ndị agbata obi.

Nkwanye Ugwu

Maka Ihe Nrite A' Design Award nke Bronz

Ike Ọrụ Bụ́ Isi: Ụlọ meriri A' Design Award nke Bronz, nnabata dị oke ugwu e nyere design ndị pụtara ìhè nke a ma ama maka nzụlite ihe, ọgụgụ isi na nghọta. Ndị meriri na Bronz bụ ihe e mere nke ndị nwere nka nke ukwuu ma dị mma n'imepụta nke na-egosi ahụmahụ buru ibu, echiche na ọgụgụ isi nke ndị designer ha. A na-atụ anya na Ike Ọrụ Bụ́ Isi: Ụlọ ga-abụ ihe a na-asọpụrụ nke ukwuu, a na-eto na a hụrụ n'anya, nke dị oke ọrụ ma dị ọhụrụ. Design a meriri A' Design Award nke Bronz na-agụnye ụzọ kacha mma n'ime nka, sayensị, design na teknụzụ, ma dị mma nke ukwuu maka nlebara anya ya n'obere ihe. Ike Ọrụ Bụ́ Isi: Ụlọ na-emezu mkpa nke ọma, na-emetụ ọchịchọ aka, na-adọrọ mmetụta obi ma na-adọta ọchịchọ ịmara.

N'azụ Nhazi a

Ngwugwu Mgbasa Ozi

Nkwurịta okwu, ndị otu na nkọwa teknụzụ nke onye nhazi nyere.

Àgwà Pụrụ Iche: The concrete of the outer wall skin of the building is grained.
This kind of skin is expressed by pasting a cedar board inside the formwork and pouring concrete into it.
By providing this concrete wall three-dimensionally, it gives a sense of dynamism to the architecture.
By changing the composition of the surface, it becomes a sculptural accent of the overall form.
These "deviations" provide space for light and wind to enter and exit, and also provide benefits to the interior space.
Nha & Mkpuchi: Site area 365㎡, floor area 602㎡, 3 stories + penthouse, reinforced concrete construction
Mkpado: Architecture, House, Concrete, Curtain wall, Garden, Japanese
Teknụzụ Mmepụta: As a designer, I am also aware of the cityscape in this residential area.
The exterior material should have been fashion-independent.
I used universal wood grained concrete exposed finishes, garage door wood, curtain wall glass, and stone fence blocks.
These have a solid design that directly conveys the texture of the material.
In a densely populated urban area, it contributes to the formation of a good cityscape without being eccentric.
Ịma Aka Imepụta: Neighboring houses need to be considerate of each other because they stand urgently in this environment of the city.
The shape of this house is offset toward the upper floors so that the neighboring house does not limit all sunlight.
Furthermore, it is designed to acquire the necessary living space while suppressing the height, which is a legal constraint.
Nchọpụta: Since the Meiji era, 150 years ago, feudal regulations have been removed, and it has become possible to own land and build houses according to financial resources.
The site in the city area is becoming more fragmented, the distance to the neighboring house is becoming closer, and privacy is becoming more conscious.
The property awareness of land and buildings is increasing, and people tend to be nervous about actions at the border.
But housing should not be too closed.
The task this time is a perfect balance of the transparency of the various skins that architecture wears.
Mkpali: The urban areas of Japan are often densely populated with houses.
It is necessary to think about the architectural space in the limited site, even though it is imminent with the neighboring house.
How to arbitrate with the surrounding environment is an important design issue.
Residents want to hide their private life, but it's stuffy to be closed.
Therefore, we focused on materials that have various transmission functions on the exodermis.
Oge Ọrụ: This project started in Nagoya in October 2016, started construction in May 2017, and was completed in January 2019.
Usoro Ọrụ: This house occupies about 70% of the land.
I try to encourage indirect light and ventilation into the room by setting up gardens as pockets in three places.
As a result, the residents can see the greenery arranged there from the interior space of the house.